A millionaire realizes he really wants to live after he has hired an assassin to kill him.

A writer of pulpy book series in which he's the hero and his beautiful English roommate is the love interest attempts to finish his new book in time at the publisher's demand.

A composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States.

Abdulaye Faye,23 ,is a young black man from Senegal.While working in a factory ,he is training for a boxing match. He is an endearing guy, a bit naive,but,as the title reads ,he's really bighearted . We follow him through the streets of Paris . He meets a Japanese girl and they go boating but their relationship comes to a sudden end:she's married . Abdulaye is a true believer,he puts his trust in God ;he also goes to see a fortune-teller whose predictions can be summed up as "when there's a will,there's a way".

情场老手想勾引少女，却引发了一些列笑话……

In turn-of-the-century Paris, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a rich neighbour. In retaliation, Georges steals the fiancé's family jewels, and enjoys the experience so much that he embarks upon a lifetime of burglary.

A few stories about a marriages and it's problems.

A movie about a good-for-nothing stuntman called Mike Gaucher who can't do one single job without something going wrong. His fiancée wants to kill him, the film studios don't want to give him any more work and, as King Kong for a promotion in a supermarket, he winds up destroying some display shelves. The only role he plays well is pretending not to be able to hear, speak and walk in order to get money from the government. Then along comes the "beautiful" actor called Bruno Ferrari. Supposedly a fearless stuntman, Ferrari turns out to be afraid of heights once his feet leave the ground. So a stuntman is needed to prevent a scandal. And who is the man who looks most (or exactly) like Bruno? You guessed it, good-for-nothing Mike...

A truck driver ventures into the Moroccan desert to retrieve a stolen truck, facing danger, bad luck, and uneasy alliances. Chaos builds to a climactic showdown.

Albert is an inn owner who vowed never to drink again if he and his wife survived the war. They did, and the reformed alcoholic keeps his vow. But times have changed and soon after the war, Albert comes in contact with moxia.cc Gabriel, a young man prone to heavy bouts with the bottle. Gabriel is conflicted over visiting his young daughter in a nearby school and in a moment of nostalgia, Albert takes off with him on one major binge -- and havoc results.

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...

Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.

Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.

Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.

Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

A down on his luck French ex-paratrooper turned amateur boxer takes a job as a private secretary and bodyguard for a corrupt French banker who is on the run from French authorities.

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

The seven stages of woman – seven stories about French women and love in the sixties. Childhood: A seven-year-old girl wants to know the secrets of birth. Her parents do not know how to explain such a delicate matter... Adolescence: A sixteen-year-old girl is flirting with several admirers. Her parents must help her to find the right way... Virginity: A young man wants to spend his first night with his fiancée. As she hesitates, he decides to wait just a little longer... Marriage: A recently married a couple soon find their honeymoon almost spoiled by jealousy... Adultery: A frustrated married woman takes a lover but the reaction of her husband is not be what she had expected... Divorce: A bored couple decide to divorce, but family friends and lawyers will almost spoil the love they still have for each other... The single woman: A gentle crook takes advantage of women and always get away with a minor sentence. His last victim will prove to be smarter than him...
By Willems Henri

An elderly gentleman and his dog find themselves out of a home with little means.

April 5, 1943: a battalion of the Foreign Legion arrives in El Ksour, Tunisia, to escort a fortune in gold bars to the home front. A German ambush awaits, and all but four die. Thanks to the street smarts of Sergeant Augagneur, the Legionnaires successfully counter attack. The bank manager and his seductive wife arrive, and so does a German lieutenant, whom the French arrest. Augagneur wants to steal the gold; warrant officer Mahuzard wants to do his duty. A series of alliances form and break apart, the group dwindles in number, and the gold heads south toward Betahoua. But in whose possession?

Avec ses soixante-quatorze films et ses 160 millions d’entrées cumulées en France, Jean-Paul Belmondo a été la plus grande star du cinéma français. Les films d’auteur et les films populaires. Belmondo d’un côté, Bébel de l’autre...
Ce film intime de 90 minutes dresse le portrait de Jean-Paul, le fils du sculpteur Paul Belmondo, auquel le comédien se réfère toujours quand il s’agit de parler de travail. Jean-Paul le facétieux, capable de déménager la chambre entière d’un hôtel pour l’installer dans le hall, le sportif, le boxeur qui ne lâche rien, le cascadeur debout sur le toit du métro parisien, mais aussi Jean-Paul l’homme de théâtre, son vrai métier comme aimait lui rappeler son père.
Ecrit et réalisé par: Bruno Sevaistre
Montage: Cyril Bommelaer
Documentaliste: Andrea Prokesova
Générique: Yamoy
Produit par Upside Télévisions avec Mathieu Hucher
Arte 2017

Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.