「一名不可思議的有天賦作家，竟同時擁有一種兼具江湖智慧、博學、促狹與哲學的語聲」──紐約時報
喬治．艾略特的愛情生活是如何影響了她的作品？卡夫卡為何在凌晨三點寫作？巴瑞克．歐巴馬在哪方面與伊莉莎．杜麗托相像？你會為了奧斯卡而盛裝過頭嗎？何為義大利的女性主義？倘若羅蘭．巴特殺了作者，納博科夫能讓他復活嗎？「靈性」何意？約會電影是史上最糟電影嗎？
劃分為五大單元──「Reading（閱讀）」、「Being（存在）」、「Seeing（觀看）」、「Feeling（感覺）」，和「Remembering（紀念）」──在《機巧的感覺》裡，莎娣．史密斯 以敏銳的洞察力觀照個人與文化素材。本書裡的迷人篇章—部分是頭一次出版—顯露史密斯是一名情感豐富和嚴謹的散文家，在家裡坐擁偉大書籍和糟糕電影、家庭和哲學、英國喜劇和義大利女神。無論寫歐巴馬、凱薩琳．赫本、卡夫卡、安娜．瑪婭妮或大衛．福斯特．華萊士，她都帶著一名作家對評論藝術的重視，見解深刻又不失同情。
《機巧的感覺》是最包羅萬象、見多識廣又有趣的雜文集──是送給和讀者和作者雙方的一份禮物。其中所包含的文章，絕非只是一個見解的發表園地，而是一個可以自由思考的空間。

"[These essays] reflect a lively, unselfconscious, rigorous, erudite, and earnestly open mind that's busy refining its view of life, literature, and a great deal in between."
- Los Angeles Times
Split into five sections-Reading, Being, Seeing, Feeling, and Remembering-- Changing My Mind finds Zadie Smith casting an acute eye over material both personal and cultural. This engaging collection of essays-some published here for the first time-reveals Smith as a passionate and precise essayist, equally at home in the world of great books and bad movies, family and philosophy, British comedians and Italian divas. Whether writing on Katherine Hepburn, Kafka, Anna Magnani, or Zora Neale Hurston, she brings deft care to the art of criticism with a style both sympathetic and insightful. Changing My Mind is journalism at its most expansive, intelligent, and funny-a gift to readers and writers both.

A sparkling collection of Zadie Smith's nonfiction over the past decade.
Zadie Smith brings to her essays all of the curiosity, intellectual rigor, and sharp humor that have attracted so many readers to her fiction, and the result is a collection that is nothing short of extraordinary.
Split into four sections-"Reading," "Being," "Seeing," and "Feeling"- Changing My Mind invites readers to witness the world from Zadie Smith's unique vantage. Smith casts her acute eye over material both personal and cultural, with wonderfully engaging essays-some published here for the first time-on diverse topics including literature, movies, going to the Oscars, British comedy, family, feminism, Obama, Katharine Hepburn, and Anna Magnani.
In her investigations Smith also reveals much of herself. Her literary criticism shares the wealth of her experiences as a reader and exposes the tremendous influence diverse writers-E. M. Forster, Zora Neale Hurston, George Eliot, and others-have had on her writing life and her self-understanding. Smith also speaks directly to writers as a craftsman, offering precious practical lessons on process. Here and throughout, readers will learn of the wide-ranging experiences-in novels, travel, philosophy, politics, and beyond-that have nourished Smith's rich life of the mind. Her probing analysis offers tremendous food for thought, encouraging readers to attend to the slippery questions of identity, art, love, and vocation that so often go neglected.
Changing My Mind announces Zadie Smith as one of our most important contemporary essayists, a writer with the rare ability to turn the world on its side with both fact and fiction. Changing My Mind is a gift to readers, writers, and all who want to look at life more expansively.

