《明清江南农村社会与民间信仰》运用了上至十二、十三世纪反映南宋史实的文献资料，下至20世纪90年代社会调查所获资料等广泛的材料，对元朝后期至19世纪清末为止的中国江南农村社会的民间信仰现象首次进行了系统性的研究。该书可供各大专院校作为教材使用，也可供从事相关工作的人员作 为参考用书使用。

了悟無常，便是佛教徒
本書中，宗薩蔣揚欽哲仁波切的以最簡單的語言來說明佛教最核心的四法印見地，文字看似簡單，卻包含了深入淺出的層層奧義。下筆行雲流水，詼諧幽默又字字珠璣。在輕快的字句後面，充滿了引導無明眾生脫離輪迴的菩薩大悲大願。
他爽潔而俐落地破除常人對佛教徒的誤解：佛教徒等於祥和與非暴力；其實，這並非佛法的核心。對於要成為一位佛教徒，你必須接受佛教的四法印見地：一切和合現象都是無常，一切情緒都是痛苦，一切事物無自性，以及證悟超越概念。宗薩蔣揚欽哲仁波切以實證的經驗加以分析，體現四見地最精要的部分，對於修行者有甚大的助益。有緣讀此書的人，都能更清楚地見識到法教的神髓，了悟無常，解脫萬千煩惱；原來，佛教徒不只是著僧袍、坐禪、戒葷食與禁欲；而是覺知這四種見地，化解對如幻世事的執著。

道教之中，最秘的无过于符与篆。符，基本功能在于召劾鬼神、镇压邪气，每临事则画一符或数符以行法。篆，是入道者与其教团组织确立依隶属关系的凭证。某些篆中，也嵌有符，符与篆相互配合，才能成就法术科技。
《道法平话系列：符箓平话》收录了《早期符书和道符的发展空间》；《不同符篆流派形成的原因和表现》；《符篆派的大宗：灵宝派和上清派符篆》；《符篆的创新和最后的重镇——神霄、清微及雷法诸符》等文章，《符箓平话》适合从事相关研究工作的人员参考阅读。

《佛教对中国物质文化的影响》是美国斯坦福大学宗教研究系教授柯嘉豪的一本重要学术著作，在西方中国宗教研究领域具有相当重要的意义。此书详细分析了佛教对中国物质文化的影响，包括对中国建筑、衣着、家具以及饮食的贡献。在此书之前，西方学者撰写中国通史时，除了提到佛教在思想、信仰以及仪式等方面的激荡外，很少强调佛教曾影响中国的物质文化；同时，也很少留意佛教的流传与物质文化间的关系。而对于中国读者来说，从一个较宏观的角度来讨论佛教对中国物质文化的影响，促使其思索宗教物品在其信仰与生活中所扮演的角色，仍具有新颖的启发意义。

文化基因库——关于文史学的作用与前景，老台南的土地公会，滑稽神，仙人唐公房，《道藏》中的民间信仰资料，《老子中经》初探，道与吾，李渤及其《真系传》，第一洞天：闽东宁德霍童山初考，道教在近代中国的变迁，施舟人道教研究论著选目

The ancient system of thought known as Taoism remains today the least well known of the world's great religions and one of the most inaccessible aspects of Chinese culture. This is in large part because Western thought clings to the notion of the separation of matter and spirit, body and soul. Taoism refuses this dualism and considers the body's perfection as essential as the soul's redemption is to Christianity. Kristofer Schipper's elegant and lucid introduction to the traditions of Taoism and the masters who transmit them will reward all those interested in China and in religions. The result of over twenty-five years of research, including eight years of fieldwork in China, Schipper's book retraces, step by step, the way that leads from Chinese shamanism and traditional village life to the physical Tending Life techniques, which in turn lead to the mysticism of Lao Tzu and Chuang Tzu. Schipper shows the fundamental unity underlying all aspects of Taoism as Taoism considers itself to be. The social body - the community, the village, the land - corresponds in all aspects to the physical body in Taoism. In both of them the survival of humanity is decided here and now. 'My destiny is within me, not in Heaven!'

