Chiu Ling introduces his girlfriend Ma San to work for his uncle Chiu Chi. Ma San and Chiu Chi gradually fall in love with each other.

Devotion, should be grim enough a lesson for my teenager in love. Little Kitty Ting Hao suffers due to social evils that ruthlessly rob her of the inalienable right to marry Chang Yang, the man she loves. Her incidental misbehaviour with Chang, which leads to the birth of a fatherless baby, does the final nailing of her coffin. Fortunately their daughter is intelligent and strong enough to be the master of circumstances and fights for her own love.

淘氣公主甄珍在姨丈家中寄居，連男朋友都沒有，生活實在孤單，一日見到靚仔謝賢駕電單車來，帥勁十足的馳過，於是駕車經過假裝熄火，無油無法開車，藉機坐上靚仔謝賢的電單車，坐在後座擁著靚仔好不威風，從此認識靚仔謝賢。表哥李昆也愛表妹的美麗嬌艷，當他知道表妹有了男朋友，他不時扮警探跟蹤表妹，到這兒到那兒的，緊密跟蹤也鬧出不少的笑話，最後甄珍覺得是表哥在攪鬼以至不歡而散，經過許多風波之後，甄珍終於擁抱幸福在一起啦。

1977 film

简介：
赛刀大会上，各门各派刀客云集，每人均持不同名刀，准备争夺刀客最高荣誉。但奇怪是主办这次赛刀大会的帮派，由侍从至帮主都是幪面人，究竟幕后又有什么阴谋呢？
片名：风流残剑血无痕 The great conspinacy
年份：1980
地区：香港
类型：动作
片长：100分钟
导演：鲍学礼
编剧：靳蜀美
制片人：高飞
出品：裕丰（香港）影业公司
主演：
苗可秀 施思 谭道良 李修贤 薛汉 蔡弘 王侠 金刚 高强
田鹏 韩雨 王莱 金峰 田青 王青 史仲田 康威
吴家骧 芦苇 李龙吟 张宗贵 李皓 史亭根 朱丽

歌女金莲花自幼与养母相依为命，她不但歌声甜美，而且样子娇俏，聪明伶俐，所以茶居经常客似云来。富家子程庆有迷恋花，花被他的真情打动，两人共堕爱河。有遭父反对，无奈迎娶沈淑文，但心仍属花。
有告诉文两人的关系，文深感痛苦，但仍处处维护他。有表哥知道他仍与花来往，偷偷告诉有父。有惨被责骂一顿，以为文将此事告诉父亲，从此不理睬她。文深受委屈，抑郁成病，有对她仍不屑一顾，以致病情日益严重。表哥见状，便亲往找花，劝她离开有，挽救文。花只好含泪答允，决意远走他乡。文饱受丈夫冷落，郁郁而终。有不理家人反对，追随花私奔远去。

「海儘管深還有底，但是我跟你……兩顆心，一片情，比海更深。」《情深似海》是一部充滿詩情畫意、感人至深的文藝片，不僅故事纏綿悱惻，而且取景優美，製作嚴謹。五十年代中期開始走紅影壇的葛蘭向以載歌載舞來吸引觀眾，無片不唱，也無片不跳。本片卻是她從影以來唯一一部作品不唱也不跳、純仗全情投入的演技來演活一名無怨無悔地為自己所愛付出的妻子和母親，結果成績蜚然。她在片中要表達的感情幅度十分寬闊，但她卻巧妙地揉合了開揚的默片模式表演風格，和自然與生活化的演出方法來演繹角色，效果天衣無縫。編導易文也有特別出色的表現：全片實景拍攝，節奏舒徐有緻，感情的描寫絲絲入扣，既避過了煽情的毛病，但也沒半點削弱故事的感人效果，教人看後低迴不已，堪稱是他創作生涯中的一部傑作。

胡意美丈夫曹子建遇海难，音信全无，美改嫁王立平。四年后，建无恙回来，出现一妻二夫的局面。建、平为讨美欢心，给耍得团团转，二人醒觉时，美已另投张炳中怀抱。

导演：岳枫
编剧：张爱玲
主演：陈厚 / 刘恩甲 / 叶枫 / 王莱
类型：剧情
国家/地区：香港
语言：普通话
片长：暂无
上映日期：1959-04-09
剧情介绍：
杨福生与妻瑞菁用辛劳十多年的积蓄开设贵妃酒家，为广招徕，请来歌女丁香献唱，生竟为香的美色倾倒。香眼见未婚夫陈乃兴阮囊羞涩，欲转投生怀抱，许诺只要生离婚即以身相许。菁冷眼旁观，答应离婚；生心中有愧，遂将家财全交给菁，不料一旦身无分文，香即与他绝交。兴责香拜金，香感羞愧，终明白自己爱兴多于金钱。

Three inmates in an asylum tell their stories. Story 1, a husband and wife discover they should be careful what they wish for. Story 2, a naked female ghost gets revenge from her watery grave. Story 3, a dead prostitute returns as a ghost.

Following on from his earlier film A Ilha Dos Amores (1982) on the Portuguese writer Wenceslau Moraes (1855-1929), this documentary uses texts by Moraes, photographs, manuscripts, news film as well as visits to places where people still remember him.
Wenceslau José de Sousa de Moraes was born in Lisbon on the 30th May 1854.
After studying at the Naval College he served aboard several war ships of the Portuguese Navy. In 1885 he traveled for the first time to Macao, where he settled. There he was Deputy to the Captain of the Harbor, and teacher of Macao Secondary School since its creation in 1894. While there he married Vong-Io-Chan (aka Atchan), a Chinese woman of whom he had two sons, and established a friendship with Camilo Pessanha, a celebrated poet.
Meanwhile, in 1889, he traveled for the first time to Japan, a country that charmed him, and where he will return, in official duty, several times in the next few years. In 1897 he visits Japan with the Governor of Macao, and was received by the Emperor Meiji. The following year he deserted Atchan and his two sons, and moved to Japan, as consul in Kobe.
His life there is marked by his literary activity and by the chronicles he sends to several Portuguese newspapers and magazines, by his love affairs with two Japanese women (Ó-Yoné Fukumoto and Ko-Haru), and by his increasing "japonisation".
During the next thirty years Wenceslau de Moraes was to be the great Portuguese source of information about the East, sharing his intimate experiences of day-to-day life in Japan with his readers in Portugal, in a parallel activity to that of Lafcadio Hearn, of whom he was a contemporary.
Saddened by the death, due to illness, of Ó-Yoné, Wenceslau de Moraes renounced his post as consul, and moved to Tokushima, her birth place. There he lived with Ko-Haru, a niece of Ó-Yoné, with whom he shared his life until her death, also due to illness.
There he started to dress, eat and live like the Japanese, against a backdrop of growing hostility from the local inhabitants. Increasingly lonely, and with deteriorating health, Wenceslau de Moraes passed away, in Tokushima, in the 1st July 1929, without having ever returned to Europe.

As befits the telling of the story of perhaps the most universally beloved hero of modern-day Chinese history Dr. Sun Yat-Sen (1866-1925), this lavishly produced biographical film uses techniques culled from Chinese Opera to dramatize the great man's political history. Concentrating on the period following his rise to political prominence in 1894 until his death in 1925, the movie is couched in terms of heroes who look heroic and villains who look villainous. Huge numbers of extras and vast battle scenes dot this production, and well-known Hong Kong and Taiwan-based movie stars appear in many cameos.