Seventeen year-old Hally spends time with two middle-aged African servants, Sam and Willie, whom he has known all his life. On a rainy afternoon, Sam and Willie are practicing ballroom steps in preparation for a major competition. Sam is quickly characterized as being the more worldly of the two. When Willie, in broken English, describes his ballroom partner (his girlfriend) as lacking enthusiasm, Sam correctly diagnoses the problem: Willie beats her if she doesn't know the steps.

Hally then arrives from school. Sam is on an equal intellectual footing with Hally; Willie, for his part, always calls the white boy "Master Harold." The conversation moves from Hally's school-work, to an intellectual discussion on "A Man of Magnitude", to flashbacks of Hally, Sam and Willie when they lived in a Boarding House. Hally warmly remembers the simple act of flying a kite Sam had made for him out of junk, which we learn later, Sam made to cheer Hally up after Hally was embarrassed greatly by his father's drunkenness. Conversation then turns to Hally's 500-word English composition. The play reaches an emotional apex as the beauty of the ballroom dancing floor ("a world without collisions") is used as a transcendent metaphor for life and a creative paper topic... But almost immediately despair returns: Hally's tyrannical father has been in the hospital recently, undergoing medical complications due to the leg he lost in World War II, but it appears that today he is coming home. Hally, distraught with this news, unleashes on his two black friends years of anger, pain and the vicarious racism from his father, creating possibly permanent rifts in his relationship with them. For the first time, apart from hints throughout the play, Hally begins explicitly to treat Sam and Willie as subservient help rather than as friends or playmates, insisting that Sam call him "Master Harold" and spitting on him, among other things. Sam is hurt and angry but understands that Hally is really causing himself the most pain. There is a glimmer of hope for reconciliation at the end, when Sam addresses Hally by his nickname again and asks to start over the next day, hearkening back to the simple days of the kite. Hally responds "It's still raining, Sam. You can't fly kites on rainy days, remember," then walks out into the rain. Sam and Willie end the play consoling each other by ballroom dancing together.

Bad Asses (also known as Bad Ass 2: Bad Asses) is a 2014 action film starring Danny www. chaoji365.com Trejo and Danny Glover, written and directed by Craig Moss. The film is a sequel to the 2012 film Bad Ass, and was released on DVD during spring 2014.
Since we last saw Frank, he followed his dream and opened a Community Center in East Los Angeles where he mentors young boxers, not only in the ring, but in life. When his prized student, Manny, gets in over his head with a bad crowd and winds up dead, Frank and Bernie team up, finding themselves ensnared in one life-threatening

弗兰克(丹尼·特乔饰)饰一名当年的越战老兵，退役之后他一直混得很是凄惨，没有工作也没有恋人。直到在一场巴士事故中救下了一位老黑人，他成了当地的英雄。不过，好运并没有就此到来，弗兰克最好的朋友被谋杀然而警察却并不打算过问此事，失意之下的弗兰克究竟该怎样面对这一切？

2011 film by Jim Cliffe

The year is 2047. Our planet is ruled by the repressive Confederate Central Government (CCG). Ryan is a Green War rebel agent sent on a mission by Sponge (Danny Glover) to collect evidence against the CCG for its heinous crimes. Ryan soon faces the sinister Colonel Asimov, Major Anderson and a group of mercenaries lead by Lobo. Ryan's mission quickly turns chaotic when he meets Tuage, a mutant survivor of the CCG rebellion who swears to help Ryan save what is left of their world - or does she?

Age of the Dragons is an adaptation of Herman Melville's classic novel Moby Dick. Set in a medieval realm where Captain Ahab and crew hunt dragons for the vitriol that powers their world, Ishmael, a charismatic harpooner and his friend Queequeg join their quest. Ahab's adopted daughter Rachel, beautiful and tough, runs the hunting vessel. Ahab's obsession to seek revenge on a great White Dragon that slaughtered his family when he was young and left his body scarred and mauled, drives the crew deeper into the heart of darkness. In the White Dragon's lair Ahab's secrets are revealed and Rachel must choose between following him on his dark quest or escaping to a new life with Ishmael.

In 1950s Alabama, the owner of the Honeydripper juke joint finds his business dropping off and against his better judgment, hires a young electric guitarist in a last ditch effort to draw crowds during harvest time.

