〈大逃杀〉是美国一高收视的电视节目，每次均有六名参赛者，他们要互相残杀，为求成为唯一生还者。今次的台主是一怀胎八月的孕妇，她要力敌其他五名参赛者的亡命挑战...

特瑞尔是世上最声名狼藉的电脑黑客之一，他拍下那些政客和CEO们丑陋的嘴脸，将其背地里进行犯罪勾当的片段放在互联网上曝光。然而没想到的是，虽然这一举措大快人心，但同时也为他树立了很多敌人。随着牵涉案件的重要人物越来越多，政府甚至将其视为恐怖分子，特瑞尔的处境愈加艰难……

　　权力、特权和家族财产就是毒药。这里有一个活例子：纽约市的Darling一家，他们的财富即便在富人云集的"纽约市上东部"，也是首屈一指的。这个声名显赫的家庭中有五个被父母宠坏的"大孩子"，他们中有一个将成为家族事业的下一任继承人。但这些不争气 的家伙总是与错误的人交朋友，包括喜欢占人便宜的夫妻，非法移民，甚至是有异装癖的妓女。要想让这个坏了胚子的家族远离小报的"青睐"和监狱的"召唤"，除非有老天来帮忙。老天还真是开恩……这不，"救世主"Nick Geoge出现了。当Nick还是个孩子的时候，他亲眼看着父亲抛弃了自己的自由和家庭的幸福，成为Darling家族忠实的走狗和参谋（黑社会集团？）。Nick的童年是在Darling家族的阴影下度过的，对这个家族充满了仇恨。但是长大后成为律师的Nick在命运的召唤下，态度发生了180度的转变——父亲终其一生保护Darling家族秘密的责任现在落到了Nick身上，Darling家族的族长甚至开出了Nick无法想象的高额报酬。Nick不知道这是自己千载难逢的好机遇，还是一生都难以摆脱的深渊。但是他根本没有时间来思考——他要迅速替Darling家族解决来自警方的威胁、来自街头小报的骚扰，还要随时替家族成员擦屁股，避免给家族名誉带来损害。他成了这个家庭全方位的问题处理专家、赖以支撑的依靠、公共关系专家甚至心理医生。

Hansberry invites us into Greenwich Village in the 60s, crafting a razor-sharp portrait of a diverse group of friends whose progressive dreams can’t quite match reality. At the center are Sidney and Iris Brustein, fighting to see if their marriage—with all its crackling wit, passion, and petty cruelty—can survive Sidney’s ideals. As if reaching across the decades, Hansberry’s incisive final work offers shockingly contemporary provocations.

哈姆雷特快要疯了。父亲由于奇怪的病症暴毙，母亲改了嫁。在那么多人之中，她偏偏嫁给了亡夫的弟弟，还在父亲过世短短一个月之后。哈姆雷特总是能在夜间看见父亲的鬼魂，他呼喊着自己被弟弟毒害，并恳求哈姆雷特替他报仇，去杀死他的继父。哈姆雷特为了复仇大计装疯卖傻，却在实施的过程中迷失了现实。世界，对他来说成了污浊的泥淖。对性的渴望和唤醒成了恐怖的深渊。周围的朋友变成了继父的耳目，为了时刻监视他。甚至奥菲利亚，他的爱人，也变成了密谋中的一颗棋子。
哈姆雷特的偏执并非全无依据，一个告密者在幕帘后对他密切监视、窃听，终于，复仇者成了凶恶的捕食者。愚蠢的行为变成了彻底的疯狂，哈姆雷特错杀了波洛涅斯——奥菲利亚的父亲。哈姆雷特的母亲和继父为他掩盖了谋杀的罪行，并有意安排他远离公众的实现。哈姆雷特的大计似乎要化为泡影。他迷失了自我，失去了人生的方向。面对这一切，奥菲利亚再也无法承受，她自杀了。当哈姆雷特的继父决定让哈姆雷特永远不再发声的时候，哈姆雷特也抓住了这手边的机会，给了继父最后的沉痛一击，迫使他臣服。
莎士比亚再现了丹麦皇室堕落的政治网络，让哈姆雷特的人生变成了彻底迷幻的悲剧。谋杀、背叛、篡权和对性的渴望成了这场战争中捍卫皇权的武器。哈姆雷特因为无法采取行动，对抗这场在皇廷中充满冷嘲热讽的游戏规则，他变得沉郁、闭塞、甚至自我伤害。他生性犹疑，在好坏两方面难以抉择，这也成为他复仇之路上难以逾越的障碍。除他之外，再无他人对皇室存疑，他的人生注定是场悲剧。

The Sign in Sidney Brustein's Window depicts Sidney, an intellectual writer and his wife, Iris, who are in a difficult marriage. Sidney struggles through life in New York City's Greenwich Village neighborhood as an unsuccessful artist. His ideals cause him to avoid politics and its corruption while facing a painful home life. Iris is a struggling actress who, during the course of the play, leaves her antagonistic husband to enter the television scene. Both Sidney and Iris attack each other's self-confidence through extensive dialogue, despite their affection for each other.

Alton Scales is an African-American activist and Sidney's friend who falls in love with Iris' beautiful sister Gloria, a supposed international model. He is able to persuade Sidney to support the candidacy of Wally O’Hara despite Sidney's initial refusal to incorporate politics into his newly established artistic newspaper. Wally is a local reform politician who is appalled by the extensive drug use in Greenwich Village and the surrounding area. Sidney agrees to support him but later learns of O’Hara’s corruption; afterwards Sidney harbors significant hatred for the reform politician.

Gloria's idealistic image is shattered when Alton learns that she is a prostitute and not an international model as she and her sister Iris had insisted. Wrought with anguish at the idea of his beloved being used as a commodity, and tying it to the same ideology used to justify the African slave trade (to which he traces his roots), Alton leaves Gloria. In an act of desperation and shame, she commits suicide.

Attributing Gloria's suicide to the campaigning slogans of Wally, Sidney develops a position in opposition to the politician. This creates problems that reconcile Sidney and Iris. The play ends with a scene of Sidney and Iris in a devastated embrace at the loss of Gloria. Iris indicates with her last lines of the play that she wants to come home. Sidney makes a silent agreement that they will figure everything out. Despite the constant dark bickering that the two had throughout the play, it closes while the two are interlocked as the sun rises.[1]

The play is presented in various ways through its acts: Act I consists of dialogue, Act II consists of multiple monologues tying together Acts I and Act II, while Act III ends tragically, concluding the play.

梅尔（本·斯蒂勒 Ben Stiller 饰）是一名昆虫学家，他和妻子南希（帕特丽夏·阿奎特 Patricia Arquette 饰）之间的感情十分恩爱，最近，南希刚刚诞下了两人爱情的结晶，让整个家庭都笼罩在喜悦之中。然而，这个孩子的降生让梅尔开始思考起了自己的人生，梅尔自幼失去了父母，由养父母抚养长大，梅尔希望能够在有生之年里见一见自己的亲生父母。
　　就这样，不顾养父母的反对和阻挠，梅尔带着妻儿踏上了寻根之旅，和他们一起上路的，还有领养机构的工作人员蒂娜（蒂娅·里欧妮 Tea Leoni 饰）。蒂娜刚刚经历过一段失败的婚姻，此时的她整个人都处于一种饥渴的状态之下，而南希似乎患上了产后抑郁症。