North West London comes vividly to life in NW, the new novel by the author of the bestselling White Teeth and Man Booker-shortlisted On Beauty.
This is the story of a city.
The north-west corner of a city. Here you'll find guests and hosts, those with power and those without it, people who live somewhere special and others who live nowhere at all. And many people in between.
Every city is like this. Cheek-by-jowl living. Separate worlds.
And then there are the visitations: the rare times a stranger crosses a threshold without permission or warning, causing a disruption in the whole system. Like the April afternoon a woman came to Leah Hanwell's door, seeking help, disturbing the peace, forcing Leah out of her isolation . . .
Zadie Smith's brilliant tragi-comic new novel follows four Londoners - Leah, Natalie, Felix and Nathan - as they try to make adult lives outside of Caldwell, the council estate of their childhood. From private houses to public parks, at work and at play, their London is a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end.
Depicting the modern urban zone - familiar to town-dwellers everywhere - Zadie Smith's NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.
Praise for Zadie Smith:
'A tremendous talent' Boyd Tonkin, Independent
'A writer of remarkable wit and originality' Observer
'One of the handful of novelists writing at present who really matter and who, we may confidently assume, will "last". She is "canonical"' The Times
'[It is] impossible not to admire Smith's marriage of humanity, humour and intellect' Irish Times
'An outstanding novelist with the powerful understanding both of what the brain knows and what love knows' Observer

Set in New England mainly and London partly, "On Beauty" concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high ideals and asks some searching questions about what life does to love. For the Belseys and the Kipps, the confusions - both personal and political - of our uncertain age are about to be brought close to home: right to the heart of family.

Set in northwest London, Zadie Smith’s brilliant tragicomic novel follows four locals—Leah, Natalie, Felix, and Nathan—as they try to make adult lives outside of Caldwell, the council estate of their childhood. In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

Winner of the 2006 Orange Prize for fiction and from the celebrated author of "White Teeth" comes another bestselling masterwork Having hit bestseller lists from the "New York Times" to the "San Francisco Chronicle," this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. "On Beauty" is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture warsaon both sides of the Atlanticaserve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smithas reputation as a major literary talent. Named one of the Ten Best Books of the Year by the "New York Times Book Review, Entertainment Weekly, Time," and "Publishers Weekly" A "New York Times, Wall Street Journal, USA Today, San Francisco Chronicle, Los Angeles Times, Boston Globe, Denver Post," and "Publishers Weekly" bestseller A "Los Angeles Times, Boston Globe, Chicago Tribune, San Francisco Chronicle, Atlantic Monthly, Newsday, Christian Science Monitor," and "Minneapolis Star Tribune" Best Book of the Year Short-listed for the Man Booker Prize BACKCOVER: Praise for "On Beauty": aA thoroughly original tale . . . wonderfully engaging, wonderfully observed . . . That rare thing: a novel that is as affecting as it is entertaining, as provocative as it is humane.a aMichiko Kakutani, "The New York Times" aA thing of beauty. Oh happy day when a writer as gifted as Zadie Smith fulfills her early promise with a novel as accomplished, substantive and penetrating as "On Beauty."a a"Los Angeles Times" aSmithas specialty is her ability to render the new world, in its vibrant multiculturalism, with a kind of dancing, daring joy. . . . Her plots and people sing with life. . . . One of the best of the year, a splendid treat. a a"Chicago Tribune" aShort-listed for the 2005] Man Booker Prize, On Beauty is a rollicking satire . . . a tremendously good read.a a"San Francisco Chronicle"

How did George Eliot's love life affect her prose? Why did Kafka write at three in the morning? In what ways is Barack Obama like Eliza Doolittle? Can you be over-dressed for the Oscars? What is Italian Feminism? If Roland Barthes killed the Author, can Nabokov revive him? What does 'soulful' mean? Is Date Movie the worst film ever made? A collection of essays that brims over with personality and warmth, "Changing My Mind" is journalism at its most expansive, intelligent and funny - a gift to readers and writers both. Within its covers an essay is more than a column of opinions: it's a space in which to think freely.

