DENDURONBobby Pendragon is a seemingly normal fourteen-year-old boy. He has a family, a home, and even Marley, his beloved dog. But there is something very special about Bobby.He is going to save the world.And not just Earth as we know it. Bobby is slowly starting to realize that life in the cosmos isn't quite what he thought it was. And before he can object, he is swept off to an alternate dimension known as Denduron, a territory inhabited by strange beings, ruled by a magical tyrant, and plagued by dangerous revolution.If Bobby wants to see his family again, he's going to have to accept his role as savior, and accept it wholeheartedly. Because, as he is about to discover, Denduron is only the beginning....

From the actor who lived through the most improbable Hollywood success story, with an award-winning narrative nonfiction writer, comes the inspiring, fascinating and laugh-out-loud story of a mysteriously wealthy outsider who sundered every road block in the Hollywood system to achieve success on his own terms—the making of The Room , “the Citizen Kane of bad movies” (Entertainment Weekly).

In 2003, an independent film called The Room —written, produced, directed, and starring a very rich social misfit of indeterminate age and origin named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show . Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons.

Readers need not have seen The Room to appreciate its costar Greg Sestero’s account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans, The Disaster Artist is more than just an hilarious story about cinematic hubris: It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of a supremely enigmatic man who will capture your heart.

Both a memoir and an investigation, Swimming in a Sea of Death is David Rieff's loving tribute to his mother, the writer Susan Sontag, and her final battle with cancer. Rieff's brave, passionate, and unsparing witness of the last nine months of her life, from her initial diagnosis to her death, is both an intensely personal portrait of the relationship between a mother and a son, and a reflection on what it is like to try to help someone gravely ill in her fight to go on living and, when the time comes, to die with dignity.
Rieff offers no easy answers. Instead, his intensely personal book is a meditation on what it means to confront death in our culture. In his most profound work, this brilliant writer confronts the blunt feelings of the survivor -- the guilt, the self-questioning, the sense of not having done enough.
And he tries to understand what it means to desire so desperately, as his mother did to the end of her life, to try almost anything in order to go on living.
Drawing on his mother's heroic struggle, paying tribute to her doctors' ingenuity and faithfulness, and determined to tell what happened to them all, Swimming in a Sea of Death subtly draws wider lessons that will be of value to others when they find themselves in the same situation.

With The Blazing World, internationally bestselling author Siri Hustvedt returns to the New York art world in her most masterful and urgent novel since What I Loved. Hustvedt tells the provocative story of the artist Harriet Burden. After years of watching her work ignored or dismissed by critics, Burden conducts an experiment she calls Maskings: she presents her own art behind three male masks, concealing her female identity.
The three solo shows are successful, but when Burden finally steps forward triumphantly to reveal herself as the artist behind the exhibitions, there are critics who doubt her. The public scandal turns on the final exhibition, initially shown as the work of acclaimed artist Rune, who denies Burden’s role in its creation. What no one doubts, however, is that the two artists were intensely involved with each other. As Burden’s journals reveal, she and Rune found themselves locked in a charged and dangerous game that ended with the man’s bizarre death.
Ingeniously presented as a collection of texts compiled after Burden’s death, The Blazing World unfolds from multiple perspectives. The exuberant Burden speaks—in all her joy and fury—through extracts from her own notebooks, while critics, fans, family members, and others offer their own conflicting opinions of who she was, and where the truth lies.
From one of the most ambitious and internationally renowned writers of her generation, The Blazing World is a polyphonic tour de force. An intricately conceived, diabolical puzzle, it explores the deceptive powers of prejudice, money, fame, and desire.

