Mary meets Paul, marries Paul and when Paul is murdered becomes the number one suspect. While the police are preparing their case against her she begins her own investigation which takes her to the seedy parts of town and begins to expose her husbands very secret double life.

The limited series follows Saville Row textile pattern designer Kate (Whitman), who lives in the quaint village of Blexford, England next door to her father Mac (Parker), who is long-divorced from Kate’s mother Delilah (McDonnell), a globe-trotting American always on an adventure. When not at work, Kate looks after Mac, who’s recovering from a motorbike accident and is inclined to spend his days sitting in his recliner.

1939年，伦敦的珠宝大盗拉西特被警方逮捕，为了延迟纳粹德国对英国进攻，英美情报机构要求拉西特，前往德国驻伦敦的大使馆，盗出即将运到纳粹德国价值五千万美金的钻石，伦敦警方胁迫拉西特，如果他拒绝将会面临20年牢狱之灾，拉西特别无选择

A handsome jewel thief is arrested and in order to avoid prison, must break into the heavily guarded German Embassy to steal millions in gems.

Based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse, Tex Kennedy, two robotic ex-secret service agents, and a female cannibal journey to find a famously dangerous area known as the "Threshold of Hell" to gain access to a radio tower to unite the survivors of the apocalypse.

Mary Shelley created a monster in 1818, and writers, actors and filmmakers haven't been able to get enough of it ever since. The history of the creature on and off the screen includes clips from Thomas Edison's 1910 filmization to Kenneth Branagh's 1994 treatment, plus interviews with Robert De Niro, Mel Brooks, Roger Corman and others. Hosted by Roger Moore; narrated by Eli Wallach.

Biography of the life of Aristotle Onassis, a Greek who rose to become one of the world's most wealthiest man, detailing his rise to power and unhappy marriages

Former childhood pals Leo and Nikki are attracted to each other as adults—but will their feuding parents' rival pizzerias put a chill on their sizzling romance?

2024 film directed by Janeen Damian

1991 Miniseries

British television series

Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.

After a disastrous first date, wild-child Nicole and socially-anxious Max vow to lose each other’s numbers until they learn that their dogs found a love match, and now puppies are on the way! The hilariously mismatched Nicole and Max are forced to become responsible co-parents, but may end up finding love themselves.

In 1830's England, young medical student Victor Frankenstein (Leonard Whiting), following the drowning death of his beloved brother, bitterly renounces God and vows to find the secret to creating life himself. He crosses paths with the eccentric Dr. Henry Clerval (David McCallum) who shares his quest and takes the younger Victor under his wing. When experiments in reanimating insects and a severed human arm succeed, the two prepare to bring to life a man whom they have assembled from body parts of victims of a mining accident. On the eve of their attempt, Henry discovers that the process will reverse itself and dies from heart failure before he can sufficiently warn Victor. Committed to carrying on his late friend's work, Victor forges ahead and brings to life a creature of incredible beauty and innocence (Michael Sarrazin). The two develop a close, affectionate relationship and Victor looks forward to presenting his creation to society as "the new Adam." Inevitably, the flaw in Clerval's procedure results in the grotesque distortion of the Creature's appearance, causing Victor to callously reject him. The Creature attempts suicide but to his dismay finds he can't be killed. He leaps from the White Cliffs of Dover, and Victor assumes he's seen the last of his bungled handiwork.
The Creature, still very much alive, wanders the countryside and befriends an old blind man (Sir Ralph Richardson). He also develops an infatuation with his daughter Agatha (Jane Seymour) whom he observes in secret. In a tragic accident Agatha is killed, and the Creature brings her to his birthplace, seeking Victor's aid. Instead, he finds the lab has been taken over by Dr. Polidori (James Mason), a former colleague of Henry's.
Victor meanwhile has moved on, returning his attention to his fiancee Elizabeth (Nicola Pagett) and attempting to live a normal life. His plan is thwarted by Polidori, who uses the Creature to forcibly enlist Victor's help in bringing yet another body to life, this time female. The result is Prima (also Jane Seymour), a stunning beauty with an evil, cold heart. Finding no further use for Victor's creature, Polidori locks him in his laboratory and sets it ablaze, while Victor stands by helplessly.
Polidori grooms Prima and schemes to use her to gain entree into the cream of society and seats of political power. Prima's coming-out party is memorably cut short by the arrival of the uninvited Creature. Events come to a head when she viciously attacks him, inciting his jealousy and murderous rage.
Their life in a shambles, Victor and Elizabeth charter a boat to escape to America, unknowingly accompanied by both Polidori and the Creature. After a storm and much violence only Victor and his Creature are left on the ship. Wishing to escape humanity, the Creature steers the ship toward the North Pole. Victor and the Creature confront each other for a final time in the Arctic wasteland.

Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.

At the opening of the tale, Salieri is an old man, having long outlived his fame, and is convinced he used poison to assassinate Mozart. Speaking directly to the audience, he promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart's personality does not match the grace or charm of his compositions. When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber .

Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.

Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.

The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a false confession of having murdered Mozart with arsenic . He survives, however, and his confession is disbelieved by all, leaving him to wallow once again in mediocrity.

经过艰难的等待，患有严重心脏病的吉尔终于实施了心脏移植手术。当她走出医院，女儿阿曼达惊喜地发现，母亲完全摆脱了昔日的病态。然而，这个转变对于吉尔并不轻松，她不断地做着一个关于车祸的噩梦，这使她经常惊恐地午夜梦回。伴随着这种不良体会，吉尔的生活和食物习惯也改变了，她穿新奇的少女装，和年轻男子骑摩托、打台球，大口地喝啤酒，成袋地吃垃圾食品。这种变化使阿曼达惊讶，和妈妈发生了隔阂。困惑的吉尔隐约感觉这是新移植到自己体内的心脏在作怪，决定查询捐赠者，寻找捐赠者的亲属……

American television series