My Wife!: 2026

In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.

When a hopeless romantic makes a wish that his long-time crush falls in love with him, a sinister enchantment ensues.

Nabeshima Naoshige murders his lord, Ryuzoji Takafusa, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman trigger a curse on him when she also commits suicide at the same marsh — forcing him to suffer the consequences of his past actions.

Two colleagues become stranded on a deserted island, the only survivors of a plane crash. On the island, they must overcome past grievances and work together to survive, but ultimately, it's a battle of wills and wits to make it out alive.

1975 film directed by Robert Altman

1978 Czechoslovak film

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.

An encounter between the kid and four characters represented by costume props: gloves, foulard, trousers, and pullover, and an encounter between the golden age of American animation and Italian opera.

Anyone who saw Monelle (FID2019) won’t have
forgotten it. Genius peculiarto and filmmaker
Diego Marcon : creative, explosive sketches,
elementary and powerful devices designed
to remain burned both on the eye and in
the memory. Here, again, there are very few
characters: in a bedroom opposite the window,
a man sits on an unmade bed, then his two
children and finally their mother, each with a
contorted face à la Paul McCarthy. Again, the
sound is decisive: a chilling, disjointed ditty
sweetly describing abomination. The Parent’s
Room is a huddled-up horror film that, under the
domestic bliss, reveals the truth disrupting any
nuclear family: the murder. (Jean-Pierre Rehm)