哈乌·佩克将执导HBO纪录片[消灭所有的野兽](Exterminate All the Brutes，暂译)。该纪录片由4集组成，将通过历史、当代生活、小说，以一段深入人类最黑暗时刻的个人旅程，解构历史的创造和掩盖，探索欧洲殖民主义的剥削和种族灭绝形势。乔什·哈奈特将在后面几节中担任主角。

Winner, Alcuin Society Book Design Awards Second Prize (Prose Illustrated)
A National Bestseller Gathering together just over 250 objects, including paintings, prints, scientific illustrations, textiles, sculpture, metalwork and furniture, Making Her Mark illuminates the astonishing diversity and breadth of women's contributions to art of the pre-modern era (c. 1400-1800). In this important re-examination of early modern European art, an international team of scholars and curators assess the critical concepts that have shaped Western culture's understanding of what constitutes great art. In its recalibration of gender imbalances, this impressive volume offers an alternative view of the history of European art and sheds light on the collaborative nature of the creation of individual works and the interconnected histories of literature, politics, religion, science, and economics. Ambitious in its scope, Making Her Mark is a bold corrective to the historical assumption that female artists of the past were rare and that their work was unremarkable. The result is a dynamic introduction to scores of women artists whose names are entirely new and a long-overdue reassessment of the art, culture, and history of early modern Europe.

When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975, they brought their country to its knees and catapulted Iceland to the forefront of today's global fight for gender equality. Unexpectedly funny, laced with evocative animation and powerfully told by the women who lived it – this is the true story of 12 hours that launched a revolution.

New Zealand–born groundbreaking CNN camerawoman Margaret Moth risks it all to show the reality of war from inside the conflict, staring down danger and confronting those who perpetuate it.

A cinematic and introspective look at the residents of a Quebec town—once the site of the world’s largest asbestos mine—as they grapple with their community’s industrial past. Striving to honour their heritage while reconciling with their history and forging a new path forward, the miners delve into the intricacies of progress and healing.

A remote desert town, with a population of two people, is kept in pristine condition waiting for visitors that never seem to arrive.

High in the Rocky Mountains, nestled in the boreal forest, are solitary sentinels who survey the landscape as a critical first line of defence in wildfire detection. As North America grapples every year with the threat and devastation of such fires, which is increasing due to climate change, those who work the watchtowers with a bird’s-eye view sound the critical alarm that warns of impending danger. Like the occupations of lighthouse keeper or astronaut, the remote locations and voluntary isolation that are part of the job—along with the very real risk of being struck by lightning—attract a unique kind of individual to this vocation. Director Tova Krentzman crafts a portrait of these guardians that is as nuanced and stunning as the northern landscape, observing the observers as they share their keen insights about the natural world and our connection to it, and how their separation from an accelerated culture gives them an appreciation for this increasingly rare job that is being reshaped by encroaching technologies.

Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

A new documentary will see BAFTA- and Academy Award-winning director and acclaimed cineaste Martin Scorsese describe his relationship to iconic British filmmaking duo Michael Powell and Emeric Pressburger.
Scorsese describes how, from a young age, he was captivated by their films, how they helped shape his own filmmaking and how a later friendship with Powell left an indelible mark on his own life. Brought to life with a treasure trove of rare archive material from the personal collections of Powell, Pressburger and Scorsese, the story will be told using diaries, audio recordings, home movies, personal snapshots and, of course, the films themselves.