Act I
Cinderella, a young woman whose domineering stepmother forces her to act as a servant in her own home, helps her stepmother and two stepsisters to prepare for the Spring Ball, at which it is rumoured that the Prince will choose his bride-to-be. As the two stepsisters work together to produce a new shawl, they get into an argument over who will wear it, and end up tearing it in two through their bickering. The pair storm off, while the step-mother orders Cinderella to clear up the remnants and finish her chores, as her father returns home from business. Since her father's remarriage, Cinderella has had to sleep by the kitchen fireplace, leaving her nothing to wear but rags covered in ashes. Her father has never moved past the grief of his first wife's death, and though he is concerned for his only daughter Cinderella, he is just as much under the stepmother's control as Cinderella herself is. Their brief peace is interrupted, however, as the stepmother and the two stepsisters reenter and begin ordering them about. During supper, a beggar woman turns up, asking for shelter. The two stepisters and the stepmother try to chase her off, but Cinderella offers her a place by the kitchen fire and an old pair of slippers. The beggar thanks her for her kindness and departs, leaving the preparations for the ball to resume. After choosing dresses and a quick dancing lesson, the family finally sets off for the night with the father reluctantly in tow, leaving Cinderella behind.
Although lonely at first, she cheers herself up by dancing with her broom, imagining the Prince himself has asked her for a dance. She is surprised, however, when the old beggar woman appears out of nowhere, wishing to return the slippers with her thanks. To Cinderella's amazement, the shoes have been transformed into dancing slippers of glass. The old beggar woman throws off her disguise and reveals herself as Cinderella's fairy godmother, come to grant her wish of going to the ball. Summoning the fairies of Spring, Summer, Autumn and Winter for assistance, she turns Cinderella's rags into a beautiful dress, a pumpkin and mice into a carriage and horses, and grasshoppers and dragonflies into a retinue of footmen. As she is about to leave, however, the fairy godmother warns her that the magic will only last until midnight, at which time the spell will break, and everything will revert to its original form. Only the glass slippers will remain as a gift for her kindness. She then summons twelve dwarfs, who will appear to repeat her message if she has not left by midnight. With this warning in mind, Cinderella departs for the ball.
Act II
The Spring Ball is in full swing, with guests arriving from all over the kingdom and beyond to dance and pay respect to the Prince. The two stepsisters attempt to win favour with the royal court by showing off their dancing skills, but have less than successful results, much to their mother's dismay. The Prince then joins the celebrations, but finding state events such as the Spring Ball dull, and being reluctant to enter a marriage without love, he declines any offers for a dance, particularly in the case of the obnoxious step-sisters.
At this point, Cinderella arrives at the palace, transformed beyond recognition into a beautifully dressed princess. The Prince, along with everyone else, is entranced by her beauty and charm, and for the first time, he asks for a dance. As the evening passes, the two become inseparable; Cinderella quickly becomes beloved by the entire court for her graciousness and charm, while the Prince is unusually enthusiastic and cheery in her company. When refreshments are served, he gives her the honour of taking one of three oranges, a delicacy imported to the kingdom from a far-off land. Cinderella offers the other two oranges to her two stepsisters, who are so flattered by the attention that they do not recognize the beautiful stranger as their stepsister Cinderella. The Prince takes Cinderella out to the royal gardens for an evening walk, where they dance and proclaim the love blossoming between them.
As they return to the ballroom for the next waltz, Cinderella has completely forgotten about the time in her happiness. However, at the first stroke of midnight, the twelve dwarfs spring from the great palace clock and remind Cinderella of her fairy godmother's warning. Terrified of being unmasked as a lowly servant in rags, she flees from the ballroom to the astonishment of the other guests. Though the Prince pursues her, she vanishes into the night moments before the spell breaks, losing one of her glass slippers in her haste and panic. The Prince is heartbroken at the thought of losing his love so soon after discovering her, but upon finding the lost slipper, he vows not to rest until he is once again reunited with her.
