A journey from the harbor town of Jaffa to the Jaffa orange, a fruit through which the Israeli filmmaker examines the Israeli-Palestinian conflict.

S先生以官方「社区服务」的身分工作了二十年，出自于她的爱心，他无条件为「他的人民」奉献绝对的爱、盲目而毁灭性的爱。风水轮流转，S先生所服务的政权已走到尾声，周遭的社会环境一下子瓦解了，如同他的故国即将要消逝在眼前一般，他发觉自己完全没有可期盼的未来与远景。1990年2月，柏林围墙倒塌的数周后，国家安全局解散，身为其中一员的S先生也被迫结束事业。离职的那一天，S先生吐露这二十年来服务于核心机构的生活细节。

Route 181, offers an unusual vision of the inhabitants of Palestine-Israel, a common vision of an Israeli and a Palestinian.
In the summer of 2002, for two long months, Eyal Sivan and Michel Khleifi travelled together from the south to the north of their country of birth, traced their trajectory on a map and called it Route 181. This virtual line follows the borders outlined in Resolution 181, which was adopted by the United Nations on November 29th 1947 to partition Palestine into two states.
As they travel along this route, they meet women and men, Israeli and Palestinian, young and old, civilians and soldiers, filming them in their everyday lives. Each of these characters has their own way of evoking the frontiers that separate them from their neighbours: concrete, barbed-wire, cynicism, humour, indifference, suspicion, aggression…Frontiers have been built on the hills and in the plains, on mountains and in valleys but above all inside the minds and souls of these two peoples and in the collective unconscious of both societies.
Route 181, Fragments of a Journey in Palestine-Israel, takes us on a disorientating journey across this tiny territory with vast ramifications.

Izkor is about the orchestration of memory. The film shows how school children of all ages in Israel are taught to pay tribute to their nation's past. It keenly observes how some memories are even physically conditioned into the future generations. "One of the most truly, most intelligent, most terrible and sharpest films about Israeli society. A film on memory and politics: this is the way that Israeli society exploits its myths to train people to have no doubts or remorse, creating the soldiers of the future wars." (Tom Segev - Haaretz)

The incredible trial of a frighteningly ordinary civil servant. Inspired by Hannah Arendt’s Eichmann in Jerusalem: Α Report on the Banality of Evil and drawing entirely on the 350 hours of rare footage recorded during the trial of Adolf Eichmann in 1961 in Jerusalem, this film about obedience and responsibility is the portrait of an expert in problem resolving; a man responsible for the elimination of several million people; a modern criminal.
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