二次大战期间，德军一艘U型潜艇奉命出击，完成对英国船队的袭击任务，当他们完成任务返航途中，却遭遇上前所未见的危机。《从海底出击》片长超过三个小时，而从开始到结束的每一分钟里，时间几乎都消耗在一艘德国潜艇的封闭空间里面，满脸油污、胡子拉茬的德国海军是影片的主要角色。在它的悠长篇幅之中并不缺乏大起大落的情节起伏，潜在的重重危机随时威胁着舰艇上官兵的生命安全，这个貌似强大而冷冰冰的庞然大物完全不能自保，一切只能听天由命。

一群热爱着德国沙尔克04队的球迷，一名为该队效力的球员。当他们想要帮助他找回进球的感觉的时候，都会发生什么故事呢？
足球是我们的生命，而我们的生活中，可以仅仅只有足球么？亲情、爱情，能否同足球一样，相伴在我们的左右？

Life could be just great for bankrobber Keek: His buddy Kalle is doing time for their last coup, while Keek has to retain the loot. Kalle will spend two more years in jail, so Keek is not exactly bothered by the fact that he has lost most of the money betting on horse races. But then Kalle watches a porn video 'starring' his girlfriend and he breaks free to take revenge. Suddenly, Keek is in desperate need of cash and even the weirdest scheme seems promising.

2019 film directed by Peter Thorwarth

二次世界大战期间，德国发明了一艘出没无踪的潜艇，在海战中无往不利。一次，这艘潜水艇奉命出击，执行对英国船队的袭击任务，当他们完成任务返航途中，却遭遇上前所未见的危机。潜在的重重危机随时威胁着舰艇上官兵的生命安全，这个貌似强大而冷冰冰的庞然大物完全不能自保，一切 只能听天由命......

影片改编自战地记者布克海姆的畅销自传，荣获1982年第54届奥斯卡金奖六项提名。 沃尔夫冈·彼得森成为第一位凭着德语电影获得最佳导演提名的人。

这是电视剧版。

A funny film in which two unemployed people who live in the industrial district of Cologne spend their empty days drinking beers in a bar. They make some halfyhearted attemps to find a job do not succeed. Than a regular drinking friend of them (Rasko) offers them a job. They open a bar outside the town. But Rasko has shady business partners who use onorthodox methods to collect their money..
Like most films of the "Kölner Gruppe", Westend succeeds in discovering cinema traditions, ranging from slapstick to Italian Western, in German everyday life. The unemployed friends Mike and Alfred follow in the tradition of great comic double-acts and Western buddies. The filmmakers play the parts of Mike and Alfred themselves, interpreting them as beautiful losers in splendid outfits between tastelessness and daring chic. They could be the German cousins of Jay and Silent Bob, characters created by the American director Kevin Smith who philosophize about the sheer absurdity of life.
Since Mike and Alfred live on the outskirts of the city, Cologne's cathedral and city centre can only be seen in the distance. The quarter Westend, which DoP KaPe Schmidt depicts in a black-and-white B-movie style, is an urban no-man's-land. The tenement blocks, desolate supermarkets, and warehouses where dubious business takes place are populated by nerds, dreamers and hopeless wheeler-dealers. It's a German wasteland of broken dreams in which kiosks appear to be the last oasis. Mike and Alfred take over just such a kiosk. "If you have no opportunities in life, you have to use them." As did Herbert Achternbusch's Atlantic Swimmers, kindred spirits of Mike and Alfred. In an affectionate and sometimes nasty parody of free enterprise and capitalism, the filmmakers show how Mike and Alfred achieve success: by turning the old shack into a pit stop on life's racetrack and then by taking advantage of each other. When the glorious losers in Westend brag about "positive stress" and "intelligent cars", the film turns into a tragicomic and poetic rap.
Like many films of the "Kölner Gruppe", Westend contains a true seriousness, a melancholy that leaves you hoping for the resurrection of the old myths friendship, love and daring, in the ruined landscape of the city outskirts. A small adjustment, a slight oscillation, and Mike and Alfred, standing in front of a Ford Capri lowrider similar to the GTO in the cult movie Two-Lane Blacktop, resemble two pioneers who will surely overcome the end of the West. The most beautiful scene takes place in a disco full of Kaurismäki charm. An old cowboy sings "My heart flies away". And we do believe the old blues singer, just as we believe the two losers who are heroes too.

"Dieter hat Null Bock, Null Plan, aber die höchsten Ansprüche ans Leben und an seine Eltern, die ihn mit Mitte 20 immer noch durchfüttern. Da er jede Art von Streß vermeidet, sind ihm bisher auch Frauen zu anstrengend gewesen und sehr zum Kummer seiner Eltern, ist er immer noch eine männliche Jungfrau. Doch eines Tages trifft ihn Amors Pfeil mitten ins Herz! Urplötzlich steht ihm seine Traumfrau gegenüber, die schöne Petra. Schon der erste Kuß katapultiert die beiden Liebenden in die wilden 70er zurück und sie erwachen in einem rosaroten Wunderland. Petra und Dieter sind zweifelsohne das neue, ultimative Traumpaar - ein Paar, das sich garantiert nicht gesucht, aber trotzdem gefunden hat..."

Eigentlich ist Polizist Joachim Krippo ein ganz Normaler: Er ernährt sich hauptsächlich von Tiefkülkost und mag es gerne zu dritt, mit dem Ehepaar Rolf und Karin. Als allerdings sein Riesen-Holz-Penisse schnitzender Opa bei ihm einzieht und ihm grundlos die Schuld an der Flucht des Gangsters Engel Potraske in die Schuhe geschoben wird, muß sich Krippo ganz schön umstellen.