曼妮（拉斐拉•安德森 Raffaëla Anderson）和女友在郊外抽烟聊天时，四个男人突然把她们拉上车带到一间仓库，轮奸了她们，自此，曼妮深深将男人的此种野蛮粗暴兽性记在了心底。城市的另一处，妓女娜丁（卡伦•巴赫 Karen Lancaume）正在一家简陋的旅馆出卖自己的肉体，她感觉自己不过是案板上被切割的香肠。在酒吧，曼尼一怒之下开枪打死了粗鲁无礼的哥哥，而另一处的娜丁，也因一口大麻掐死了与她合租的女友。在车站不期而遇时，几句简单对话令两人结为精神与生活上的好友，开始了以性和子弹报复男人的征途。

《天使的忧郁》（2009）堪称德国地下电影的极致试炼，导演马里安·多拉以一种近乎傲慢的艺术姿态，挥舞着他的影像利刃，毫不留情地刺探人性的幽暗深渊。这部作品绝非凡俗之辈所能轻易触及——它以卡茨为中心，一个被死亡阴影缠绕的男人，在一栋腐朽宅邸中与旧友布劳斯重聚，空气中弥漫着不可言说的禁忌。三位女性的加入，如同命运的使者，将这群灵魂推向崩溃的边缘，而艺术家海因里希的怪诞存在，则为这场仪式般的聚会注入了病态的诗意。 多拉的镜头语言冷峻而精准，每一帧都像是对观众耐心的挑衅，拒绝任何妥协的叙事慰藉。影片的节奏如同一场缓慢的窒息，迫使你直面存在的虚无与肉体的脆弱。它不屑于讨好，也不屑于解释，仿佛在嘲笑那些试图从中寻找“意义”的庸人。这不是一部电影，而是一场精神的试炼，只有那些敢于凝视深渊的人，才能窥见其病态的美感与哲思的残酷光芒。

一个年轻的法国女人发现她的丈夫出轨而且欺骗她，于是她雇佣了一个好色的女巫进行复仇，在对丈夫施了咒语后，女人发现她可以命令丈夫做任何事。

The King of France has twin daughters: Madeleine, well mannered and virginal; and Jaqueline, perverse and sexually obsessed. Before leaving on a sea voyage, he locks the wayward Jaqueline in the tower, her to wear an iron mask. Later, however, the royal ship is attacked by pirates and Francois, Madeleine's fiancee, is dispatched to search for the missing King. Meanwhile, Jaqueline uses her erotic charms on her guard, Maximillian, convincing him to help her escape. She takes the place of Madeleine and soon the future of France is in Jeopordy as she cuts a sexual swathe through the government. Eventually, Francois returns to save the day, and Jaqueline has to flee from the palace with Maximillian. Madeleine, who has been wrongfully imprisoned and constrained to wear the Iron mask, is now free to marry the man she loves.