Lady Gaga's website inspection has announced her 7th studio album,
Mayhem, out February 14th! Her website currently has a countdown, teasing past eras.

YEJI <AIR> PROMOTION SCHEDULER
ALBUM RELEASE
2025.03.10 MON 6PM (KST) | 5AM (EDT)

SEULGI The 2nd Mini Album 【Accidentally On Purpose】
➫ 2025.03.10 6PM (KST)

【🚨】JENNIE 个人首张录音室专辑『Ruby』助阵合作阵容公开，共收录15首歌曲，全碟3月7日正式发行！• Dua Lipa • Childish Gambino • Kali Uchis • Doechii • FKJ • Dominic Fike
Ruby
The 1st Studio Album
Album packaging contains JENNIE Only Audio, Never-Before-Seen Photos, & Premium Inclusions
Ruby is the first full-length studio album from artist, entrepreneur, and global superstar JENNIE, released in collaboration with ODDATELIER & Columbia Records.
The carefully curated 15-song offering explores a variety of genres & showcases JENNIE truly stepping into her own.
JENNIE Only Audio version contains all vocals performed by JENNIE. It does not include any featured artists.

The lead rapper and main dancer in K-pop girl group BLACKPINK, Thai member LISA rose to worldwide fame as the first non-Korean artist at YG Entertainment. In 2021, she made her solo debut with the two-track release <i>LALISA</i>, finding particular success with swagger-driven “MONEY.” The song boasts of LISA’s exorbitant, idol-built wealth, a theme that continues on follow-up album <i>Alter Ego</i>. The 2025 collection marks a new chapter in LISA’s career, as it was the first released after she left YG Entertainment as a solo artist and launched management company Lloud.

As is the case with many K-pop releases, <i>Alter Ego</i> is not just an album—it’s an entire concept. For her solo album debut, LISA slips into five different comic booklike personalities (Roxi, Kiki, Vixi, Sunni, and Speedi), each with their own backstory, look, and dedicated album track. On “Rockstar” (Roxi) and “Lifestyle” (Speedi), LISA boasts about life as a global pop star, while “FXCK UP THE WORLD” (Vixi) allows the superstar a chance to play the villain: “Walked in causing havoc/Yes, that is a habit.” The romantic, France-set “Moonlit Floor” (Sunni) samples Sixpence None the Richer’s 1998 hit “Kiss Me,” swapping “beneath the milky twilight” for “under the Paris twilight.”

The high-concept framework doesn’t keep LISA from collaborating. The Kiki-inspired “New Woman” sees her teaming up with Spanish superstar ROSALÍA for airy electropop empowerment, while British singer-songwriter RAYE and American rapper Doja Cat are on board for the disco-infused, ’80s-inspired breakup track “Born Again.” LISA taps South African singer Tyla for “When I’m with You,” American rapper Megan Thee Stallion for one of two album versions of “Rapunzel,” and American rapper Future for one of two album versions of “FXCK UP THE WORLD.” The result makes for an album that, while grounded in the K-pop industry and crafted by a Thai artist, feels even more culturally expansive.

预计2025年2月25日发行的G-DRAGON正规专辑。

JISOO MINI ALBUM [AMORTAGE] SCHEDULER 20250214

鳄鱼迷幻、Yufu & the Velvet Impressionism 等独立乐团主脑Yufu 今日发行了个人的首张专辑《Heal Me Good》，他在台湾土生土长，却像活在七零年代英美平行时光，这张纯粹灵魂乐专辑承袭Curtis Mayfield、Barry White等大师精神。Yufu 锁定1974到1975年的经典灵魂乐风格，一人包办创作、演唱、混音、制作、多种乐器演奏。首支主打单曲〈Honey If You’re Extra〉于去年底率先推出，在欧洲累积超过20万串流点听；另一首展露性感的〈When？〉获得美国权威灵魂乐媒体《SoulTracks》推荐报导。

One summer night in 2022, during a break from shooting <i>The Crow</i> reboot in Prague, FKA twigs found her way outside the city to a warehouse rave, where hundreds of strangers were dancing to loud, immersive techno. The experience snapped the English polymath (singer, dancer, songwriter, actor, force of nature) out of the intense brain fog she’d been stuck inside for years—so much so that she was moved to invent a word to describe the transcendent clarity, a portmanteau of “sex” and “euphoria” (which also sounds a bit like the Greek word used to celebrate a discovery: eureka!). <i>EUSEXUA</i>, twigs’ third studio album (and her first full-length release since her adventurous 2022 mixtape, <i>Caprisongs</i>), is not explicitly a dance record—more a love letter to dance music’s emancipating powers, channeled through the auteur’s heady, haunting signature style.

The throbbing percussion from that fateful warehouse rave pulses through the record, warping according to the mood: slinky, subterranean trip-hop on the hedonistic “Girl Feels Good,” or big-room melodrama on the strobing “Room of Fools.” On the cyborgian “Drums of Death” (produced by Koreless, who worked closely alongside twigs and appears on every track), twigs evokes a short-circuiting sexbot at an after-hours rave in the Matrix, channeling sensations of hot flesh against cold metal as she implores you to “Crash the system...Serve cunt/Serve violence.” Intriguing strangers emerge from <i>EUSEXUA</i>’s sea of fog, all of them seeking the same thing twigs is—sticky, sweaty, ego-killing, rapturous catharsis.

On what was meant to be the last date of his 2022 tour, The Weeknd took the stage at Inglewood, California’s SoFi Stadium, but when he opened his mouth to sing for 80,000 screaming fans, nothing came out. Over the past 14 years, Abel Tesfaye has experienced what you might call pop’s glow-up of the century: When he emerged from obscurity as the faceless voice behind 2011’s noir-ish <i>House of Balloons</i> mixtape, nobody could have guessed that he’d be headlining the Super Bowl Halftime Show a decade later. But that moment onstage triggered what Tesfaye has since described as a breakdown, inspiring a period of intense reflection on his life and career—and <i>Hurry Up Tomorrow</i>, his sixth studio album.

Tesfaye has called <i>Tomorrow</i> the final chapter in the trilogy he began with 2020’s <i>After Hours</i>, the album that launched him into a new stratosphere of pop success, and continued with 2022’s high-concept <i>Dawn FM</i>. Continuing the narrative of its semi-autobiographical narrator’s journey through a dark night of the soul, <i>Tomorrow</i> doubles as an allegory about fame’s power to destroy: The curtain rises, and it’s all downhill from there. He longs for a time “when my blood never tasted like wine,” he wails over the night-drive synth-pop of “Take Me Back to LA,” and diagnoses fame as a disease on the glittering “Drive.” He’s ready to leave it all behind on “Wake Me Up,” a collaboration with French duo Justice: “No afterlife, no other side,” he sings, sounding entranced by the thought.

Its 22 tracks play out like the swan song to end all swan songs, joined by a murderer’s row of guests: Future lends a layer of scuzz to the deceptively sweet R&B slow-burner “Enjoy the Show,” Anitta taps in for the nocturnal baile funk of “São Paulo,” and frequent collaborator Lana Del Rey makes an appearance on “The Abyss,” where ominous lyrics like, “What’s the point of staying? It’s going up in flames” hit even harder after LA’s devastating fires in January 2025. Tesfaye has dropped repeated hints that this album won’t just close out the trilogy, but also his existence as The Weeknd. If that’s the case, “Without a Warning” encapsulates the arc of an artist who never let success get in the way of his ambition: “Take me to a time/When I was young/And my heart could take the drugs and heartache without loss/But now my bones are frail/And my voice fails/And my tears fall without a warning/Either way, the crowd will scream my name.”