Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.

Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.

A universal tale of proud Mme Rousseau who is on a mission to spend the perfect day enjoying the endless cakes of Paris with sweet liberty. But Paris is not the city she remembers. And life has some bittersweet lessons to teach. Filmed in Paris with French New Wave legend, Bulle Ogier (The Discreet Charm of the Bourgeoisie).

让娜·巴利巴尔将执导她的第二部全新影片[奇迹蒙费梅伊](Merveilles à Montfermeil，暂译)，朗齐·贝迪亚、艾曼纽·贝阿([八美图])、马修·阿马立克、布鲁·欧吉尔等主演，故事围绕夫妻丘耶勒(让娜·巴利巴尔饰)、卡迈勒(朗齐·贝迪亚饰)展开，他们是蒙费梅伊市一项政府活动的主要策划人，该项活动旨在采取措施保证人民生活等方方面面满意度，很显然这项措施非常有成效。但是殊不知这对夫妻却陷入离婚中，他们生活不如意，而且两人更是喜欢上了各自的约会对象。该片将在5月28日到7月7日展开拍摄。

Paulina leaves the apartment where she lives with her two brothers, Nicolas and Olivier. Her departure is mark by chaotic and sometimes brutal confrontations. Thrust into a world of madness and violence (or is it gaslighting?), Paulina is shuttled from a psychiatric institution to a brothel, while her brothers become resistance fighters in some enigmatic version of France.

The story of a dysfunctional family in Northern France. Dad is a mean abusive drunk pharmacist, mom is addicted to pills and has incestuous desire for her son, the son is skipping school to fish and daughter is mentally handicapped.

Seaside takes place in a small coastal town on the Bay of Somme. The year-round inhabitants find ways to make their lives work; Paul, a lifeguard in the summer, works at the grocery all winter. His mother, Rose (Ogier) likes to play the slots just about anytime; his girlfriend Marie works in the local factory - the town's biggest business - but watching the summertime vacationers each year just makes her increasingly curious about what else might be out there. From these and several other stories, aided by close, revealing observations, we see a community perched between transition and stasis.

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

Nicolas is an artist, a filmmaker who merely wants to express himself and whom everyone wishes to reduce to silence. When he first starts out in Georgia, the "ideologists" hope to gag him, concerned that his work does not follow the set rules. In the face of their determination, Nicolas leaves his homeland for France - the land of freedom and democracy. But the "state of grace" will not last long.

Rachid, Laurence, et leur fils de 7 ans, Sami, décident de quitter Paris pour s’installer au Maroc. A leur arrivée, leurs relations familiales subissent toutes les tensions que peut susciter la confrontation ambiguë de deux cultures…
哈须德、劳伦斯和他们7岁的儿子萨米，决定离开巴黎在摩洛哥定居。他们抵达后，家庭成员之间经受的各种压力，激起了两种文化之间的冲突，并由此引发了一系列故事。

After having been rescued from suicide, a young man is the object of a bet by his doctor that the doctor can help him recover his joy in life. Ironically, the doctor's life is not a very happy one either, and his boast has a hollow sound. For one thing, although he seemingly has a "happy divorce," in which he, his ex-wife and her new husband are all great pals, it's not true. He wants his wife back. All sorts of complications arise out of these lies and distortions.

Before Le Pont du Nord Rivette films Paris s'en va, a short film of approximately 25 minutes. He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: "At the beginning of the '80s nobody was interested in Rivette's highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of 'transposition' of the themes of Le Pont du Nord in the shape of Paris s'en va. Just like a painter in the Renaissance who does a sketch for a future project."

Originally produced as Out 1, noli me tangere (1971) with a running time of 13 hours. Later edited to 4 1/2 hours and retitled for general release.

A middle-aged sales rep drops everything to track down the killers of his cop friend. Two years earlier, an older gambler forms an intense bond with a naive young man, who changes his name to please him.

Benoit has his life all planned out before him. Unfortunately, he had totally forgotten to include his military service. Inevitably called into duty, he tries everything he can to avoid it, eventually launching into a hedonistic lifestyle—out of control with drugs, alcohol, and nightclubs.

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

A mediocre musician goes on the road in search of the world's greatest guitar maker.

Anna, Joyce, Claude, and Cécile are four young actresses sharing a Paris apartment while attending intense acting workshops led by their demanding teacher Constance. As they rehearse scenes and navigate the tensions of living together, their personal lives begin to grow complicated when Joyce becomes involved with a mysterious older man whose presence slowly pulls the others into a web of secrets and suspicions, blurring the boundary between the roles they perform and the lives they're actually living.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.