Taoism and the Arts of China brings together a remarkable collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (fifth-third century b.c.) to the Qing dynasty (1644-1911). Many of these works are paintings that show the breathtaking range of style and subject that makes the Taoist heritage so rich. Sculpture, calligraphy, rare books, textiles, and ritual objects are also represented.
Like the exhibition, the book is organized thematically. It begins with the sage Laozi (to whom the Daode Jing is attributed), and moves on to explore the birth of religious Taoism and the interaction between Taoism, Buddhism, and Confucianism. A wealth of subjects are covered: the gods of the Taoist pantheon, ritual, the boundaries and intersections between Taoism and popular religion, Taoist Immortals and Realized Beings, the role of alchemy, sacred landscape and its significance, and Taoist temples and their architecture.
Taoism and the Arts of China includes an engaging series of introductory essays by scholars with a deep understanding of their subjects. Among the topics discussed are a historical introduction to Taoism, archaeological evidence for early Taoist art, and a general introduction to the functions of art in religious Taoism. Lavishly illustrated with over 150 color images, this volume affords a sweeping view of an artistic terrain that until now has received too little exposure in the West. Its publication constitutes a major advance in Western understanding of this important tradition.

Between the seventh and ninth centuries, the Chinese mind became preoccupied with a concept of the afterlife that persists into modern times. To be reborn, the deceased must successfully negotiate passage through ten courts of law, each ruled by a magistrate or king. The pains of transition from death to rebirth can be alleviated by the intercession of the living with contributions to the Buddhist church and bribes of spirit money. The cosmology, morality, and rituals of the ten kings are described for the first time in surviving sources in an illustrated text, The Scripture on the Ten Kings, which is here translated for the first time.

"An important and quite beautiful book". ("Library Journal"). "[Eliade] throws a searching and humbling light on our modern fragmented existence". ([London] "Times Literary Supplement"). "Treatment of such subjects as the meaning of the sacred, sun and moon worship, water symbolism, sacred stones, fertility cults, the earth mother, symbols of regeneration and the myth of eternal renewal, will interest the general reader as well as the scholar". ("New York Times"). "It is doubtful that one could encounter a more impressive work of scholarship and insight...All serious students of religion would derive enormous profit from the reading of this work". ("Kirkus"). In this era of increased knowledge the essence of religious phenomena eludes the psychologists, sociologists, linguists, and other specialists because they do not study it as religious. According to Mircea Eliade, they miss the one irreducible element in religious phenomena - the element of the sacred. Eliade abundantly demonstrates universal religious experience and shows how humanity's effort to live within a sacred sphere has manifested itself in myriad cultures from ancient to modern times; how certain beliefs, rituals, symbols, and myths have, with interesting variations, persisted. Mircea Eliade's works include the multivolume "History of Religious Ideas". John C. Holt is a professor of religion at Bowdoin College and the author of "The Religious World of Kirti Sri: Buddhism, Art, and Politics of Late Medieval Sri Lanka".

本书收入作者谈陈寅恪、金克木、钢和泰、图齐、梶山雄一等学者佛学研究的有关史料，以及民国时期中西佛学交流史。钩沉史实，阐幽烛微，有很高的学术和阅读价值。

髻智比丘 Bhikkhu Nanamoli，俗名歐斯博·莫爾 Osbert Moore，於一九○五年六月廿五日在英格蘭出生。在第二次世界大戰服役期間讀到一本用義大利文寫的佛書，引起了他對佛法的興趣。
一九四八年，穆森伴跟著朋友前往錫蘭；一九四九年在位於都納度瓦 (Donanduwa)的隱居島（此寺院座落於一個礁湖中的島上）出家作沙彌；一九五○年於位於可倫坡的金剛摩羅寺 (Vajirarama) 受比丘戒。受了戒後隨即回到隱居島，在島上度過了十一年的出家生涯。
髻智比丘絕少離開隱居島。當他在一九六○年三月八日，隨同寺裡的長老步行外出時，突然因心臟衰竭而過世。過世時還不滿五十五歲。
髻智比丘將不少巴利原典譯成通暢的英文，有些還是上座部佛教中最艱深的作品。不論從量上或質上來說都是相當了不起的成就。他的翻譯顯示出學術追求上細心及嚴謹的最高標準，同時也顯示出作者受過哲學訓練的敏銳與細膩。他在佛學領域裡所完成的作品對於佛學研究有深遠的貢獻。

