巴黎13区的四位年轻的成年人Emilie、Camille、Nora、Amber，他们是好友，有时也是恋人，并且经常两者结是。四位主演分别为露西·张/Lucie Zhang、马吉塔·桑巴/Makita Samba([贵族动物])、珍妮·贝丝([不可能的爱])、诺米·梅兰特。
　　影片改编自《纽约客》漫画家Adrian Tomine的图文短片小说集《杀戮与死亡(Killing and Dying)》，欧迪亚与[艾娃]导演蕾雅·梅西斯、[燃烧女子的肖像]导演瑟琳·席安玛共同撰写了本片剧本。幕后团队包括：摄影师保罗·圭哈姆([艾娃])、音乐总监Pierre-Marie Dru([我失去了身体]、[安妮特])。

黑奴安祖奴被維也納貴族看中，視為子姪養育，令他長大後平步青雲，在高等白人階級左右逢源。當美滿生活看似唾手可得，他與白人女子秘密結婚，從此打開潘朵拉的盒子。以真人真事為藍本，一段十八世紀中歐傳奇，在馬卡斯施萊澤冷靜理性的鏡頭，與簡潔有力的敘事下，揭示的當然不止於種族觀念的偏狹與頑固。媲美寇比力克《亂世兒女》（1975）的影像風格，促成影片的美學探索意在言外，直入西方文化的觀看結構，嘆為觀止。

文森特原本是法国对外安全局的特工，却在一次任务中发现自己身患绝症。此时，一个秘密部门与他取得了联系，以未面世的实验性疗法作为交换条件，要求他在法国本土执行一系列特别任务。文森特为了能够陪在自己15岁的女儿、前妻和姐姐的身边，接受了这份工作。文森特的新生活充满了挑战：一边要应付青春叛逆期的女儿，一边要照顾前妻的情绪，同时还得提防着身为刑警的姐姐在犯罪现场发现自己的踪迹——毕竟他明面上的身份，只是个安防公司的小白领……

One evening, Prosper, a loser Uber driver who still lives with his mother, picks up a dying man who has just been shot. Freaked out, Prosper gets rid of the body but not before stealing his pair of crocodile boots. As he slips them on, Prosper finds himself inhabited by the spirit of the deceased: King - a respected gangster feared by all. Split between these two opposing personalities, Prosper and King, united in one body, investigate to unmask King's killer.

亞杜是知名雜誌的音樂評論家，因多次失誤被降職為外勤記者，在報導巴黎郊區移民營地的疎散過程中，他遭受警方暴力，意外成為難民權益的代言人，這使他得以與聰明迷人的瑪蒂德相識，她是前律師，現任移民援助協會的負責人，亞杜還接納了年輕的阿富汗難民達悟，暫時收留他，直到庇護申請獲準。

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

In 1817, on Bourbon Island (Reunion Island), a compelling narrative unfolds. Following the passing of his mother, the enslaved Furcy stumbles upon a letter of emancipation amidst her belongings – an unexpected key to his indirect liberation. Aided by the support of abolitionist prosecutor Gilbert Boucher, Furcy courageously embarks on a legal crusade against his master, Joseph Lory, in a bid to substantiate his claim to freedom. This legal saga, marked by numerous twists and turns, spans almost three decades. Furcy endures imprisonment and exile in Mauritius for a significant portion of this period. It is only in 1846 that he finally presents his case before the Royal Court of Paris. Furcy’s triumph in the courtroom distinguishes him as one of the rare slaves in French history to achieve legal emancipation several years prior to the definitive abolition of slavery.