Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them.
The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman.
This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.

喜欢冒险、爱爆粗口的前游泳教练在 69 岁时勇闯铁人三项比赛，希望打破纪录，创下辉煌。

在二十世纪六十年代的印度，阿奇和伙伴们面对爱情、友谊以及河谷镇的未来。与此同时，开发商威胁要摧毁一个备受大家喜爱的公园。

一個想成為刺客/間諜的女性，她甚至不能做常規俯臥撐，對近戰一無所知，對劍術一無所知，甚至不知道武士刀的由來，她沒有跆拳道或功夫的任何訓練，在跑步時看起來像個娘娘腔，但在她幻想的腦海中，她扮演了一個所謂的國際間諜的角色。