父亲经营着一家皮艺店，母亲则在工厂负责皮包的设计和制作，他们对这门生意倾注了极大的感情和心力，却仍是经营惨淡，债主会不期而至。父亲决定以全店皮具五折的方式促销，起初似乎还挺有效，慢慢地作用却不再明显。母亲开始责怪父亲的经营方式和能力，平时在别处总是有一套套道理的父亲，此时却无言以对，懊恼地抽自己的嘴巴。家里家外的波折低落总是会过去，父亲和母亲还是满心祈愿：从明天，也许就能慢慢好起来吧。平淡甚至细碎的生活细节缓缓铺展：父亲想尽一切办法希望女儿长高，母女为店里收成不错的一天鼓掌欢呼，狭窄的过道里女儿为新的皮包充当模特……生活似乎总是艰难局促，而三个人的家庭里，一种难以名状的情感，却在这个过程里捉紧人们的呼吸。

Examines the relationship between cinematic portrayals of witches and postpartum depression, utilizing film history footage alongside personal testimony.

《洞穴寓言》中，柏拉图思考：如果其中一名囚犯挣脱枷锁，逃离洞穴会发生什么？如果那个囚犯是一个名叫杰伊的7岁小男孩呢？
导演声明
一座城市的日常活动背后隐藏着什么？去年冬天，我们在巴黎相遇，开始讨论柏拉图《理想国》中所述的《洞穴寓言》。这个寓言讲述了人类被束缚在枷锁中，背对洞穴，看着墙上的影子移动，以为那就是现实。我们都以图像为工作对象，图像当然可以是幻觉，但也可以成为思想斗争和解放的工具。因此，从这次讨论中，我们决定制作一部短片。我们有一些固定的想法——洞穴、舞蹈、我们周围熙熙攘攘的城市——以及一个问题：如果我们所有人都能一起转向洞穴的出口会发生什么？也许仅仅断言图像是幻觉并不足以打破束缚我们的枷锁。

Surgery is the new sex, 18th-century style. In David Cronenberg’s wry, surrealist miniature, four anatomical female wax models—taken from the collection of Florence’s 250-year-old science museum La Specola—lie in uncanny repose as the camera dreamily caresses their detachable organs, exposed body cavities, and glossy ceroplastic flesh. Under the director’s inimitable gaze, objects created as pedagogical tools take on an impassioned agency, contorting in perpetual agony and ecstasy.

故事发生在一个所有哺乳类动物和谐共存的美好世界中，兔子朱迪（金妮弗·古德温 Ginnifer Goodwin 配音）从小就梦想着能够成为一名惩恶扬善的刑警，凭借着智慧和努力，朱迪成功的从警校中毕业进入了疯狂动物城警察局，殊不知这里是大型肉食类动物的领地，作为第一只，也是唯一的小型食草类动物，朱迪会遇到怎样的故事呢？
近日里，城中接连发生动物失踪案件，就在全部警员都致力于调查案件真相之时，朱迪却被局长（伊德瑞斯·艾尔巴 Idris Elba 配音）发配成为了一名无足轻重的交警。某日，正在执勤的兔子遇见了名为尼克（杰森·贝特曼 Jason Bateman 配音）的狐狸，两人不打不相识，之后又误打误撞的接受了寻找失踪的水獭先生的任务，如果不能在两天之内找到水獭先生，朱迪就必须自愿离开警局。朱迪找到了尼克，两人联手揭露了一个隐藏在疯狂动物城之中的惊天秘密。

中产阶级男子刘万洙失业后为了再就业，在一本杂志上刊登了一个虚假的招聘广告，决定淘汰五个比他更有才华、更年轻、更英俊的人。他在无奈与希望之间来回穿梭，将竞争对手一一杀死……

Schum's first exhibition for television featured eight international artists who utilized water and land as both art medium and materia l. The format produced a new framework to present and perceive time and space on TV. Primarily functioning as an invisible witness to a variety of earth-driven art installations in Europe and the United States, the camera captures and disperses artistic process outside the typical studio environment. The broadcast presents Earth Work or Earth Art, "Land Art" was Schum's title, a term he is now recognized as coining with this 1969 broadcast.
The broadcast (transmitted by Sender Freies Berlin/ARD, 10.40pm, 15 April 1969) begins with a studio-recorded opening that has something of the atmosphere of a vernissage. Following short speeches by Schum and Jean Leering, the director of the Stedelijk Museum, Amsterdam, the artists' contributions are shown with no commentary. The eight artists from different countries (Richard Long, Barry Flanagan, Dennis Oppenheim, Marinus Boezem, Robert Smithson, Jan Dibbets, Walter de Maria, Mike Heizer) co-operated closely with Schum. The filming concentrates on the works of art that are created in rural sites, and there is none of the usual TV portrayal of the artist in a ‹studio atmosphere.› The elaborate productions were shot in Europe and the USA. Schum expanded the message of the emergent Land Art movement, which avoided the conventional ‹studio – gallery – collector› distribution channels: «Art should no longer be made for the privacy or exclusiveness of dealers or collectors. (...) Until now artists have not succeeded in finding a modern system of communication. The only chance I see for the visual arts is the conscious deployment of television.»
1- Richard Long, Walking a Straight 10 Miles Line Forward and Back Shooting Every Half Mile, Dartmoor England, Januar 1969 ; 6:00, s/w
2- Barry Flanagan, A Hole in the Sea, Scheveningen, Niederlande, Februar 1969 ; 3:45, s/w
3- Denis Oppenheim, Time track - Following the Time Border Between USA and Canada, Fort Kent, 17. März 1969 ; 2:05, s/w
4- Bob Smithson, Fossil Quarry Mirror with Four Mirror Displacements, Cayuga Lake Region, New York State, März 1969; 3:05, s/w
5- Marinus Boezem, Sand Fountain, Camargue, Frankreich, Januar 1969; 4:00, s/w
6- Jan Dibbets, 12 Hours tide Object with Correction of Perspective, Niederländische Küste, Februar 1969; 7:30, s/w
7- Walter de Maria, Two Lines Three Circles on the Desert, Mohave Desert, Kalifornien, USA, März 1969; 4:45, s/w
8- Michael Heizer, Coyote - Coyote Dry Lake California, USA, März 1969; 4:20, s/w und Farbe.

A prayer to broken glass and haunted concrete.

　　梅宝是一位对动物世界充满好奇的年轻女孩，她利用先进的意识上传技术，将自己的思维注入一只机械河狸体内。以这种独特的形态，梅宝结识了河狸王国的乔治国王等动物伙伴。然而，一个由房地产开发计划带来的威胁，正试图破坏动物们的栖息地。梅宝与她的新朋友们联手，利用机械河狸的能力和人类的智慧，共同对抗这个危机，守护动物们的家园。

六名好友在居家隔离期找了一位灵媒，想要通过Zoom进行降灵仪式。然而事情的发展远超他们的想象，一个恶灵似乎回应了他们的召唤，并且侵入了每个人的家中……