A mentally ill person enters the subway, and suddenly, a void is created around him.

A team of forensic anthropologists finds an unknown corpse during a dig 20 years after the political violence in Peru. The only thing that can lead to the identity of the man is a vague photo of a smiling girl. In a resolute style, Gálvez shows the human condition in complex questions about (in)justice and a dark past.
A group of forensic investigators is working in Peru, digging up the corpses of eight people who disappeared without a trace 20 years ago during a violent period in politics. They also find a ninth corpse. Who was this anonymous man? Fidel, a thoughtful investigator, is fascinated by the case. Certainly when a woman appears in the hope she will be able to dig up her husband who disappeared many years ago. Might this be a match?
Apart from some half-decayed clothes, there’s only a passport photo of a girl found by the corpse. An old picture as a metaphor for fading memories. Because what is left of them after all this time? Does the woman recognise the girl and the clothes? While Fidel wrestles with these questions, and with the woman’s rising emotions, he tries to keep approaching his work in a scientific way.
In addition, this meticulously filmed drama offers a subtle glimpse of the lonely everyday life of Fidel, whose state of mind is similar to that of the mourning woman. With Brave Talk on Thu 29-1 in the theatre of LantarenVenster

一股思潮以一种连贯的方式将三部分联系在一起，三个故事中的人物都是古怪的，他们身上有一些虚无缥缈的东西，情节接近或完全属于幻想。 没有人声。就像早期电影一样有声音、音乐，但没有人声。影片中有面孔、或慢或快的动作、绝望、宿命、勉强瞥见的恐怖、对自由的渴望和恐惧。还有爱，也许是一种幻觉，而非现实。

秘鲁，20 世纪 90 年代。该国政局动荡，军队控制着街道。两姐妹正准备永远离开这个国家，却意外地与不在身边的父亲重逢。母亲需要得到父亲的允许才能离开秘鲁。这次团聚将扩大和缓解她们对即将发生的变化的悲伤。