Singapore, 1994. Ah Girl is a curious 7-year-old girl. Since her parents separated, she lives in a small flat with her younger sister, Ah Tian, her easygoing Pa who works nightshifts, and her irritable Grandmother. They see their needy and unreliable Mum on weekends. One weekend, drunk Mum asks if Ah Girl wants to live with her when she gets a bigger flat. This question disrupts Ah Girl's sense of the world, and the rest of the film unfolds as she struggles with the decision. She becomes increasingly aware that her family life is far from normal.

陈哲艺近日接受《银幕》采访，透露他将把疫情元素纳入一部短片及其第三部长片作品[我们都是陌生人]中。在伦敦封锁期间，陈哲艺的妻子发烧了，在房间中隔离了一周。他们蹒跚学步的儿子并不理解为什么母亲要与他保持距离。陈哲艺在昼夜不停地给房子消毒期间，还受了伤。这段经历将被改编为一部短片，陈哲艺将在伦敦家中的地下室远程执导这部短片，该短片具体细节暂未知。
陈哲艺也将疫情元素融入了[爸妈不在家]、[热带雨]后的“成长三部曲”最终章[我们都是陌生人]中。该片由杨雁雁、许家乐主演，许家乐将饰演一个被残酷生活逼迫得快速成长的年轻人。该片将探讨现代新加坡的特权和不平等问题，这些问题因疫情而进一步加剧，同时也会触及到陈哲艺影片中反复出现的主题，即如何超越血缘关系发展亲情。陈哲艺利用去年疫情封锁期，花费了半年时间完成了剧本，他希望影片能在2022年开始拍摄[我们都是陌生人]。

2019 film directed by Anthony Chen

新加坡影片，影片入围第69届戛纳电影节(2016)影评人周单元，本片是新加坡K·华泽高柏的长片处女作，女主由华人黄璐主演。片名即是对于身份的隐喻。新加坡向来是多元种族和谐共处的现代国家典范，然而土生土长的印裔新加坡导演K.Rajagopal却在他的长片处女作中出人意料地将镜头对准了新加坡底层社会，在小印度的地下及不知名的河畔丛林里思考身份、种族与人的命运。

During the late 1990s, a busy working-class Singaporean couple hires a Filipino woman as a maid and nanny to their young son.