Dysfunctional friends Dignan and Anthony plan and execute a robbery with their pot-growing friend, Bob. The short film that inspired Wes Anderson’s feature debut.

Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.

1907, Massachusetts. A scholar drifts from his path and finds himself in a house he assumed to be deserted - apart from a beguiling book containing dark secrets that exerts a powerful hold over those who come into contact with it.

A Tribal Film. Made by a Vermont collective of women led by Barbara Hirschfeld and Julia Haines. A fascinating feminist experimental fiction shot on location in Vermont about a group of witches performing white magic.

John Carradine narrates the Washington Irving story of Ichabod Crane and the Headless Horseman.

A preacher is accused of adultery and he and his followers are chased out of town and become stranded in an isolated forest which is haunted by the spirits of long dead Native Americans.

WOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon from its beginnings in a trilogy of films - Michael Reeves' Witchfinder General (1968), Piers Haggard's Blood on Satan's Claw (1971) and Robin Hardy's The Wicker Man (1973) - through its proliferation on British television in the 1970s and its culturally specific manifestations in American, Asian, Australian and European horror, to the genre's revival over the last decade. Touching on over 100 films and featuring over 50 interviewees, WOODLANDS DARK AND DAYS BEWITCHED investigates the many ways that we alternately celebrate, conceal and manipulate our own histories in an attempt to find spiritual resonance in our surroundings.

The zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.