Act III
The morning after the ball, the Prince summons every shoemaker in the kingdom, in order to find out who the slipper was made for. However, none of them claim to have crafted the shoe, or sold it to anybody recently, and he concludes that the princess must be from a foreign land. His desperate search brings him first to the Mediterranean, then to the Orient, and lands further beyond. After travelling across the world and meeting various beautiful princesses with no success, the Prince begins to search his own kingdom, trying the slipper on every maiden who attended the ball.
Back at Cinderella's home, love has allowed the Prince to defy the laws of time and space; though she is only awakening the morning after the ball, he has already traveled the world and back again in search of his lost love. Upon waking, Cinderella initially believes that the events of the previous night were only a dream. As she relives some of the dances of the ball, she discovers the remaining glass slipper and realizes that it was all true. At breakfast, the two stepsisters reminisce about the ball, and argue about who made the greater impression on the Prince at the ball. Their fighting is interrupted when the father and the stepmother hurry in with the news that the Prince is on his way to their house, desperately trying a glass slipper on every girl he encounters. Upon his arrival, he tries the slipper on the two stepsisters, to no avail. The stepmother, however, demands to be given a chance and tries to force her foot into the shoe, ordering Cinderella to help her. As she bends down to assist, the remaining slipper falls from her pocket and the Prince finally recognizes Cinderella for who she is. As Cinderella successfully tries on both glass slippers, her stepfamily beg for her forgiveness, which she happily bestows upon them. Overjoyed to have rediscovered each other, Cinderella and the Prince are then transported away to a secret garden by the fairy godmother, where they confess their love for one another and are happily married.

Act I
Cinderella, a young woman whose domineering stepmother forces her to act as a servant in her own home, helps her stepmother and two stepsisters to prepare for the Spring Ball, at which it is rumoured that the Prince will choose his bride-to-be. As the two stepsisters work together to produce a new shawl, they get into an argument over who will wear it, and end up tearing it in two through their bickering. The pair storm off, while the step-mother orders Cinderella to clear up the remnants and finish her chores, as her father returns home from business. Since her father's remarriage, Cinderella has had to sleep by the kitchen fireplace, leaving her nothing to wear but rags covered in ashes. Her father has never moved past the grief of his first wife's death, and though he is concerned for his only daughter Cinderella, he is just as much under the stepmother's control as Cinderella herself is. Their brief peace is interrupted, however, as the stepmother and the two stepsisters reenter and begin ordering them about. During supper, a beggar woman turns up, asking for shelter. The two stepisters and the stepmother try to chase her off, but Cinderella offers her a place by the kitchen fire and an old pair of slippers. The beggar thanks her for her kindness and departs, leaving the preparations for the ball to resume. After choosing dresses and a quick dancing lesson, the family finally sets off for the night with the father reluctantly in tow, leaving Cinderella behind.
Although lonely at first, she cheers herself up by dancing with her broom, imagining the Prince himself has asked her for a dance. She is surprised, however, when the old beggar woman appears out of nowhere, wishing to return the slippers with her thanks. To Cinderella's amazement, the shoes have been transformed into dancing slippers of glass. The old beggar woman throws off her disguise and reveals herself as Cinderella's fairy godmother, come to grant her wish of going to the ball. Summoning the fairies of Spring, Summer, Autumn and Winter for assistance, she turns Cinderella's rags into a beautiful dress, a pumpkin and mice into a carriage and horses, and grasshoppers and dragonflies into a retinue of footmen. As she is about to leave, however, the fairy godmother warns her that the magic will only last until midnight, at which time the spell will break, and everything will revert to its original form. Only the glass slippers will remain as a gift for her kindness. She then summons twelve dwarfs, who will appear to repeat her message if she has not left by midnight. With this warning in mind, Cinderella departs for the ball.
Act II
The Spring Ball is in full swing, with guests arriving from all over the kingdom and beyond to dance and pay respect to the Prince. The two stepsisters attempt to win favour with the royal court by showing off their dancing skills, but have less than successful results, much to their mother's dismay. The Prince then joins the celebrations, but finding state events such as the Spring Ball dull, and being reluctant to enter a marriage without love, he declines any offers for a dance, particularly in the case of the obnoxious step-sisters.