根据史蒂芬昆兹（Stephen Coonts）的畅销小说所改编，并由执导过「黑狮震雄风」、「王者之剑」等卖座强片的约翰 米利厄斯(John Milius)亲自兼任编、导之职；越战期间，海军飞行员杰克（布莱德强森Brad Johnson）在一艘航行于南海的航空母舰上担任A6战斗机--匿称”入侵者”--的飞官，当其通讯官不幸因公殉职后，令杰克不禁开始质疑起这场战争是否有任何意义；在另一名同样愤世嫉俗的军官协助下，杰克开始了一场个人的战争，他决定枉顾上级指令，轰炸藏有大批飞弹的北越军事重镇--河内，好为死去的好友讨回公道！
越战期间，海军飞行员杰克（布莱德强森Brad Johnson）在一艘航行于南海的航空母舰上担任A6战斗机——匿称“入侵者”——的飞官，当其通讯官不幸因公殉职后，令杰克不禁开始质疑起这场战争是否有任何意义；在另一名同样愤世嫉俗的军官协助下，杰克开始了一场个人的战争，他决定枉顾上级指令，轰炸藏有大批飞弹的北越军事重镇--河内，好为死去的好友讨回公道！ 　　根据史蒂芬昆兹（Stephen Coonts）的畅销小说所改编，并由执导过「黑狮震雄风」、「王者之剑」等卖座强片的约翰 米利厄斯(John Milius)亲自兼任编、导之职

安吉拉·贝塞特(Angela Bassett)和丹尼·格洛弗(Danny Glover)主演，包括著名演员朱丽娅·斯蒂尔斯(Julia Stiles)(出演凶兆/The Omen),亚当·鲍德温(Adam Baldwin)(出演TV"s Chuck),Giancarlo Esposito(Ali)在内出演这部电影。

十五岁的丝考特带著妹妹露露和曾祖母，住在德州的小镇相依为命。为了照顾露露，丝考特经常翘课最后成为中辍生，一次意外事件引起儿童福利局的官员上门拜访。露露的生父被迫出面，强行带走露露。丝考特只好求助住在附近疗养院的山姆，说服他一起飞越杜鹃窝，踏上公路之旅，从德州到纽约，几乎跨越了整个美国国土，他们决定不计一切代价也要抢回露露……

After FBI agent Frank Lacrosse believes his son was kidnapped by a notorious serial killer, he travels to Amarillo, Texas, where he believes the murderer is in hiding. Although officially taken off the case because of its personal significance to him, Frank continues to pursue the killer, causing concern for local sheriff Buck Olmstead. When another victim pops up at a nearby car garage, Frank knows that he is as close as he'll ever be to tracking down the elusive killer.

Charles Burnett, one of America's most highly regarded independent filmmakers, wrote and directed this domestic drama about a black middle-class family living in South central Los Angeles. However, there are no gangs, no guns, no drugs but instead a lyrical story that draws on folklore and the supernatural.
family tensions are already simmering when Harry (Danny Glover) arrives to visit his old friends. He exudes an easy charm, knows secret past and present and is soon installed in the heart of the family. However, as his stay lengthens, so does he begin to cast an even more malevolent spell, provoking turmoil, setting son against son, reviving past hatreds, and inflicting a mysterious illness.
Glover delivers a career-topping performance as the garrulous family friend, full of hidden menace, effortlessly evoking nostalgia and horror in the same breath.
As ever, Burnett provides a wonderful music track featuring gospel, blues and jazz and a cameo from the legendary Jimmy Weatherspoon.
'A slow-burning, soul-insinuating, 12-bar blues of a movie.' Tom Charity, Time Out
'Danny Glover is marvellous, and terrifying, as a charismatic old-timer.' The Times
(from the description on the back cover of the DVD)

密西西比洲的黑人人权斗争，用非暴力的方法重新赢得尊严。

本片由真实故事改编。
因为犯了交通事故，塔利被处以十五年有期徒刑，于是他一气之下杀害了一名加州警察。为了逃避追捕, 塔利和他的女同伙多琳私闯进了沃克一家的郊区农场，他们是这个街区唯一的黑人。农场主人沃克先生必须要说服失去理智的塔利饶自己和家人一命……

本片讲述了一个洛杉矶社区花园发生的故事。一个14英亩社区花园，现在推土机威胁着它的未来。
本片获得第81届奥斯卡最佳纪录长片奖提名。
From the ashes of the L.A. riots arose a lush, 14-acre community garden, the largest of its kind in the United States. Now bulldozers threaten its future.
The 14 acre community garden in South Central Los Angeles was the largest of it's kind in the United States. It was started as a form of healing after the devastating L.A. riots in 1992. Since that time, the South Central Farmers have created a miracle in one of the country's most blighted neighborhoods. Growing their own food. Feeding their families. Creating a community. But now bulldozers threaten their oasis. The Garden is an unflinching look at the struggle between these urban farmers and the City of Los Angeles and a powerful developer who want to evict them and build warehouses.

克林特·伊斯特伍德之子斯科特·伊斯特伍德子承父业担纲西部动作猛片，内战退役士兵妻子被掳，求平凡生活不得只能大开杀戒成为暗黑杀神

2014 film by Paco Cabezas

Sam Cooke put the spirit of the Black church into popular music, creating a new American sound and setting into motion a chain of events that forever altered the course of popular music and race relations in America. With You Send Me in 1957, Cooke became the first African American artist to reach #1 on both the R&B and the pop charts. It was risky for this young gospel performer to alienate his fans by embracing “the devil’s music” – but he proved, with his pop/gospel hybrid, that it was, indeed, possible to win over white teenage listeners and keep his faithful church followers intact.