Trying to top the critical and financial success of its last production, the festival plans to stage King Lear, as well as a contemporary new musical. But creative director Geoffrey Tennant finds himself seized by fits of uncontrollable weeping--among other, more intimate maladies.

正當有人為現在劇場而哀嘆的時候，我們來到一所普通的房子，裡面椅子上坐著一個普通的男人，他正要向觀眾播放一張他最喜愛，卻也很舊(1927年)的一套音樂劇"悶伴"的唱片。("Overture")該音樂劇一開始的時候每個角色已經非常鮮明：房子主人托登戴爾夫人、管家任德寧、新郎羅拔、新娘同時亦是女明星的珍妮特、伴郎佐治、珍妮特的"悶伴"、一心阻止婚禮珍妮特的製作人費特薜(Feldzieg，這是暗指著名百老匯早期製作人齊格非Ziegfeld)、珍妮特同行姬蒂、情聖亞度科、以及兩個扮成廚子被派進來阻隢婚禮的黑社會拍檔。("Fancy Dress")羅拔讓佐治冷靜下來，("Cold Feet")卻被提點跟據傳統，他直至婚禮前都不能見新娘，佐治讓他綁著雙眼去玩滾軸溜冰去。珍妮特要結婚讓媒體哄動，她表明已經決定退出娛樂圈了。("Show Off")

然而珍妮特卻其實不肯定羅拔愛的是她本人還是明星珍妮特，悶伴讓她出去試一試。("As We Stumble Along")而受費特薜唆擺的亞度科誤認悶伴為珍妮特對其勾引。("I am Aldolpho")羅拔在公園仍然在蒙著雙眼滾軸溜冰，卻遇上了珍妮特假扮的法國女孩咪咪，二人旋即戀上，珍妮特突然清醒過來打其一巴遠去。("Accident Waiting to Happen")眾人亂成一團，("Toledo Surprise")珍妮特決定不嫁了。椅子上的人乘機去了廁所，我們卻發現第二幕已經開始了。("Message from a Nightingale")珍妮特為自己感悲傷，("Bride's Lament")而托登戴爾夫人和任德寧則討論著年青人的愛。("Love is Always Lovely in the End")突然電話響起幾乎破壞了整個氣氛，椅子上的人憤而將其擲去。珍妮特向悶伴求援，椅子上的人提醒觀眾這是全劇的重點所在，然而，因為椅子上的人聽這段實在太多次了，那唱片已經損壞，所以眾人甚麼也聽不到！

無論如何，珍妮特經過這一番話後便決定嫁給羅拔了。佐治宣佈婚禮繼續，並加多三對新人：任德寧和托登戴爾夫人、亞度科和悶伴、費特薜和姬蒂，之不過他卻忘了叫証婚人來。("George's Triumph")還好突然飛機師德利絲來到，讓眾人在飛機之上行婚禮，順便去渡蜜月。("I Do, I Do in the Sky")就在快要高潮的時候　－　椅子上的人的電力突然中止了。他有點茫然的獨自唱著，卻發現眾角色已經在其腦海揮之不去，眾人大合唱結束這一趟回憶旅程。("As We Stumble Along (Reprise)")

The Prom, Broadway’s new musical comedy—with issues—follows four Broadway stars on a hilarious mission to change the world and get a little publicity for themselves.

So when they hear that trouble is brewing around a small-town Indiana prom—and the press is involved—they know that it’s time to put a spotlight on the issue…and themselves. The town’s parents want to keep the dance on the straight and narrow—but when one student just wants to bring her girlfriend to prom, the entire town has a date with destiny.

Now, Broadway’s brassiest are coming to join the fight and they are ready to kick-ball-change the world in this new musical about inspiring people to accept their differences, being the star you were always meant to be, and that immortal truth: There’s no business like getting in other people’s business.

The ultimate love letter to Broadway is actually now ON BROADWAY!

Inspired by the hit TV series, SMASH is the perfect musical-lover’s musical. Get ready for all the backstage pandemonium as opening night approaches for Bombshell, the splashy new show about Marilyn Monroe. Nearly breaking under the pressure, legendary Broadway star Ivy Lynn causes a series of hilarious set-backs and surprises that brings a diva director, a bewildered producer, two exasperated authors, one eager understudy, and an entire company to its knees. But the curtain’s going up, no matter what!

SMASH is filled with kick-ass production numbers and iconic songs like “Let Me Be Your Star,” “Don’t Forget Me”, “They Just Keep Moving the Line,” and more. And who better to play Broadway A-listers than actual Broadway A-listers? Our cast is stacked with veterans and Tony Award® nominees including Robyn Hurder, Brooks Ashmanskas, Krysta Rodriguez, John Behlmann, Kristine Nielsen, and Jacqueline B. Arnold, to name just a few.

Produced by Robert Greenblatt, Neil Meron and Steven Spielberg, SMASH is helmed by five-time Tony winner Susan Stroman (The Producers), with a score by Emmy®-, Grammy®-, and Tony-winners Marc Shaiman and Scott Wittman (Hairspray, Some Like It Hot), a book by Bob Martin (Tony winner, The Drowsy Chaperone) and Rick Elice (Tony nominee, Jersey Boys), and choreography by Joshua Bergasse (Emmy winner for Smash, the series).