Brazilian filmmaker Ramon Porto Mota refers to his feature debut as a spiritual slasher; an apt description. The group of teens who have arrived on an island for a brief holiday – a place virtually no one else inhabits and which is almost always dark – scarcely lose any blood. It’s not their bodies that get slashed. They talk, drink and wander the beach, plagued by increasingly disturbing visions. "Memories of a future dream", someone says. Again apt. Their photos on a mobile phone seem corroded by acid.
From all these elements, Porto Mora constructs a refined metaphor for their uncertain futures. Behind them lies their youth, which they reminisce about. Ahead lies darkness. They have no idea what they will find. What they will lose becomes more apparent by the hour.

　　Uno 有一份绝佳的天赋：他从小就会说话，并且能够听懂汽车的声音。一项禁止使用旧车的新法律使得他父亲的出租车公司陷入危险境地，他决定将一辆旧家用轿车改造成“新车”，它的名字叫 车王，这辆车会说话、会倾听，甚至会坠入爱河。这辆车为每个人制定了计划。