1978 Czechoslovak film

A documentary about Suzzanna, "the Queen of Indonesian horror" - an actress who starred in many of the country's most iconic and beloved horror pictures.

The most famous of Indonesian ghosts, the Kuntil Anak, tells the story of Raesita, the batik artist, whose heavy grief after the death of her husband draws the ghost to her. They seduce each other into a deadly dream world. Raesita's own desire for oblivion moulds perfectly to the Kuntil Anak's desire to save her from the pain of life. But it is Raesita's unborn child, and its desire to live, that the Kuntil Anak has not counted upon.

1981 film by Sisworo Gautama Putra

In a rural village in Thailand, Mak is sent to fight in a war and leaves his pregnant wife, Nak. Mak is injured and barely survives. He returns home to his doting wife and child, or so he thinks.

Naoyuki Niiya throws in every influence ranging from pre-war kamishibai to Edogawa Rampo and creates a hilariously horrible and exciting tale of an inspector, who gets lost on a mountain.

Nabeshima Naoshige murders his lord, Ryuzoji Takafusa, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman trigger a curse on him when she also commits suicide at the same marsh — forcing him to suffer the consequences of his past actions.

During a beach excursion, Nfissa, a young mother, is lynched to death by a group of young men, while swimming offshore. Nobody seems to witness her disappearing. Anxiety and fear grow among the family, especially as, on the same beach, bathers suddenly die.

Hayat, a 12-year-old strong-willed girl, lives in a poor fishing village governed by dark tradition, in which every family must give away a daughter to the sea creatures who inhabit the waters near by. In turn, the sea creatures are hunted by the men of the village. Saved from this ordeal by her father, Hayat is outcasted by her village and considered a curse. But Hayat never surrenders. When Hayat’s mother gives birth to her new-born brother, Hayat must accept the brutal custom by sacrificing herself to these creatures or find a way to escape.

A married man on a business trip checks into a hotel. The hotel manager’s daughter falls for him at first sight. Rejected by the man, she embarks on a journey of revenge...

A company hopes to open a spa hotel named after Ieodo, a mythical island inhabited by the souls of drowned sailors. During a study trip to the proposed location of the hotel, a journalist disappears under mysterious circumstances. One of the contractors goes to Ieodo's neighboring island, populated by widows of the dead sailors, to unravel the mystery.

Footage of an erupting volcano with lava moving to music.

Tells a story of a Pakistani boy's experience and obsession with death and the Zoroastrian rituals of purification and regeneration. Shows how he develops into a young revolutionary and confronts love, religious conflict, and his own death.

For reasons unknown, a flautist and an astronomer find themselves drawn to one another. But, when the flautist stumbles upon a secret regarding his late father, the two wind up in a celestial duel against the ancient Master Flautist for earth's future.

Retake follows the journey of co-directors Gwaai Edenshaw (Haida) and Helen Haig-Brown (Tsilhqot'in) as they work to produce The Edge of the Knife, a feature-length film told entirely in the critically-endangered Haida language. The film tells the story of a traditional Haida legend, showcasing the Haida culture in many ways that have never been seen by a broad audience.

Edge of the Knife is a feature length Haida language film about pride, tragedy, and penance. Adiits’ii, the lead character in the film, is mentally and physically pushed to the brink of survival and becomes Gaagiixiid/Gaagiid - the Haida Wildman. The Gaagiixiid is one of Haida’s most popular stories, sustained over the years though song and performance. This project is a community initiative with strong support from the Haida people as well as from the Council of the Haida Nation.

Nalujuk Night is an up close look at an exhilarating, and sometimes terrifying, Labrador Inuit tradition. Every January 6th from the dark of the Nunatsiavut night, the Nalujuit appear on the sea ice. They walk on two legs, yet their faces are animalistic, skeletal, and otherworldly. Snow crunches underfoot as they approach their destination: the Inuit community of Nain. Despite the frights, Nalujuk Night is a beloved annual event, showing that sometimes it can be fun to be scared. Rarely witnessed outside of Nunatsiavut, this annual event is an exciting chance for Inuit, young and old, to prove their courage and come together as a community to celebrate culture and tradition. Inuk filmmaker Jennie Williams brings audiences directly into the action in this bone-chilling black and white short documentary about a winter night like no other.

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.