Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.

The film, set in today's Budapest, is a romantic dramedy about the lies of relationships and creation, in which the world of advertising, book publishing and social media collide with the accidental meeting of the two protagonists. As the burnt-out advertiser and the esoteric success author come into ever closer contact with each other, they become entangled in a web of their own emotions and well-constructed lies.