School teachers responsible for the lives of their students work to evacuate Allied bombings near the end of WWII.

独特なユーモアと風刺が効いた三島由紀夫の原作を大坂志郎＆長門裕之出演で映画化した喜劇。
藤村は殺人以外のあらゆる犯罪を犯した「世にも不道徳な男」である。結婚詐欺罪で何度目かの刑期を終えて出所した時には、彼に騙されてなお彼を忘れられない女達や、大金を持ち逃げされて仕返しを企むギャング達が待ち構え大混乱になった。ちょうどやって来た列車に飛び乗りその場をやり過ごした藤村は、列車の中で自分と瓜二つの男・相良を見つける。藤村は寝込みを襲って自分と相良の服を交換し、相良に成りすますことに。一方、追ってきていたギャングは藤村と間違えて気絶している相良を拉致していった。藤村はその場しのぎで相良に成りすましただけだったが、相良は文部省の役人で道徳教育界の権威、列車が到着すると市長や学校校長からの歓迎の嵐が待っていた。気をよくした藤村はしばらく相良として生活することを決める。しかし校長の朝吹家に迎え入れられると、教育一家の真っ当な家庭とは表向きだけで、その家族は藤村も驚くほどの不道徳者ばかりだった…。

《男人之苦》第14集，寅次郎（渥美清飾）未婚產子？背著BB回到了東京柴又老家？正當大家決定替寅把寶寶撫養成人之際，才得知這是寅在路上拾回來的棄嬰！寅不是生父，也當然不盡父職，終日百無聊賴，寶寶的事全拜託嬸嬸和妹妹阿櫻……直至美女護士京子（十朱幸代飾）的出現，他才積極表現父愛，還打算參加京子的工餘合唱團，以親近對方。誰知寅就在這兒遇上情敵！那滿面鬍鬚的窮光蛋指揮，原來才是京子的最愛！
The fourteenth instalment in the Tora-san series. Tora-san has an illegitimate child? To everyone is surprise, he brought a child back to Shibamata. When everyone in his family decides to raise the child as a family member, they find that he was only an abandoned child that Tora-san found on the street! At first, Tora-san has no interest in taking care of the child and he lets his auntie and sister, Sakura, to do the job instead... until he meets the beautiful nurse Kyoko (Toake Yukiyo). He tries all the ways he could, including taking good care of the child, in order to get her attention. However, a bearded poor conductor in Kyoko is choir stands in the way.

Tora-san helps out a runaway bride.

Tora-san's opinions about Americans get challenged when another wandering peddler Michael Jordan stops by Shibamata.

Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.

Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.

A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.

Mitsuo goes to Nagoya to visit Izumi, whose father left Izumi’s sad, bar hostess mother for another woman, so together they decide to confront him in Oita. Meanwhile, Izumi’s mother befriends Tora-san and together they travel to Oita to meet them, with Tora-san quickly falling for her en route.

Mitsuo, unhappy in his new job as a shoe salesman, is invited to a festival and is introduced to a friend’s sister. Tora-san meanwhile helps an injured housewife on her yearly vacation.

Tora-san works hard to bring together his nephew, Mitsuo, and Mitsuo’s girlfriend who is engaged to someone else.

This appears to be a labor of love. Its about a village which is given the opportunity to put on a musical. They would have to pay the overhead and, being that they are farmers and always busy and not rich, question the wisdom and feasibility of such an idea. A spokesperson for the acting troupe Ms. Kono lays out the whole thing and they must decide. You get little slices of rural life in Japan far, at least in sentiment, from Tokyo. The best thing about this film is that it has heart. The acting is good, but it is really about the simple storyline of outing on a show. Films rarely get made with such simplistic plots these days. Enjoy this little slice of what city people call “the simple life”.

On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.

Tora-San returns to Shibamata just before his family leaves on a trip for Kyushu. Later, he encounters an old school chum and begins to have feeling for his artist sister.

Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.

寅次郎收到莉莉從沖繩寄來的信，原來她在夜總會唱歌時暈倒入院，還說：「臨死前，很想見寅一面」。寅馬上趕到沖繩照顧莉莉，縱然闊別了五年，兩人的感情有增無減，莉莉休養期間，寅更隨傳隨到，旁人都以為他們是夫妻……淺丘瑠璃子演的莉莉第三度登場，叫寅再三考慮「結婚問題」。山田自言「這是我最愛的作品之一」，渥美清去世後，山田在《男人之苦》系列中只選了本片(加插新片段)推出特別版來紀念這位一代巨星。
Upon receipt of a letter from Lily telling Tora that she would like to see him before she dies, Tora rushes to Okinawa, where Lily has fainted during one of her performances. Although five years has passed since they parted, the former couple continues to care about each other, and Tora nurses Lily to health. The personal favourite of Yamada Yoji , Tora-san's Tropical Fever was the only film re-released (with added scenes) by the director to commemorate Atsumi Kiyoshi after the superstar's death.

Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.

When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.