Jorge Treviño — Actor (8)
Death in Love (1951) [Movie] IMDb TMDB
La Muerte Enamorada
other title: La Muerte Enamorada
A man's life changes forever when death -- in the form of a female grim reaper -- moves in with him and his family, all so that he can buy a bit more time on earth. The only catch is, his family has no idea that their houseguest, a woman their father says is a foreign relative, is there to take their daddy away. Miroslava Stern, Fernando Fernandez and Jorge Reyes star in this inventive Spanish-language comedy.
Una cita de amor (1958) [Movie] WikiData IMDb TMDB
Una cita de amor
other title: Le Rebelle
The story of the doomed love between Soledad and Román. She is the daughter of a rich man that wants to marry her with Ernesto, nephew of his friend, the judge. Román owns a little ranch. A brawl in the town will unleash several deaths that will affect the already difficult relationship.
The White Orchid (1954) [Movie] WikiData IMDb TMDB
The White Orchid
In the Southern Mexican jungle, an adventurous archaeologist is accompanied by an equally daring female photographer in a search for a lost Toltec city. They engage a guide to lead them on their expedition, and soon find themselves in the jungle's depths, far from civilization. Soon both the guide and the archaeologist are vying for the affection of the photographer. They must all deal with enormous danger and sacrifice before their quest is complete.
The Woman of the Port (1934) [Movie] WikiData IMDb TMDB Douban
La mujer del puerto
director: Arcady Boytler / Raphael J. Sevilla actor: Andrea Palma / Domingo Soler
other title: 港口的女人 / La mujer del puerto
Starting with the leading performance from the first diva in Mexican cinematography according to some (Andrea Palma), without forgetting Domingo Soler who also makes a great contribution to the cast in this film, then the great strength of the plot and the masterful direction by Arcady Boytler. All in all this movie cannot be considered less than excellent. So yes, maybe some of the scenes don't result quite the way they should, but most of them do. Particularly the scene from the carnival at the beginning of the movie and the last scene bring you to the verge of tears. Yes it also many elements of a catholic moral (Rosario lives in guilt, her way of paying her sins is by means of sacrifice), but we have to consider the movie was released in 1934 and the Mexican society of the time had those values dictating our lives and, weather we take this into consideration or not, I think the the plot is really really tough and the theme very strong. Maybe nowadays we have many movies with plots that are twice or thrice as tough, but I think this is still a great, great movie and has no soap opera can never even remotely compare with it. Also, it is one of the first movies with recorded sound in the Mexican film industry.