The stir-fry is all things: refined, improvisational, adaptable, and inventive. It is the rare culinary practice that makes less seem like more, and by which small amounts of food feed many. For centuries the Chinese have carried their woks to all corners of the earth and re-created stir-fry dishes, using local and sometimes nontraditional ingredients. The old expression: "One wok runs to the sky’s edge" means "one who uses the wok becomes master of the cooking world." And as the wok user becomes master of the cooking world, so does he become master of the stir-fry, one of the greatest techniques of Chinese cookery. The technique and tradition of stir-frying, which is at once simple yet subtly complex, is as vital today as it has been for hundreds of years. In Stir-Frying to the Sky’s Edge, award-winning author Grace Young shares more than 100 classic stir-fry recipes that sizzle with heat and pop with flavor, from the great Cantonese stir-fry masters to the culinary customs of Sichuan, Hunan, Shanghai, Beijing, Fujian, Hong Kong, Macau, Taiwan, Singapore, and Malaysia, as well as other countries around the world. With more than 80 stunning full-color photographs, Young’s definitive work illustrates the innumerable, easy-to-learn possibilities the technique offers—dry stir-fries, moist stir-fries, clear stir-fries, velvet stir-fries—and weaves the insights of Chinese cooking philosophy into the preparation of such beloved dishes as Kung Pao Chicken, Stir-Fried Beef and Broccoli, Chicken Lo Mein with Ginger Mushrooms, and Dry-Fried Sichuan Beans. In honoring the traditions of her cultural ancestors who traveled the globe, Young offers delectable crossover recipes for Chinese Jamaican Jerk Chicken Fried Rice, Chinese Trinidadian Stir-Fried Shrimp with Rum, Chinese Burmese Chili Chicken, and Chinese American Shrimp with Lobster Sauce. Expert home cooks and professional chefs teach you the foundations of stir-fry mastery in the modern kitchen—everything from how to choose, season, and care for a wok and the best skillet alternative; the importance of marinades and the proper technique for slicing meat and poultry for optimum tenderness; to how to select and handle Asian vegetables; ways to shortcut labor-intensive preparations; and tips on how to control heat and choose the best cooking oil. Fascinating personal portraits illustrate how stir-frying is not just a cooking technique but a vital element of China’s rich culture. With this book, Grace Young has created the authoritative guide to stir-frying, a work that is at once rewarding and beautiful, much like the technique of stir-frying itself.

Once there was a witch who longed for pumpkin pie. Unfortunately, the pumpkin she had grown from a seed became so big she simply couldn't get it off the vine. Although "she pulled and she tugged and she pulled...that pumpkin just sat."Along came a ghost. "I am bigger than you and stronger, too," said he. "Let me try."Well, the witch wanted that whole pumpkin for herself. But she needed help -- Halloween was just hours away...With the rhythm and repetition that children love, Erica Silverman tells a rollicking story about a witch who, through her encounter with a ghost and other spooky creatures, discovers both the value of cooperating and the joy of sharing. S.D. Schindler brings this captivating crew to life in spirited paintings that are as warm as they are funny.

Something about our modern way of life is making us sick. The antidepressants of old caused such painful and disabling side effects that the new sophisticated medications featuring fewer side effects seem to present an effortless solution to overcoming depression. Although depression requires physical intervention to correct the brain chemistry imbalance, author Henry Emmons believes that this physical intervention can be effectively achieved without medication. Many physicians and psychologists rely on medication as the first response to treating depression but medications are certainly not the only way to treat depression nor are they always the best way to provide the necessary physical intervention. Dr Emmons believes that it is crucial to treat depression with a diet, exercise and lifestyle plan that helps to rebalance brain chemistry. The programme as presented in his book, focuses on creating a pathway from depression to joyful living and shares a plan for each of the three types of depression: anxious depression, agitated depression and sluggish depression.

A collection of 62 very short stories set in 1960s California, particularly around the author's home town of San Francisco. Richard Brautigan is the author of "Willard & His Bowling Trophies", "Trout Fishing in America", "In Watermelon Sugar" & "A Confederate General From Big Sur".

Shakespeare’s King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play.
The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom—one reason this most devastating of Shakespeare’s tragedies is also perhaps his most moving.
The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading
Essay by Susan Snyder
The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

In 2009, award-winning journalist Rebecca Traister started
about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven.

But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: The phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more. Today, only twenty percent of Americans are married by age twenty-nine, compared to nearly sixty percent in 1960.

Most Anticipated Reads of 2019 Selection by Publishers Weekly, BuzzFeed, The Rumpus, Lit Hub, The Week, and Elle.com*
Fifteen brilliant writers explore what we don’t talk to our mothers about, and how it affects us, for better or for worse.
As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize what she was actually trying to write: how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. The outpouring of responses gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers.
While some of the writers in this book are estranged from their mothers, others are extremely close. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything.
As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in breaking the silence. Acknowledging what we couldn’t say for so long is one way to heal our relationships with others and, perhaps most important, with ourselves.
Contributors include Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.

