Compassionate small-town lawyer Richard Clarke moves to New York City to seek his fortune, but is unsuccessful until he takes a friend's advice and tries to convince the world he's a ruthless heel. Suddenly he's the most popular lawyer in town -- but he could lose his fiancée.

Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.

A millionaire joins the Navy hoping to find a girl who'll marry him for himself, not for his money. A beautiful gold-digger who works at a resort hotel sets out to get him.

Showgirl Tony Landers, supported by her friend Flip Daly, fights for the custody of her son during a divorce hearing.

In a far off country, their king is critically wounded after an assassination attempt and the only heir is a timid New York radio personality, Michael Valentine (Bob Hope). After reluctantly traveling to his father's homeland, Michael is not happy that he's become the target of the same terrorist organization that attacked the king.

A biographical film of Ben Hogan, from his start as a golf caddy to being considered one of golf's greatest players.

Studio publicist discovers Minnesota skating teacher and takes her to Hollywood. She goes back to Minnesota but he follows her.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

The rebellious daughter of an army general gets involved with a Communist agitator, mainly to annoy her father. He arranges to have her kidnapped and taken to Mexico--hoping that she will forget her "Red" boyfriend--by a young, handsome soldier named Jeff who, while somewhat of a goof-up, the general believes is still better for her.

Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.

Three young ladies sign up for some kind of training at a naval base. However, their greatest trouble isn't long marches or several weeks in a small boat, but their love life.

Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him.

Larry Haines, a mediocre vaudeville entertainer, boards a train for Los Angeles. Aboard, he meets an attractive, blonde British agent carrying a coded message hidden in a brooch—and is being pursued by Nazi agents.

Following the death of her fiancé, Margot Weston is left pregnant and unmarried. Former doctor Jim Howard helps the desperate Margot. When her son is born, Jim helps her find a home for the baby with Phil Marshall and his wife. Margot insists that neither the Marshalls nor the child can ever know that she is his mother.

Sir Charles Baskerville dies at the entrance of his manor, and Doctor Mortimer says he died of natural causes. However, when telling Sherlock Holmes of the case, he feels Sir Charles' death was a result of a centuries old curse that runs in the Baskerville family, which Dr. Mortimer feels will strike at Sir Charles nephew, Sir Henry, who is arriving to claim the Baskerville estate. Holmes sends Dr. Watson in his place, along with Dr. Mortimer and Sir Henry, to the manor and for Watson to keep an eye out for any suspicious actions. Immediately after arriving, Watson notices the queer occurrences at the estate and surrounding moors, and sends Holmes reports of what is going on concerning the life of Sir Henry. Will Holmes arrive in time to unravel the mystery, and who is responsible for Sir Charles' death and the attempted murder of Sir Henry? Is it Dr. Mortimer, neighbor Stapleton, butler Barryman, harmless old Frankland, a mysterious wild man, or is there a curse on the Baskerville family? Very good opening entry in the Rathbone-Bruce Holmes series (even though this film lacks qualities of any ongoing entries.) The film could have been a bit more darker and foreboding (the film does have a movie studio set feel) and have an ending with a little more confrontation to it, but it does provide for much fun. The romantic scenes with Greene and Barrie have little spark, but there are very good red herring performances by the cast, which is a plus for this movie. Rating, 8.