From Joseph Conrad's great novel comes the story of a young seaman trying to helm a damaged boat to Singapore and dealing with many unfortunate events. While on command of the situation, he also devotes himself to help his failing crew and some of the boat's many passengers, some of them who are in poor health conditions.

Romance brings two warring families together in this historical drama. As citizens fight for independence in 1810s Lithuania, Tadeusz, the son of a murderer, and Zosia, a young woman, come together for a wedding against a backdrop of changing politics, ancient traditions, and the uncertain future of a country.

波兰电影大师安德烈瓦伊达的作品。二战前，在华沙的反犹浪潮中，一个犹太人因自卫杀人被判入狱。旋即，德国进攻波兰，华沙沦陷。德军在华沙建立犹太隔离区，男主角成为运尸员，在恐惧和绝望中，沦为行尸走肉。一次偶然的机会，他得以逃出犹太隔离区，躲藏在地窖中度日，目睹了犹太区的毁灭。在磨难中，他觉醒为一名斗士，就像犹太历史上的力士参孙，被剪发毁目后，与敌人同归于尽。

波兰电影大师瓦依达1979年作品，根据波兰小说名著改编，曾获得奥斯卡最佳外语片奖提名。15年以后，维多回到了威克，一个他曾经度过一段难忘时期的地方，他渐渐明白自己对这里的人曾经有很大的影响。他的出现，让曾经喜欢他的威克的女孩们重新认识自己，他也开始寻找生命的意义.....=====正太猫

1994 film by Andrzej Wajda

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

Based on a non-fiction bestseller of the same name by Rolf Hochhuth, Eine Liebe In Deutschland is about a tragic and forbidden love affair between Stanislaw, a Polish POW (Piotr Lysak) and Paulina (Hanna Schygulla) a fruit-and-vegetable vendor in a small town in Germany along the border with Switzerland. Their affair would have gone undetected except for the busybody women of the village, and when Stanislaw is picked up by a German stormtrooper (Armin Müller-Stahl) and brought in for a mock trial, he is given a chance to prove his racial purity and so perhaps escape execution. As for Paulina, she is ostracized by the villagers and imprisoned for consorting with someone who was not of the same high Aryan caste as herself. Depressing, yet politically relevant to Poland of the early 1980s, this film by acclaimed director Andrzej Wajda) is an effective and emotional statement on the nature of oppression.

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

“Why does nobody ask me if there was love in the ghetto? Why is nobody interested?” so asked Marek Edelman, resistance fighter and one leader of the Warsaw Ghetto Uprising, interviewed by Jolanta Dylewska in 2009, shortly before his death. With re-enacted scenes co-written by Agnieszka Holland and directed by Andrzej Wajda, shortly before his death.

How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.

安杰伊瓦杰达导演的法语片，于佩尔在当中饰演一配角（沙托夫之妻），改编自陀思妥耶夫斯基同名小说。虽然由于片长的限制删改不少，但仍不失为一部极佳的改编电影。

波兰导演瓦依达一部少见的电视电影短片，改编自苏联科幻作家莱姆（《索拉里斯星》）的同名短篇小说。
Przekladaniec - The story of a racing car driver who undergoes so many transplants that it can no longer be determined which people have contributed to his make-up.

1968 film by Andrzej Wajda

As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.

A violinist in a provincial Polish orchestra, whose husband is the director of the ensemble, on a visit to the US ties up with the world- renowned symphony conductor. As it turns out he was once in love with violinist's mother. The conductor, a slightly unstable hypochondriac, returns to Poland to lead the provincial orchestra. He also tries to revive old love affair using the violinist as a surrogate of her mother. Her husband is resentful of the conductor for both personal and professional reasons.

The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.

[ IMDB评论 ]
I enjoyed Dead class very much, They told me Wajda was disappointed by his own work but I don't know why. Maybe is acting too loud? Maybe acting was supposed to be more mechanical, actors more unrelated between them, but I think that's an impressive performance all the same. Culture is useless, children are dead, they are already lonely adults, adults are ex- children who can't remember their childhood. They behave like obsessed robots. Obsessed by memories of questions with automatic replies, that is by questions with no replies, everyone submitted to a questioning authority, everyone pursuing one's own impulses. Tyranny and nihilism. They can't see any world beyond their impulses and authority rules over them totally unseen. Autorithy is Kantor himself: actors think they are free, they are just destructive. Dead class reminds me of Fight club but I think Dead class is far better. Fight club says destructive impulses are a way to freedom, Dead class says they help authority to rule. And I think Kantor is right.

1977 film by Andrzej Wajda

Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon's side with the hopes of Poland's revival.