From acclaimed writer and scholar Philip Freeman, a contemporary retelling of classic Greek and Roman mythology. The myths of Greece and Rome have never died out; in fact they are as popular today as ever. For thousands of years, these myths have been the basis for plays, operas, paintings, and movies. Freeman’s version of the myths will appeal to the many people who are unsure about some mythological references, and to everyone who enjoys reading stories about errant gods, fantastic creatures, and human heroes. Whether it is Zeus’s wandering eye, Theseus’s battle with the half-human, half-bull Minotaur, or the tribulations of lovers, such as Pyramus and Thisbe or Hero and Leander, these tales never fail to entertain. They are by turns sublimely beautiful and deeply disturbing; they provide valuable insights into the Greek and Roman imagination. They speak to fundamental aspects of human nature—our hopes, fears, desires—that have not changed. Freeman’s version is contemporary and accessible. It reflects no school of critical interpretation, just a wish to share these stories in a version that is faithful to the originals. (Sometimes variations in the myths have been combined; sometimes one version has been chosen in preference to the others.)

A fascinating, epic exploration of who gets to record the world's history--from Julius Caesar to William Shakespeare to Ken Burns--and how their biases influence our understanding about the past.
There are many stories we can spin about previous ages, but which accounts get told? And by whom? Is there even such a thing as "objective" history? In this lively and thought-provoking book, Richard Cohen reveals how professional historians and other equally significant witnesses, such as the writers of the Bible, novelists, and political propagandists, influence what becomes the accepted record. Cohen argues, for example, that some historians are practitioners of "Bad History" and twist reality to glorify themselves or their country.
Making History investigates the published works and private utterances of our greatest chroniclers to discover the agendas that informed their--and our--views of the world. From the origins of history writing, when such an activity itself seemed revolutionary, through to television and the digital age, Cohen brings captivating figures to vivid light, from Thucydides and Tacitus to Voltaire and Gibbon, Winston Churchill and Henry Louis Gates. Rich in complex truths and surprising anecdotes, the result is a revealing exploration of both the aims and art of history-making, one that will lead us to rethink how we learn about our past and about ourselves.

Acclaimed historian Leslie Berlin’s “deeply researched and dramatic narrative of Silicon Valley’s early years…is a meticulously told…compelling history” (The New York Times) of the men and women who chased innovation, and ended up changing the world.
Troublemakers is the gripping tale of seven exceptional men and women, pioneers of Silicon Valley in the 1970s and early 1980s. Together, they worked across generations, industries, and companies to bring technology from Pentagon offices and university laboratories to the rest of us. In doing so, they changed the world.
“In this vigorous account…a sturdy, skillfully constructed work” (Kirkus Reviews), historian Leslie Berlin introduces the people and stories behind the birth of the Internet and the microprocessor, as well as Apple, Atari, Genentech, Xerox PARC, ROLM, ASK, and the iconic venture capital firms Sequoia Capital and Kleiner Perkins Caufield & Byers. In the space of only seven years, five major industries—personal computing, video games, biotechnology, modern venture capital, and advanced semiconductor logic—were born.
“There is much to learn from Berlin’s account, particularly that Silicon Valley has long provided the backdrop where technology, elite education, institutional capital, and entrepreneurship collide with incredible force” (The Christian Science Monitor). Featured among well-known Silicon Valley innovators are Mike Markkula, the underappreciated chairman of Apple who owned one-third of the company; Bob Taylor, who masterminded the personal computer; software entrepreneur Sandra Kurtzig, the first woman to take a technology company public; Bob Swanson, the cofounder of Genentech; Al Alcorn, the Atari engineer behind the first successful video game; Fawn Alvarez, who rose from the factory line to the executive suite; and Niels Reimers, the Stanford administrator who changed how university innovations reach the public. Together, these troublemakers rewrote the rules and invented the future.

Learning From Strangers is the definitive work on qualitative research interviewing. It draws on Robert Weiss's thirty years of experience in interviewing and teaching others how to do it. The most effective interviews, says Weiss, rely on creating cooperation -- an open and trusting alliance between interviewer and respondent, dedicated to specific and honest accounts of both internal and external events. Against the eclectic background of his work in national sample surveys, studies based on semi-structured interviewing, and participant observation, Weiss walks the reader through the method of qualitative interview studies: sample selection, development of an interview guide, the conduct of the interview, analysis, and preparation of the data. Weiss gives examples of successful and less successful interviews and offers specific techniques and guidelines for the practitioner.