《簽名買賣人》說的是艾力克斯－李‧坦登的故事。他還不到三十歲，工作是蒐集、買賣名人的簽名，他常因為喝酒過量、吸大麻而處於爛醉、意識模糊的狀態下。某天，他竟然得到一張極為罕見的簽名，簽名者是他從小的偶像──電影明星Kitty Alexander，他的朋友都認為那是他自己偽造的。於是，他決定橫渡大西洋，到紐約去參加「簽名買賣人年度大會」，找到Kitty Alexander，證實自己拿到的簽名是真的。
結果他真的找到已經年過七十、獨自幽居的Kitty Alexander，而且還慫恿她一起到倫敦，並且藉由銷售簽名來賺取生活費。沒想到她的經紀人卻在隔天向媒體宣佈她的死亡訊息，艾力克斯決定順水推舟，讓她的簽名價值水漲船高……。可是，這場鬧劇應該如何收尾？

Epic in scale and intimate in approach, White Teeth is an ambitious novel. Genetics, eugenics, gender, race, class and history are the book's themes but Zadie Smith is gifted with the wit and inventiveness to make these weighty ideas seem effortlessly light.
The story travels through Jamaica, Turkey, Bangladesh and India but ends up in a scrubby North London borough, home of the book's two unlikely heroes: prevaricating Archie Jones and intemperate Samad Iqbal. They met in the Second World War, as part of a "Buggered Battalion" and have been best friends ever since. Archie marries beautiful, buck-toothed Clara, who's on the run from her Jehovah's Witness mother, and they have a daughter, Irie. Samad marries stroppy Alsana and they have twin sons: "Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks."
Big questions demand boldly drawn characters. Zadie Smith's aren't heroic, just real: warm, funny, misguided and entirely familiar; reading their conversations is like eavesdropping. A simple scene, Alsana and Clara chatting about their pregnancies in the park: "A woman has to have the private things--a husband needn't be involved in body business, in a lady's ... parts."
Samad's rant about his sons--"They have both lost their way. Strayed so far from what I had intended for them. No doubt they will both marry white women called Sheila and put me in an early grave--acutely displays "the immigrant fears--dissolution, disappearance" but it also gets to the very heart of Samad.
White Teeth is a joy to read. It teems with life and exuberence and has enough cleverness and irreverent seriousness to give it bite. --Eithne Farry --This text refers to an out of print or unavailable edition of this title.

Deeply personal and powerfully moving, a short and timely series of reflective essays by one of the most clear-sighted and essential writers of our time
Written during the early months of lockdown, Intimations explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality–or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it?
Suffused with a profound intimacy and tenderness in response to these extraordinary times, Intimations is a slim, suggestive volume with a wide scope, in which Zadie Smith clears a generous space for thought, open enough for each reader to reflect on what has happened–and what should come next.
The author will donate her royalties from the sale of Intimations to charity.

Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.
At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

Book Description
"Glorious. Wonderfully engaging, wonderfully observed...that rare thing: a novel that is as affecting as it is entertaining."
New York Times
Why do we fall in love with the people we do?
Why do we visit our mistakes on our children?
What makes life truly beautiful?
Set in New England mainly and London party, On Beauty concerns a pair of feuding families - the Belseys and the Kippses - and a clutch of doomed affairs. It puts low morals among high ideals and asks some searching questions about what life does to love. For the Belseys and the Kippses, the confusions - both personal and political - of our uncertain age are about to be brought close to home: right to the heart of family.
Book Dimension
length: (cm)17.2 　　　 　　　　　 　　　　　 width:(cm)10.6

Two brown girls dream of being dancers--but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either...
Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from North-West London to West Africa, it is an exuberant dance to the music of time.

Zadie Smith has established herself as one of the most iconic, critically-respected, and popular writers of her generation. In her first short story collection, she combines her power of observation and inimitable voice to mine the fraught and complex experience of life in the modern world. With ten extraordinary new stories complemented by a selection of her most lauded pieces for The New Yorker, The Paris Review, and Granta, GRAND UNION explores a wide range of subjects, from first loves to cultural despair, as well as the desire to be the subject of your own experience. In captivating prose, she contends with race, class, relationships, and gender roles in a world that feels increasingly divided.

From Zadie Smith, one of the most beloved authors of her generation, a new collection of essays.
Since she burst spectacularly into view with her debut novel almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers, but also a brilliant and singular essayist. She contributes regularly to The New Yorker and the New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right.
Arranged into five sections--In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free--this new collection poses questions we immediately recognize. What is The Social Network--and Facebook itself--really about? "It's a cruel portrait of us: 500 million sentient people entrapped in the recent careless thoughts of a Harvard sophomore." Why do we love libraries? "Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay." What will we tell our granddaughters about our collective failure to address global warming? "So I might say to her, look: the thing you have to appreciate is that we'd just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes--and this had taken the fight out of us somewhat."
Gathering in one place for the first time previously unpublished work, as well as already classic essays, such as, "Joy," and, "Find Your Beach," Feel Free offers a survey of important recent events in culture and politics, as well as Smith's own life. Equally at home in the world of good books and bad politics, Brooklyn-born rappers and the work of Swiss novelists, she is by turns wry, heartfelt, indignant, and incisive--and never any less than perfect company. This is literary journalism at its zenith.

Arranged into five sections--In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free--this new collection poses questions we immediately recognize. What is The Social Network--and Facebook itself--really about? "It's a cruel portrait of us: 500 million sentient people entrapped in the recent careless thoughts of a Harvard sophomore." Why do we love libraries? "Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay." What will we tell our granddaughters about our collective failure to address global warming? "So I might say to her, look: the thing you have to appreciate is that we'd just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes--and this had taken the fight out of us somewhat."
Gathering in one place for the first time previously unpublished work, as well as already classic essays, such as, "Joy," and, "Find Your Beach," Feel Free offers a survey of important recent events in culture and politics, as well as Smith's own life. Equally at home in the world of good books and bad politics, Brooklyn-born rappers and the work of Swiss novelists, she is by turns wry, heartfelt, indignant, and incisive--and never any less than perfect company. This is literary journalism at its zenith.

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who deserves to tell their story – and about who deserves to be believed.
It is 1873. Mrs Eliza Touchet is the Scottish housekeeper – and cousin by marriage – of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.
Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.
Andrew Bogle meanwhile grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.
The “Tichborne Trial” – wherein a lower class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title – captivates Mrs Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs Touchet is a woman of the world. Mr Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task…
Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.”

Growing inequality is today a world-wide phenomenon. But it is at its most acute in the “world cities” where the rich choose to live (or invest their fortunes in real estate). Nowhere is this more evident than New York City, where the top 1% earns upwards of $500,000/year, while 22,000 children are homeless.

What does this chasm of wealth feel like to people who live and work in NYC? The stories in Tales of Two Cities mix fiction and reportage to convey the indignities and heartbreak, the callousness and solidarities, of living side-by-side with people who have a stupefyingly different income.

In these pages we read of the polarizing effect of a violent attack on the Q train as it crosses the Manhattan Bridge, of the subterranean lives of homeless people who must find a bed in the city’s underground tunnels, and of the rage felt by a millionaire at being stuck in a snowstorm. We hear of the stresses that burgeoning gentrification can bring to neighbors in a Brooklyn apartment block, and of the way destitution in India shapes the perception of poverty in New York for an immigrant from the sub-continent. We walk past the luxury pet spas and yoga studios that have opened next to cheap hair braiding salons and detox clinics in Hamilton Heights, witness the shenanigans of seriously alienated night shift paralegals, and find out what it’s like to be a housing defendant standing up for tenants whose landlords go to shocking lengths to raise rents.

Eschewing more direct sociological or economic analysis, the pieces here focus on the human dimension of penury and profligacy coexisting in the tightest of quarters. In his successful election campaign, Mayor Bill de Blasio referred often to the “tale of two cities” that is life in today’s New York. With writing that will move the reader, not just emotionally but perhaps, too, to action, this anthology gives life to the meaning of those words in the streets and buildings of the metropolis.