At this point, Cinderella arrives at the palace, transformed beyond recognition into a beautifully dressed princess. The Prince, along with everyone else, is entranced by her beauty and charm, and for the first time, he asks for a dance. As the evening passes, the two become inseparable; Cinderella quickly becomes beloved by the entire court for her graciousness and charm, while the Prince is unusually enthusiastic and cheery in her company. When refreshments are served, he gives her the honour of taking one of three oranges, a delicacy imported to the kingdom from a far-off land. Cinderella offers the other two oranges to her two stepsisters, who are so flattered by the attention that they do not recognize the beautiful stranger as their stepsister Cinderella. The Prince takes Cinderella out to the royal gardens for an evening walk, where they dance and proclaim the love blossoming between them.
As they return to the ballroom for the next waltz, Cinderella has completely forgotten about the time in her happiness. However, at the first stroke of midnight, the twelve dwarfs spring from the great palace clock and remind Cinderella of her fairy godmother's warning. Terrified of being unmasked as a lowly servant in rags, she flees from the ballroom to the astonishment of the other guests. Though the Prince pursues her, she vanishes into the night moments before the spell breaks, losing one of her glass slippers in her haste and panic. The Prince is heartbroken at the thought of losing his love so soon after discovering her, but upon finding the lost slipper, he vows not to rest until he is once again reunited with her.
Act III
The morning after the ball, the Prince summons every shoemaker in the kingdom, in order to find out who the slipper was made for. However, none of them claim to have crafted the shoe, or sold it to anybody recently, and he concludes that the princess must be from a foreign land. His desperate search brings him first to the Mediterranean, then to the Orient, and lands further beyond. After travelling across the world and meeting various beautiful princesses with no success, the Prince begins to search his own kingdom, trying the slipper on every maiden who attended the ball.
Back at Cinderella's home, love has allowed the Prince to defy the laws of time and space; though she is only awakening the morning after the ball, he has already traveled the world and back again in search of his lost love. Upon waking, Cinderella initially believes that the events of the previous night were only a dream. As she relives some of the dances of the ball, she discovers the remaining glass slipper and realizes that it was all true. At breakfast, the two stepsisters reminisce about the ball, and argue about who made the greater impression on the Prince at the ball. Their fighting is interrupted when the father and the stepmother hurry in with the news that the Prince is on his way to their house, desperately trying a glass slipper on every girl he encounters. Upon his arrival, he tries the slipper on the two stepsisters, to no avail. The stepmother, however, demands to be given a chance and tries to force her foot into the shoe, ordering Cinderella to help her. As she bends down to assist, the remaining slipper falls from her pocket and the Prince finally recognizes Cinderella for who she is. As Cinderella successfully tries on both glass slippers, her stepfamily beg for her forgiveness, which she happily bestows upon them. Overjoyed to have rediscovered each other, Cinderella and the Prince are then transported away to a secret garden by the fairy godmother, where they confess their love for one another and are happily married.

