The Question of Bruno is a novella and stories that are linked by characters, by locations, by interwoven substories, and by a literary voice so strong and sensitive that no matter how many guises it adopts, the stories cannot help but gather momentum and join together as a powerfully inventive whole.
Set in Chicago and Sarajevo, it is a book about the trauma of war, about how an exile makes a new life in a new land. But above all it is a work of impressive range, stunning accomplishment, and deep humor. In the novella "Blind Jozef Pronek and Dead Souls," a young Sarajevan travels to the United States and decides to stay when he sees war break out at home on CNN--he goes on to experience a starkly contemporary version of "coming to America." In "The Sorge Spy Ring," a young boy in communist Yugoslavia becomes convinced his father is a spy because of the strange toys he brings back from Moscow.
Whether Hemon is writing of the assassination of Archduke Ferdinand or of a family trip to the beach, of an immigrant in the United States fired from a sandwich shop for an inability to distinguish between romaine and iceberg lettuce, or of the art of dodging sniper fire in a modern city under siege, he is both painfully funny and heartbreakingly sad. He writes with a wit, freshness, and true originality that prove him one of the most talented and skilled writers of his generation.

In two collections of stories, "The Question of Bruno" and the NBCC-finalist "Nowhere Man," Aleksandar Hemon has earned unmatched literary acclaim and a reputation as one of the English languageas most original and moving wordsmiths. In "The Lazarus Project," Hemon has turned these talents to an embracing novel that intertwines haunting historical atmosphere and detail with sharp and shimmeringasometimes hilarious, sometimes heartbreakingacontemporary storytelling. On March 2, 1908, nineteen-year-old Lazarus Averbuch, a recent Jewish immigrant from Eastern Europe to Chicago, knocked on the front door of the house of George Shippy, the chief of Chicago police. When Shippy came to the door, Averbuch offered him what he said was an important letter. Instead of taking the letter, Shippy shot Averbuch twice, killing him. When Shippy released a statement casting Averbuch as a would-be anarchist assassin and agent of foreign political operatives, he all but set off a city and a country already simmering with ethnic and political tensions. Now, in the twenty-first century, a young writer in Chicago, Brik, also from Eastern Europe, becomes obsessed with Lazarusas storyawhat really happened, and why? In order to understand Averbuch, Brik and his friend Roraawho overflows with stories of his life as a Sarajevo war photographeraretrace Averbuchas path across Eastern Europe, through a history of pogroms and poverty, and through a present-day landscape of cheap mafiosi and cheaper prostitutes. The stories of Averbuch and Brik become inextricably entwined, augmented by the photographs that Rora takes on their journey, creating a truly original, provocative, and entertaining novel that will confirm Hemon once and for all as one of the most dynamic and essential literary voices of our time.

The American Civil Liberties Union began as a small group of idealists and visionaries, including Helen Keller and Jane Addams. A century after its founding, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution.

In collaboration with the ACLU, prize-winning authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the ACLU’s 100-year history. In
, bestselling and award-winning authors present unique literary takes on historic decisions like
, the Scopes trial,
, and more. Contributors include Geraldine Brooks, Michael Cunningham, Jennifer Egan, Dave Eggers, Louise Erdrich, Neil Gaiman, Lauren Groff, Marlon James, Viet Thanh Nguyen, Morgan Parker, Ann Patchett, Salman Rushdie, George Saunders, Elizabeth Strout, Jesmyn Ward, Meg Wolitzer, and more.

shows how throughout American history, pivotal legal battles, fought primarily by underdogs and their lawyers, have advanced civil rights and social justice. The ACLU has been integral in this process. The essays range from personal memoir to narrative history, each shedding light on the work of one remarkable organization as it shaped a country.

Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

A vibrant collection of sharp and essential modern pieces on the perennially controversial Lolita, by a wide range of celebrated writers, edited by the daughter of Lolita's original publisher.
In 1958, Vladimir Nabokov's Lolita was published in the United States to immediate controversy. More than sixty years later, it is more important than ever to discuss this complex novel. Now, having commissioned original contributions by Cheryl Strayed, Roxane Gay, Erika Sánchez, Sloane Crosley, Andre Dubus III, Ian Frazier, Lauren Groff, Stacy Schiff, Emily Mortimer, Victor LaValle, and many more, Jenny Minton Quigley examines how we read Lolita today.
Lolita both exists in and exemplifies many of the issues at the forefront of our current national discourse: art and politics, race and whiteness, gender and power, sexual trauma. Jenny, the daughter of Walter J. Minton, who published Lolita at G. P. Putnam's Sons after it had been rejected by five other American publishers, brings a unique vantage point to this conversation. In her introduction she tells the amazing true story of the original publication, a risk Walter took despite the very real possibility that he could be prosecuted and go to jail (and which, by the way, included Walter's daring flight through a storm to meet Nabokov and strike the deal).
Lolita in the Afterlife is a riveting examination of the bright and dark spell that Nabokov's indelible novel left and still leaves on the cultural landscape. As these prominent writers of the twenty-first century attest, Lolita lives on, in an afterlife as blinding as a supernova.

From literary powerhouse Aleksandar Hemon, author of The Lazarus Project, comes a big, brilliant, sweeping novel of love, memory, and history-in-the-making.

As the Archduke Franz Ferdinand arrives in Sarajevo on a sunny June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It’s not quite the life he had expected during his poetry -filled student days in sophisticated, libertine Vienna—but it’s nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can’t help.

And then the world explodes. War devours all that they have known, and the only thing Pinto has to live for are the attentions and affection of Osman, a fellow soldier, a man of action to complement Pinto’s introspective, poetic soul; a dapper, charismatic storyteller; Pinto’s protector and his lover.

Together, Pinto and Osman will escape the trenches, survive near-certain death and imprisonment, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, it is Pinto’s love for Osman—with the occasional opiatic interlude—that keeps him going.

The World and All That It Holds—in all its hilarious, heartbreaking, erotic, whimsical, philosophical glory—showcases Hemon’s celebrated talent at its pinnacle and cements him as one of the boldest voices of our time.

The World and All That It Holds―in all its hilarious, heartbreaking, erotic, philosophical glory―showcases Aleksandar Hemon’s celebrated talent at its pinnacle. It is a grand, tender, sweeping story that spans decades and continents. It cements Hemon as one of the boldest voices in fiction.
As the Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It’s not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it’s nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can’t put in perspective.
And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto’s introspective, poetic soul; a charismatic storyteller; Pinto’s protector and lover.
Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, all the way to Shanghai, it is Pinto’s love for Osman―with the occasional opiatic interlude―that keeps him going.

Two books in one in a flip dos-à-dos format: The story of Aleksandar Hemon’s parents’ immigration from Sarajevo to Canada and a book of short memories of the author’s family, friends, and childhood in Sarajevo
In My Parents, Aleksandar Hemon tells the story of his parents’ immigration to Canada―of the lives that were upended by the war in Bosnia and siege of Sarajevo and the new lives his parents were forced to build. As ever with his work, he portrays both the perfect, intimate details (his mother’s lonely upbringing, his father’s fanatical beekeeping) and a sweeping, heartbreaking history of his native country. It is a story full of many Hemons, of course―his parents, sister, uncles, cousins―and also of German occupying forces, Yugoslav partisans, royalist Serb collaborators, singing Ukrainians, and a few befuddled Canadians.
My Parents is Hemon at his very best, grounded in stories lovingly polished by retelling, but making them exhilarating and fresh in writing, summoning unexpected laughs in the midst of the heartbreaking narratives. This Does Not Belong to You, meanwhile, is the exhilarating, freewheeling, unabashedly personal companion to My Parents―a perfect dose of Hemon at his most dazzling and untempered in a series of beautifully distilled memories and observations and explosive, hilarious, poignant miniatures. Presented dos-à-dos with My Parents, it complements and completes a major work from a major writer.
In the words of Colum McCann, “Aleksandar Hemon is, quite frankly, the greatest writer of our generation.” Hemon has never been better than here in these pages. And the moment has never been more ready for his voice, nor has the world ever been more in need of it.