William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

An actress and her lawyer husband are so busy that their maid becomes the real mother to their six year old boy and at one point causes consternation by taking the child away to her home village.

A mousy bank clerk is married to an ambitious woman.

The film focuses on the leadership of the Great Powers of Europe in the days leading up to the outbreak of the First World War.

A jealous husband leaves jail to find his wife loves his lawyer.

deutscher Spielfilm

Brennendes Geheimnis is the last film that Robert Siodmak made in Germany before the Nazis came to power, forcing him to leave the country and pursue his filmmaking career elsewhere (first France, then America). Siodmak is best known for his atmospheric film noir thrillers and dramas, whereas this is quite a different kind of film – a poignant coming-of-age drama, with a striking realism and intimacy, lightened by a few musical interludes and some deliciously tongue-in-cheek comedy.
Adapted from a story by Stefan Zweig, the film recounts a teenage boy’s painful first steps towards adulthood. The certainties of childhood, the boy’s absolute confidence in grown-ups, his firm belief in the goodness of the world, are brutally shaken when he realises he is complicit in his mother’s adultery. Siodmak captures brilliantly not just the humour of the situation (as seen by an adults), but also the tragic dimension (as experienced by the boy). There’s also a stunning, and actually rather sinister, dream sequence mid-way through the film in which the director pays homage to German expressionism of the 1920s.
Brennendes Geheimnis is one of the Siodmak’s most poetic and engaging films, exploring the frailties of human nature with genuine compassion, insight and more than a touch of irony. The psychology is very sophisticated for a film of this era, with a daringly subversive subtext that suggests Edgar’s future emotional life could be very traumatic indeed. It’s revealing that Edgar is less hurt by his mother’s betrayal than by the fact that the stranger he has come to idolise should prefer his mother’s company to his. It’s not too hard to see why the Nazis decided to ban the film.
The part of Edgar was played (with great charm and conviction) by 14 year old Hans Joachim Schaufuss, a talented young actor who would doubtless have had a glittering career – had he not been killed in action on the Eastern Front during the Second World War, aged 22.

在一出谋杀案的审判中，一名陪审员给嫌疑人投了有罪的票，但之后他又重新思考了一番，然后在执行死刑之前独自调查案件的真相。

An Austrian prince hatches a plan to keep his rival, the Russian czar, busy by keeping him surrounded by beautiful women and away from the negotiating table. The Czar, however, has his own plan—he hires a man who is his exact double to impersonate him and confuse the Austrians by appearing to be everywhere at once. In addition, both the Czar and his double fall for the same woman.

1922 film by F. W. Murnau

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.