第一幕
("Overture")
一對母女瑪格麗特和卡拉來到意大利翡冷翠，("Statues and Stories")在一次機緣下卡拉遇上了意大利男子法比斯奧，並一見鍾情。("The Beauty Is")可是瑪格麗特卻千方百計阻隢二人。法比斯奧決意要追求卡拉，("Il Mondo Era Vuoto")他要其兄弟喬斯彼和其父幫忙。("American Dancing")在法比斯奧的父親的幫助下，瑪格麗特總算軟化了。("Passeggiata")不久法比斯奧邀二人到家中一眾，喬斯彼之妻法蘭卡要卡拉小心男人，("The Joy You Feel")而瑪格麗特看出法比斯奧的確愛著卡拉，這加深了她的憂慮。
迷惘的瑪格麗特打長途電話給其夫萊爾，可是萊爾對此事不置可否，並認為沒她所想那麼嚴重，可瑪格麗特就是放心不下。("Dividing Day")她突然發覺卡拉背著她去了幽會，焦急得如熱窩上的螞蟻。卡拉被迷失在翡冷翠的街中，突然變得歇斯底里，大聲尖叫起來。("Hysteria")還好瑪格麗特找到了她，並把她帶回酒店。原來卡拉小時受過驚嚇，雖然身體已經20多歲，可實際上只有10歲左右的智商。在瑪格麗特去找東西喝的同時法比斯奧來求婚，("Say it Somehow")瑪格麗特回來時驚恐地發現二人在擁吻。
第二幕
瑪格麗特決定要盡快把卡拉帶回美國，法比斯奧為失戀而痛呼。("Aiutami")可是卡拉卻一定要回去翡冷翠，並堅持不去美國。瑪格麗特無奈，二人遂回酒店。("The Light in the Piazza")眾人都為年下的少年男女和自己的婚姻各有各看法，("Octet")法蘭卡為讓其夫妒忌親吻法比斯奧被卡拉撞見，結果又變成一個亂子。在綵排上，法比斯奧之父突然帶家人離開，這讓卡拉感迷惑，而瑪格麗特則一再決意保護她。("The Beauty Is (Reprise)")
原來法比斯奧之父發覺卡拉的年齡是26歲，和其子20歲的法比斯奧有點不適合。瑪格麗特欣喜他沒發現卡拉的毛病，並成功說服了他繼續婚禮。("Let's Walk")瑪格麗特向萊爾報告，萊爾不同意讓卡拉結婚，瑪格麗特跟他爭辯，這一切卻被卡拉聽到了。她再一次流浪在翡冷翠街頭，("Clara's Interlude")並告訴法比斯奧她不嫁了。終於法比斯奧獲悉所有真相，並再次重申他對卡拉的愛。("Love to Me")在婚禮前卡拉向瑪格麗特說她離不開她，然而瑪格麗特卻說沒問題的。內心再次掙扎的瑪格麗特("Fable")終於加入了二人的婚禮。

Amélie captured our hearts in the five-time Oscar®-nominated film. Now she comes to the Ahmanson in a magical new musical—following a World premiere at Berkeley Repertory Theatre, which topped the Best Theatre of 2015 lists in the San Francisco Chronicle and Los Angeles Times. Embark on a mesmerizing journey with inquisitive and charmingly shy Amélie as she turns the streets of Montmartre into a world of her own imagining, while secretly orchestrating moments of joy for those around her.

Amélie captured our hearts in the five-time Oscar®-nominated film. Now she comes to the Ahmanson in a magical new musical—following a World premiere at Berkeley Repertory Theatre, which topped the Best Theatre of 2015 lists in the San Francisco Chronicle and Los Angeles Times. Embark on a mesmerizing journey with inquisitive and charmingly shy Amélie as she turns the streets of Montmartre into a world of her own imagining, while secretly orchestrating moments of joy for those around her.

King Kong - Live On Stage, or simply King Kong, is a musical with music by Marius de Vries, lyrics by Michael Mitnick and Craig Lucas, a book by Lucas and additional musical and lyrical contributions by 3D, Sarah McLachlan, Guy Garvey, Justice and The Avalanches. It is based on the 1933 film of the same name and is produced by Global Creatures, who designed the six-metre animatronic silverback title character. Under the direction of Daniel Kramer, the musical is choreographed by John O’Connell. The musical opened to mixed reviews on its world premiere opening night gala at the Regent Theatre in Melbourne, Australia on 15 June 2013, following previews from 28 May 2013. Originally booking through 28 July 2013, the musical most recently extended its booking period for a third time, with performances now scheduled through October 6.

King Kong - Live On Stage, or simply King Kong, is a musical with music by Marius de Vries, lyrics by Michael Mitnick and Craig Lucas, a book by Lucas and additional musical and lyrical contributions by 3D, Sarah McLachlan, Guy Garvey, Justice and The Avalanches. It is based on the 1933 film of the same name and is produced by Global Creatures, who designed the six-metre animatronic silverback title character. Under the direction of Daniel Kramer, the musical is choreographed by John O’Connell. The musical opened to mixed reviews on its world premiere opening night gala at the Regent Theatre in Melbourne, Australia on 15 June 2013, following previews from 28 May 2013. Originally booking through 28 July 2013, the musical most recently extended its booking period for a third time, with performances now scheduled through October 6.