Writer/directors Joe Lawlor and Christine Molloy are back with a taut psychological thriller about a young woman who confronts a trauma from her past. See Rose Plays Julie in UK and Irish cinemas from 15 May 2020.

An 18 year old girl called Joy has gone missing. Another girl called Helen is a few weeks away from leaving her care home. Helen is asked to 'play' Joy in a police reconstruction that will retrace Joy's last known movements. Joy had everything. A loving family, a boyfriend, a bright future. Helen, parent-less, has lived in institutions all her life and has never been close to anyone. Gradually Helen begins to immerse herself into the role, visiting the people and places that Joy knew; quietly and carefully insinuating her way into the lost girl's life. But is Helen trying to find out what happened to Joy that day, or is she searching for her own identity?
18岁的爱尔兰学生乔伊失踪了。警方为了重现现场，不得不寻找一个相貌类似的女生海伦进行现场重现，而身份、经历完全不同的海伦发现自己要重新融入乔伊的生活，包括她的家人、男友等。

In their debut documentary Christine Molloy and Joe Lawlor take as their point of departure the compelling 18th Century figure, Ambrose O'Higgins, and attempt to retrace his remarkable journey from Ireland to Chile. Key locations in O'Higgins' life - a lake in Sligo, a field in Meath, the port of Cadiz, the sea, and the edge of a snow-covered mountain in the Andes - are visited and reflected upon in the hope that something might be revealed, as if these very locations might contain clues. Having long dreamt of making a biopic of O'Higgins, this wayward and wry documentary is the filmmakers' attempt to realise this dream through a personal voyage into the idea of the cinematic location. However, as they speculate on the idea of place and what O'Higgins embodies, the filmmakers continually get sidetracked by a competing story of immigration and displacement. Gradually, and not without humour, these intertwining narratives uncover ideas about the transformative powers of travelling, as looked at through the peculiar prism of the Irish experience.

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