Longlisted for the 2020 Andrew Carnegie Medals for Excellence
Against the background of a thousand years of vivid history, acclaimed writer Marie Arana tells the timely and timeless stories of three contemporary Latin Americans whose lives represent three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone).
Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines much as the Indians were forced to do at the time of the Spanish Conquest. Illiteracy, malnutrition, and disease reign as they did five hundred years ago. And now, just as then, a miner’s survival depends on a vast global market whose fluctuations are controlled in faraway places.
Carlos Buergos is a Cuban who fought in the civil war in Angola and now lives in a quiet community outside New Orleans. He was among hundreds of criminals Cuba expelled to the US in 1980. His story echoes the violence that has coursed through the Americas since before Columbus to the crushing savagery of the Spanish Conquest, and from 19th- and 20th-century wars and revolutions to the military crackdowns that convulse Latin America to this day.
Xavier Albó is a Jesuit priest from Barcelona who emigrated to Bolivia, where he works among the indigenous people. He considers himself an Indian in head and heart and, for this, is well known in his adopted country. Although his aim is to learn rather than proselytize, he is an inheritor of a checkered past, where priests marched alongside conquistadors, converting the natives to Christianity, often forcibly, in the effort to win the New World. Ever since, the Catholic Church has played a central role in the political life of Latin America—sometimes for good, sometimes not.
In Silver, Sword, and Stone Marie Arana seamlessly weaves these stories with the history of the past millennium to explain three enduring themes that have defined Latin America since pre-Columbian times: the foreign greed for its mineral riches, an ingrained propensity to violence, and the abiding power of religion. What emerges is a vibrant portrait of a people whose lives are increasingly intertwined with our own.
Review
“Marie Arana’s monumental, stupendous new history of Latin America, Silver Sword, and Stone, is a must-read for anyone who wants to understand this hemisphere and our current crises.” -- Julia Alvarez, author of In the Time of the Butterflies
“Meticulously researched, the book’s greatest strengths are the power of its epic narrative, the beauty of its prose and its rich portrayals of character. . . . Arana’s strength is the power and passion of her storytelling, and her explanation of what has shaped Latin America over the past half-millennium has the ring of truth. . . . [A] marvelous book.” -- Tom Gjelten, The Washington Post
“Silver, Sword, and Stone, as Arana points out, is not a straightforward history of Latin America. Neither is it journalism. Rather, it’s a hybrid, combining learned historical analysis with in-depth reporting and political commentary. . . . [And] an informed and authoritative voice, one that deserves a wide audience.” -- Álvaro Enrigue, The New York Times
“Through the power and beauty of her writing, Arana brings extraordinary clarity to one of the most complex regions of the world. I have never before read a book of such astonishing breadth and intricate depth, capturing both the magnificent sweep of history and the gripping immediacy of journalism. The stories she tells will break your heart and blow your mind, but they will also give you a much clearer understanding of Latin America and a deep sense of wonder at the strength and resilience of its people.” -- Candice Millard, author of Hero of the Empire
“Gets at the identity conundrum of Latin America with storytelling that is both clear-eyed and evocative. . . . The sweep and soar of her narrative recalls Victor Hugo. . . . Arana gives us an epic story of stories — of regions conjoined by desire for treasure, power and control, and of the emotional mortar which binds people together through endurance.” -- Marcela Davison Aviles, NPR.org
“An elegant and incisive writer and observer, Marie Arana has given us a thoughtful and revealing portrait of the fabled—and too-little-understood—world of Latin America. Combining history with contemporary reportage, Silver, Sword & Stone is compelling reading.” -- Jon Meacham, author of The Soul of America: The Battle for Our Better Angels
“Like a condor soaring above the Andes, Marie Arana gives a sweeping overview of Latin American history. History is usually written by the winners, but this book throbs with passion for the victims and underdogs. It also celebrates the cultural triumphs, exuberance and generosity that make Latin America so lovable.” -- John Hemming, author of The Conquest of the Incas
“To trace the soul of a continent is an extraordinary feat, and Marie Arana does it with scholarly precision, moral thoroughness and elegance of style. For anyone interested in understanding—really understanding—what Latin America is and where it comes from, Silver, Sword and Stone has to be the first step.” -- Juan Gabriel Vásquez, author of The Sound of Things Falling
"Peruvian-born author Marie Arana takes us directly to the mysterious and misunderstood center of Latin America in her latest book. . . . The sweep is enormous and complex, but Arana’s storytelling and her obvious compassion guide us through the past millennium as an absorbing, even poignant, kaleidoscopic journey to places it behooves us all to comprehend." -- Yvette Benavides, San Antonio News-Express
“Arana’s fluency in Latin American history blossoms in this unique and arresting inquiry into three ‘crucibles’ which have shaped Latin American life for centuries. . . . In this masterwork of exploration, connection, and analysis, Arana offers a fresh, gripping, and redefining perspective on a vital and magnificent region betrayed by toxic greed and vicious tyranny.”, Booklist (starred review)