In the French Quarter of New Orleans the Mardi Gras revellers concealed a group of pleasure-seekers who preferred to wear black. For Zillah, Molochai and Twig the party had been going on for centuries, fuelled by sexual frenzy, green Chartreuse and a cocktail of vodka and innocent blood.
Nothing was born in horror and brought up in suburban Maryland. Even before he ran away to find his true home, he suspected he was different from other teenagers. And when he had his first taste of human blood, he knew he was right.
Ghost was the visionary singer of the band Lost Souls? When Nothing was drawn into Zillah’s fatal circle, Ghost had to decide whether he should try to save the boy from himself — or abandon him to his bloody birthright.

In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. Drawing on thirty years of research in maritime archives, court records, diaries, and firsthand accounts, The Slave Ship is riveting and sobering in its revelations, reconstructing in chilling detail a world nearly lost to history: the “floating dungeons” at the forefront of the birth of African American culture.

Although it follows the movement of thousands of men and women and the transformation of an entire nation, "The Grapes of Wrath" is also the story of one Oklahoma farm family, the Joads, who are driven off their homestead and forced to travel west to the promised land of California.

Bond does not himself feature until quite late in this novel - the opening chapters, one of Fleming's most amazing fantasies, creates the nightmare world of SMERSH - the Russian counter-spy organisation, its sickeningly foul section head Rosa Klebb and her top assassin Grant. When the action shifts to Istanbul and Klebb's plot to destroy the unsuspecting Bond one of the most brilliant chase sequences in fiction (unrivalled even by Buchan or Greene) unfolds. One of the defining books of the Cold War (and one of President Kennedy's favourite books) "From Russia with Love" is perhaps even more enjoyable to read now than when it first became a huge international bestseller.
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007系列电影第二部《俄罗斯情书》的英文原版小说，再现James Bond的睿智与英勇！
Book Description
SMERSH is the Soviet organ of vengeance, of interrogation, torture and death. James Bond is dedicated to the destruction of its agents wherever he finds them. Then the cold eye of SMERSH focuses on Bond and far away in Moscow a trap is laid for him.
Book Dimension:
length: (cm)19.8 　　　 　　　　　 　　 　 width:(cm)12.9
亚马逊网同时为您奉上：
1. 007电影第一部《诺博士》英文原版小说
2. 007电影第三部《金手指》英文原版小说
3. 007电影第四部《雷霆万钧》英文原版小说
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8. 007电影第二十一部《皇家赌场》英文原版小说

In this text, Bruce Chatwin writes of his father, of his friend Howard Hodgkin, and of his talks with Andre Malraux and Nadezhda Mandelstram. He also follows unholy grails on his travels, such as the rumour of a "wolf-boy" in India, or the idea of looking for a Yeti.

Andalusia is a passion -- and fifteen years after his last visit Laurie Lee returned.

An incisive, humorous, and heartbreaking account of people in formerly Communist countries holding fast to their former lives, by the acclaimed author of How to Feed a Dictator .

For hundreds of years, Bulgarian Gypsies trained bears to dance, welcoming them into their families and taking them on the road to perform. In the early 2000s, with the fall of Communism, they were forced to release the bears into a wildlife refuge. But even today, whenever the bears see a human, they still get up on their hind legs to dance.

In the tradition of Ryszard Kapuściński, award-winning Polish journalist Witold Szablowski uncovers remarkable stories of people throughout Eastern Europe and in Cuba who, like Bulgaria's dancing bears, are now free but who seem nostalgic for the time when they were not. His on-the-ground reporting--of smuggling a car into Ukraine, hitchhiking through Kosovo as it declares independence, arguing with Stalin-adoring tour guides at the Stalin Museum, sleeping in London's Victoria Station alongside a homeless woman from Poland, and giving taxi rides to Cubans fearing for the life of Fidel Castro--provides a fascinating portrait of social and economic upheaval and a lesson in the challenges of freedom and the seductions of authoritarian rule.

is a landmark of American literature. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. Although it follows the movement of thousands of men and women and the transformation of an entire nation,
is also the story of one Oklahoma family, the Joads, who are driven off their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity.
First published in 1939,
summed up its era in the way that
summed up the years of slavery before the Civil War. Sensitive to fascist and communist criticism, Steinbeck insisted that "The Battle Hymn of the Republic" be printed in its entirety in the first edition of the book—which takes its title from the first verse: "He is trampling out the vintage where the grapes of wrath are stored." At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s fictional chronicle of the Dust Bowl migration of the 1930s is perhaps the most American of American Classics.

Though universally acclaimed for his dazzling works of fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems--the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work--from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los Conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Like nearly one in five people, Matt Haig suffers from depression.
is Matt’s inspiring account of how, minute by minute and day by day, he overcame the disease with the help of reading, writing, and the love of his parents and his girlfriend (and now-wife), Andrea. And eventually, he learned to appreciate life all the more for it.

Everyone’s lives are touched by mental illness: if we do not suffer from it ourselves, then we have a friend or loved one who does. Matt’s frankness about his experiences is both inspiring to those who feel daunted by depression and illuminating to those who are mystified by it. Above all, his humor and encouragement never let us lose sight of hope. Speaking as his present self to his former self in the depths of depression, Matt is adamant that the oldest cliché is the truest—there is light at the end of the tunnel. He teaches us to celebrate the small joys and moments of peace that life brings, and reminds us that there are always reasons to stay alive.

Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals.