Recruits to a radical Islamic organisation are blindfolded before being taken to a contact address. So starts this look behind the scenes of a phenomenon that cannot be discussed. The filmmaker received a visit from the head of counter terrorism. A sensitive film.
In contemporary Indonesia, religious radicalisation is playing an increasingly important role. The banned Indonesian Islamic State (NII) successfully recruits among young people who don’t have any prospects of training or work. Nugroho tells three different stories: that of the girl Rima, who emerges as a valuable staff member of the NII; Jabir, who quits school for lack of money and returns to his parents, and Asimah, the mother of Ainsi, who has been kidnapped by the NII.
Rima does so well that she acquires a leading role, but then it soon becomes apparent that there is no room for her ambitions in Islamic conventions. Jabir joins the radical Muslims out of frustration about the lives of his parents, who have no prospects. Asimah walks all over the city looking for her daughter. Nugroho (Leaf on a Pillow, Opera Jawa) made the film on a small budget (less than 100,000 Euros) with primarily non-professional actors.

西塔 (Sita) 不信仰宗教，因为她的父母是自杀式爆炸袭击受害者。从那时起，西塔的人生目标只有一个，那就是找到罪孽最深的人，当那个人死后，西塔想要进入他的坟墓，以证明坟墓的折磨不存在，宗教也不是真实的。然而，那些不相信的人会面临可怕的后果...

母亲的骤逝，让瑟纳（布莱恩多马尼饰演）与黛惟（亚萨明贾塞姆饰演）被多年未见的父亲接去城里一起生活。抵达新太太，两人见到疏远以久的祖母加亚特里（贾姜C诺儿饰演），同时也被分派到家族经营的屠宰加工厂学习，以继承让这个家得以三代兴旺的家族事业。母亲骤逝让黛惟难过不已，也因为祖母的温暖关怀而获得一丝慰藉；瑟纳则努力工作，试图赢得父亲的喜爱。不过，两人默默发现家中有不寻常的迹象，试图威胁着他们的性命…。

Elena和Vladimir是一对老夫妻，他们来自不同的背景。Vladimir非常有钱，是一个冷血的男人；Elena在和善的环境长大，是一个顺从的妻子。他们于晚年相遇，各自在之前的婚姻中育有一个孩子。Elena的儿子失业在家，他无力支撑自己的家庭，还不断地问Elena要钱。Vladimir的女儿是个冷漠的年轻女孩，她和父亲关系疏远。因为心脏病发作，Vladimir住进了医院，他知道自己时日无多。在和女儿短暂却又温情的团聚之后，Vladimir做出了一个重大的决定：他的女儿将成为他全部财产的继承人。回到家后，Vladimir向Elena宣布了自己的决定。Elena在经济上支持儿子的希望顿时化为泡影。一度内向、卑微的家庭主妇想出了一个计划，她要给自己的儿子和孙子一个生命中真正的机会。