《维摩诘经》可以说是对中国佛教影响最大的一部佛经，不论是作为中国佛教代表的禅宗，还是成为现、当代佛教主流的人间佛教，《维摩诘经》中的“心净则佛土净”及“亦入世亦出世”、“在入世中出世”的思想，都是其最为重要的思想资源和经典依据。尤其值得一提的是，贯穿于整部《维摩诘经》的一根主线-------“不二法门”，更是整个中国佛教的方法论依据。

师一生接人行事，皆威胜于恩。或有疑其严厉太过，不近人情者。然末世善知识，多无刚骨，同流合污，犹谓权巧方便、慈悲顺俗、以自文饰。此书所述师之言行，正是对证良药也。儒者云，闻伯夷之风者，顽夫廉，懦夫有立志。余于师亦云然。九月五日、编录年谱摭要讫。复校阅一梦漫言，增订标注。并记。九月十三日、写随讲别录二纸竟。卧床，追忆见月老人遗事。并发愿于明年往华山礼塔。泪落不止。痛法门之陵夷也。
曩见经目，载一梦漫言。意谓今人所撰导俗佛书。因求得一册。披卷寻诵，乃知为明宝华山见月律师自述行脚事也。欢善踊跃，叹为稀有。执卷环读，殆忘饮食。感发甚深，含泪流涕者数十次。因略为科简，附以眉注。并考舆图，别录行脚图表一纸。（大光谨按，行脚图表今从略。）冀后之学者，披文析义，无有疑滞耳。
甲戌八月十日披诵讫，二十五日录竟，并记。时居晋水兰若。 弘一

A monumental work in the history of religion, the history of the book, the study of politics, and bibliographical research, this volume follows the making of the Chinese Buddhist canon from the fourth century to the digital era. Approaching the subject from a historical perspective, it ties the religious, social, and textual practices of canon formation to the development of East Asian Buddhist culture and enlivens Chinese Buddhist texts for readers interested in the evolution of Chinese writing and the Confucian and Daoist traditions.
The collection undertakes extensive readings of major scriptural catalogs from the early manuscript era as well as major printed editions, including the Kaibao Canon, Qisha Canon, Goryeo Canon, and Taisho Canon. Contributors add fascinating depth to such understudied issues as the historical process of compilation, textual manipulation, physical production and management, sponsorship, the dissemination of various editions, cultic activities surrounding the canon, and the canon's reception in different East Asian societies. The Chinese Buddhist canon is one of the most enduring textual traditions in East Asian religion and culture, and through this exhaustive, multifaceted effort, an essential body of work becomes part of a new, versatile narrative of East Asian Buddhism that has far-reaching implications for world history.

《经典成立史》是水野先生晚年著成的一部厚积薄发的普及性佛学读物，以平易的语言叙述了佛教经典跌宕起伏的成立和传播的历史。作者倾毕生学养，就世人关心的佛教经典的几大主题——原始佛教经典的起源、大乘是否为“佛说”、“佛说”的标准、经典真伪的判定等等，做了内容详实而条理分明的探讨。以宽阔的视野，生动再现了两千多年来，在东方的广袤大地上所发生的不惜一切探求真理、传播真理的壮观历史画面，让读者在获得知识的同时，再次获得深刻的精神传递。

仏教の母国インドで、どのようにして仏像が誕生し、発展したのか。仏像のルーツであるガンダーラやマトゥラーの仏陀像の検討から始まり、仏教の重要な尊格である梵天や帝釈天、弥勒菩薩、観音菩薩、種々の変化観音、四天王などの図像的特徴や性格・信仰等を、典拠となる文献を挙げながら詳しく解説する。図版は約１３０点。増補版では巻末に付論として「ほとけたちの誕生――異宗教（カミ）の受容と展開」を追加し、日本の仏像の起源をさらに深く理解する上で必要な知識を提供する。