Auguste, a somewhat simple-minded Provençal fisherman, loves and admires Mireille. This concerns only Maurice, son of an important wholesaler, whom scruples do not stifle. Seduced and abandoned, Mireille moves Auguste who tries to mend his poor happiness. The local priest, with wise words, leads Mireille to offer her hand to Auguste.

1952 film by Marcel Pagnol; 2nd part of Manon des Sources

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.

A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.

1934 French drama film directed by Marcel Pagnol