Plagued by endless visions and nightmares, Jenny Adams suspects that, as a child, she was responsible for the brutal murder of her own mother.

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.

Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From "Manhunt" to "Stripper with a Shotgun", Grindhouse Nightmares is cinema exploitation at its best.

Some British soldiers in Singapore are more concerned with finding sex than finding Communists.

A young boy runs away from an approved school to meet up with his father in the hope that he can persuade his dad to allow him to travel to Canada with him. He also meets up with two local children and discovers that his father is instead planning a bank heist.

Timothy Lea and his brother-in-law Sidney decide upon opening a driving school as their latest get-rich-quick scheme. Though he sincerely wants to teach, young Timmy finds that his female students are far more interested in keeping their eyes on him than on the road.

Either you've got it or you haven't - some like randy young Timothy Lea (Robin Askwith), manage to get it all the time! Signing up with a pop group, our boisterous hero progresses rapidly from local gigs to scoring a titillating hit with The Climax Sisters, with plenty of ribald adventures along the way!

Timmy Lea and his brother-in-law Sidney Noggett are working as entertainment officers at Funfrall, a typical British holiday camp. The staff are lazy and inefficient, preferring to laze by the pool rather than organise activities for the holiday campers. A new owner, Mr. Whitemonk, an ex-prison officer, takes over the camp and is determined to install discipline into the staff. He is on the verge of dismissing Timmy and Sidney; however, Sidney's suggestion of organising a beauty contest changes his mind.

ritish Horror veteran Michael Gough (Sleepy Hollow, The Legend of Hell House) steals the film as the Mad Doctor who indulges in his nasty medical experiments with the aid of a dwarf sidekick, an army of leather-clad bikie guards and a Rolls Royce with a built in decapitation device!

Private detective Cormoran Strike is visiting his family in Cornwall when he’s approached by a woman, Anna Phipps asking for help finding her mother, Margot Bamborough, who went missing under mysterious circumstances in 1974. Never tackling a cold case before, he’s intrigued and takes it on, adding to the long list of cases that he and his partner are currently working on. As Strike and Robin investigate Margot’s disappearance, they come up against a fiendishly complex case with a psychopathic serial killer and witnesses who cannot all be trusted.

Followed by Tony Towers, he's a local celebrity, a successful nightclub manager and he is engaged to a younger woman, Sue. Things get a little strange when he embarks upon the 3:17 to Nottingham for a Christmas family reunion.

1972 Italian film by Pier Paolo Pasolini

In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.