서로 다른 사건으로 같은 날 감옥에 수감된 네 명의 인물. 7년의 형기를 마치고 세상으로 돌아온 이들은 자신을 옭아맨 과거와 다시 마주하며 각자의 삶을 되찾기 위해 고군분투한다. 억울한 누명을 쓴 배달원, 가족을 지키기 위해 살인을 저지른 어머니, 예상치 못한 사건으로 살인 혐의를 받게 된 여성, 그리고 과거의 범죄로 죗값을 치른 남자까지. 서로 다른 이유로 수감된 이들의 이야기는 출소 이후 예상치 못한 방식으로 얽히기 시작한다. 법의 심판이 끝난 뒤에도 계속되는 죄와 용서, 복수와 구원의 갈림길 속에서 네 인물은 저마다의 방식으로 ‘진정한 정의란 무엇인가’를 찾아간다.

The film uses delicacy and humor to describe the authoritarian functioning of a typically Brazilian 1950 family in Rio de Janeiro. The family is headed by a matriarch anxiously waiting for the night to hear Carlos Lacerda. The intense emotional plot highlights the absurdity of the characters' behavior.

Luiz Gonzaga decides to change his destiny and leaves his childhood home for the big city to overcome a romance. When he arrives, he meets a woman he falls in love with, the Odaleia (Nanda Costa). After the birth of his son and his wife's health complications, he decides to return to the road to ensure a better future for his son. He has a friend in Rio de Janeiro and with him leaves the little one and heads to Brazil. He didn't imagine that this distance between them would develop into a complicated relationship, enhanced by the strong personalities of both. Based on conversations between father and son, this is the story of Luiz Gonzaga, a singer and accordion player known as Rei do Baião or Gonzagão.

In the thirties, two sisters separated by fate face prejudice and sexism, one by the high society in a big city and the other by a group of renegades in the countryside. Despite the distance, they know that they can only count on each other and both of them will assert themselves in their own and surprising way.

In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.