The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

Meteor Bay-Leder 7 struck earth on October 18th, 2012. Causing earthquakes, tidal waves, and a dust cloud that soon covered most of the Northern hemisphere, it changed the face of our planet forever.

伟大的南非舞蹈家和编舞家约翰·克兰科（John Cranko）的传记电影，他在20世纪60年代开始执掌斯图加特芭蕾舞团，令其迅速声名鹊起，跻身世界名团之列。他的名作有“情景交融三部曲”——《罗密欧与朱丽叶》《奥涅金》和《驯悍记》。Sam Riley饰演克兰科，斯图加特芭蕾舞团现任首席Friedemann Vogel在电影中饰演克兰科的御用舞者Heinz Clausse。

Frank Faust is a born loser. At some point it even becomes too much for his great love, Jennifer, who leaves him and flees to Munich. Frank's desperation is the best reason for Mephisto to show up and offer a suitable pact: reconciliation with Jennifer in exchange for Frank's soul. Shaken by his predicament, Frank finds it easy to agree to the hellish proposal. In order to win back his renegade lover, Mephisto transforms himself into a wide variety of prominent contemporaries who appear at Frank's side and publicly praise his qualities - especially for Jennifer to hear. The plan seems to be working perfectly, unless Mephisto suddenly reveals a completely new side to his personality...

A three-chapter 720-minute cinematic exploration inspired by historical explorers like Adelbert von Chamisso. The film intertwines past and present travel experiences, using readings and visual materials to explore themes of cultural knowledge loss and change, drawing parallels to Chamisso’s “Wondrous Story” of Schlemihl and his shadow.

Computer operator Faber works on securing computers for big companies and banks. His private life is rather dull until he meets a strange women, Juliet and falls in love. Her friend convinces Faber to exploit his knowledge to rob a bank.

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets Karin, a mysterious jazz pianist who seems to know more about him than she can know. Suddenly, mysterious deaths begin to pile up and Johannes tries to uncover the secret under the mountain.

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals.
Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

Perhaps they should never have met, but fate wanted otherwise. Monika and Joseph. She is a curator, he is an immigrant from Congo, a businessman with an unclear past and present. They meet during a police raid at a bar, when the first of many sparks flies between them. An understated love story, a melodrama without pathos, a fragile story about the ambiguous nature of love and the impossibility of overcoming it through reason.

<Content> is an ambient 21st century road movie from Chris PETIT whose <Radio On> (1979) has become a cult road classic, about drift and driving’s trancelike state rather than destination and the unfolding of the road. It is about life in the rearview mirror, memory, modern technology (the You Tube generation, email seduction) and the new landscape of the big shed, and driving into the flatlands of late middle age, fathers and sons, growing up in the cold war, genocide and assassination, and the postwar landscapes of Europe and the USA, and how life looks now, seen by a six-year-old from the back of a car.

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

爱德华是个电影制作人，他的未婚妻夏洛特是个演员，他们正准备将夏洛特的第一本书拍成电影，因电影脚本的需要，爱德华邀请了好友奥托到家来帮忙写脚本。夏洛特学古典吉他的侄女奥蒂丽，因为在学校不开心，被夏洛特邀请到这度假。四个人电影拍摄过程中发生错综复杂的感情纠葛。（豆瓣电影字幕翻译2.0小组）

Anna (Sabine Bach) trifft Martin (Hanns Zischler) auf deem Chamissoplatz. Er ist Architekt und mit dem Sanierungsprogramm für dieses Wohngebiet beauftragt. Anna interviewt ihn mit einer Videokamera, sie wohnt selbst dort. Martin gibt ihr seine Karte.
Bei der Versammlung der Mietergruppe wird das Material diskutiert. Anna sucht Martin in seinem Büro auf, um weitere Informationen zu bekommen. Später treffen sie sich in einem Restaurant wieder. Martin ist dreiundvierzig, Anna ist vierundzwanzig.
Martin ist verzaubert. Als er sie das nächste Mal nicht erreicht, schläft er im Auto vor ihrer Haustüre Eines Nachts steigt er auf das Dach ihres Nachbarhauses, um ihr auf abenteuerliche Weise seine Liebe zu erklären. Und als er sich an den Flügel setzt, um ihr ein Liebeslied zu singen, vergißt sie das Weinglas in ihrer Hand. Anna widerspricht nicht, als Jörg (Wolfgang Kinder), mit dem sie bislang zusammen war, mühsam ihren Wohnungsschlüssel von seinem Schlüsselbund nestelt.
Im Rauch ihrer Verliebtheit fahren sie nach Italien. Dort, am Meer, sagt ihm Anna, daß sie ein Kind erwartet. Martin ist überrumpelt. Wird sein Traum das aushalten? Zurück in Berlin kommen sie gerade rechtzeitig zum Mieterfest der Leute vom Chamissoplatz. Martin kommt sich dort etwas verloren vor. In dem Aufklärungsblatt der Mietergruppe entdeckt er seine eigenen vertraulichen Informationen zu den Hintergründen der Sanierung - mit Nennung seines Namens.
Wütend und enttäuscht verläßt Martin die Szene und fährt weg. Als Anna ihm nachläuft, bleibt er nicht stehen. Sie fährt ihm nach…

卡斯滕在自己的公寓里举办了一场聚会。凌晨三点过后，所有人都离开了，除了安娜。在好奇心的驱使下，卡斯滕决定敞开心扉，向安娜靠近。然而卡斯滕没有想到，这一时的冲动使他好不容易安定下来的生活突然又一次陷入了混沌，成为了一系列灾难的导火索。在这个偏僻的德国小镇，失望迅速点燃愤怒，正义被伪善遮盖，邪恶逐渐显露。到底是什么导致了这一切的发生？

German thriller TV series set in the Weimar Republic

In the not-too-distant future Berlin is shocked by a series of spectacular suicides; a policeman's investigations lead him to a beautiful, enigmatic woman and the revelation of a sinister plot to manipulate the population through mass hypnosis.

2009 German biographical film

《尼尔斯骑鹅旅行记》讲一个不爱学习、喜欢恶作剧的顽皮孩子尼尔斯，因为一次捉弄了一只精灵，而被精灵用魔法变成了一个跟老鼠差不多大的小人。他骑在他家的大白鹅背上，跟着一群大雁出发作长途旅行。通过这次奇异的旅行，尼尔斯增长了很多见识，结识了许多朋友，也碰到过好几个凶恶阴险的敌人。他在种种困难和危险中受到了锻炼，最后尼尔斯回到了家中，恢复原形，变成了一个好孩子。