Mao has a pallet repair business and a heavy vehicle garage in an anonymous industrial area of a Paris suburb. He decides to open up amosque for his employees, but he designates an imam for it without consulting with them. Some of the workers object to the choice, and aggravated social conflict soon follows. Going against all clichés, after Wesh wesh, qu’est-ce qui se passe ? and Bled Number One, Rabah Ameur-Zaïmeche pursues his amusing poetic plunge deep into the heart of the world of Maghreb immigration, and this time, into the working world. His film, themed on the color red, is an involved work as well as a work of art, a forum where civil dialogue and religious questions are expressed with a great freedom. Backing up his extremely personal mise-en-scène, Ameur-Zaïmeche invents characters in rhythm with the movement of the pallets that the actors move about, in the theatrical setting of the company workplace. A poetic masterwork full of humor and tenderness, Dernier maquis was selected for the Directors’ Fortnight this year in Cannes.

阿尔及利亚选送参选2018年奥斯卡最佳外语片竞赛的影片，入围2016年柏林电影节全景单元。《法外之徒》《敌人之路》导演拉契得·波查拉新作，在选题上波查拉还是一如既往的关注民族关系和富有争议。讲述的是母亲伊丽莎白收到警察的通知，得知20岁的女儿离开比利时竟前往叙利亚参加圣战之后，独自前往叙利亚找女儿的故事

在很久很久以前，黑魔法曾经险些统治整个世界。幸好有三贤士，他们不畏艰难险阻，将光明又带回到这个世界上。整个故事要从希律王的残酷统治说起。