Post-Rock
Stella Mori Douban
I Hear Sirens genre: Rock
release date 2020-09-18 publisher: a thousand arms.
When one considers the American post-rock bands that emerged at the outset of what would become the modern era of the genre, the moment when a once fringe experimental form transitioned into a recognized faction of contemporary alternative music, there are only several still active today. Salt Lake City’s I Hear Sirens are a member of that circle, having released their debut EP in 2007, followed by two LPs including 2013’s Between Consciousness and Sleep, an album that has achieved a place of high regard with fans. However, the moment of their greatest acclaim has since stood as their culminating statement. But now their highly anticipated new record Stella Mori marks the continuation of their inspired exploration into instrumental music and its power to foster emotional release, invite reflection, reward vulnerability, and become the artistic abstraction of a limitless number of interpretations for each individual listener.
For the band themselves, Stella Mori represents a spectrum of ideas and emotions that spans widely, touching upon seven years-worth of experiences - triumphs and failures, pain, loss, regret, frustration and the constant search for balance, for those people and moments that keep us moving forward. In many ways it’s about the ever-present struggle between dreams and reality that characterizes all of our lives. There is the exciting whimsy of our aspirations and the sting of never reaching those heights, the allure of nostalgia clashing with the necessity of acknowledgement, and the eventual recognition of romanticism’s numerous traps. But like the titular dying star transforming into a planetary nebula, the greatest beauty comes with the shedding of a previous life. At its core, Stella Mori is about rebirth, and that moment when you’ve sent off past troubles and come to terms with the future, when all that’s left is the celebration of each moment.
After a period of seven years that featured its fair share of uncertainty and insecurity, Stella Mori shines as I Hear Siren’s most accomplished and mature work to date, a record built not only to serve a myriad of emotional contexts, but to celebrate them. There is apprehension and solitude in the quieter moments, tension and anticipation in the carefully climbing build-ups, victory and vitality in the dramatic peaks, and all of these things are powerful and essential in their own right. No one component could stand as tall without the others, and this integral cohesiveness speaks to the themes the band is seeking to explore. Stella Mori stands as a statement of both perseverance and internal unity, of finding alignment in a world that seems intent on dividing and conquering our spirit. It is an album that explores death through many lenses, but in a manner that regards the subsequent renewal with a reverence that supersedes the finality. It is, after all, something of a rebirth for I Hear Sirens, marking a joyous occasion for fans and band alike and providing a guiding principle with which to navigate the record’s subtly shifting tones.
LAST WALTZ IN TOKYO Douban
9.0 (18 ratings) world's end girlfriend genre: Rock
release date 2018-09-22 publisher: Virgin Babylon Records
world's end girlfriend 初のライブ盤「LAST WALTZ IN TOKYO」が
2018年9月22日にVirgin Babylon Recordsよりリリース。
2018年1月19日にリリース記念とMEGURI追悼のために開催された
ワンマンライブの模様を二枚組、全14曲、約120分を収録。
ギター×2、バイオリン、チェロ、ベース、ドラム、VJの7人編成に加え、
ゲストには妊娠中だった湯川潮音と、
生前最初で最後のステージ共演となった青木裕を迎え、
美しい旋律と轟音、抵抗と祝福の音楽を鳴らす。
花々が入り乱れ
生と死が仲良く手を繋ぎ
音楽を奏でた特別な夜の記録です。
Not All Who Wonder Are Lost Douban
8.4 (14 ratings) Paint The Sky Red genre: Rock
release date 2015-02-06 publisher: Self-Released
Paint The Sky Red is:
Nurazman Abd Rahman
Nur Hakim Alim Salim
Yasser Abd Wahab
Hendrawan Ridwan
Jan. 6, 2019 listened
后摇是后半夜最好的清醒剂。这个乐队打开几秒就被惊艳到了。
Post-Rock 2019
Epitaph Douban Douban
6.6 (13 ratings) God Is An Astronaut genre: Rock
release date 2018-04-27 publisher: Imports
Ever since forming 16 years ago, Irish trio God Is An Astronaut has reigned as one of the premier instrumental groups. With its fusion of intense rock instrumentation, ethereal and emotional soundscapes, awe-inspiring dynamics and transfixing melodies.
Each of their prior releases has offered a breath taking sonic journey, and their ninth emotive opus, Epitaph, is a record that both sees a progression in their sound while still remaining true to their ethos that helped define the band. The cover artwork was painted by French artist Fursy Teyssier and fits the melancholic mood beautifully. Joined by long-time drummer Lloyd Hanney, contributions also come from Xenon Field on sound design and former member Jamie Dean on keys.
The opening title track ‘Epitaph’ sets the album`s mood. There is pain and loss at work here, but not pain and loss that are given in to. Sparse piano motifs face energetic rhythms, shimmering guitar coatings, and eruptions of dense fury breathe life into a journey of melancholic longing: there is the release experienced when a troubled existence ends in ‘Mortal Coil‘ followed by the sombre foreshadowing that is ‘Winter Dusk/Awakening‘.
The album changes direction slightly with ‘Seánce Room’ and the music on this highway is taking you someplace meaningful and special – someplace where near and far blur and stars weep over tragedies.
‘Komorebi’ is a word from Japanese. Think of the interplay between light and leaves when sunlight shines through trees.The song has a melancholic longing or nostalgia for a person, place or thing that is far away from you or about to slip away.
‘Medea’ references Greek mythology, and the enchantress who married Jason, leader of the Argonauts, only to be later guilty of filicide, a crime so against the natural order of things that you can imagine the stars in the sky weeping. It is not easy to confront such things, but this record and this band don’t shirk the challenge.
Finally, the beautiful and hypnotic piece of music that is the album-closing ‘Oisín’ is in memory of Torsten and Niels' 7-year-old cousin who was tragically taken from this world. It distils into four minutes all the pain, sadness and longing felt by many over a much-longer timeframe. A fitting end to an album that will move you deeply and call out to you to be revisited many times.
树叶飘落,又成新树。 Douban
9.3 (17 ratings) Spurv genre: Rock
release date 2012-06-02 publisher: Fysisk Format
BIO:
Spurv have since 2010 performed melodic, instrumental post-rock inspired by Godspeed you! Black Emperor, Red Sparowes and Explosions in the Sky. Debut EP "Blader som faller til jorden og blir til nye trær" out now.
MEMBERS:
Gaute: Guitar
Gustav: Guitar
Hans-Jakob: Bass
Herman: Guitar
Inger: Violin
Ragnhild: Cello
Jan. 17, 2017 listened
对味。Store øyne, men uten gevir这首最喜欢。
Post-Rock 挪威 2017
LIVE​/​10​/​10​/​2015 Douban
world's end girlfriend
release date 2016-04-08 publisher: Virgin Babylon Records
5/28「Virgin Babylon Night 3」開催決定@ 渋谷WWW
特典音源付き特別チケット
<イベント詳細>
「Virgin Babylon Night 3」@ 渋谷WWW
日時: 2016年5月28日(土)
開場 16:30 開演 17:30
出演:
world's end girlfriend
Vampillia
VMO
BOOL
canooooopy
メトロノリ
特別チケット:3900円(特典ダウンロードコード付き)

一般チケット(前売り):4200円
ローソンチケット 【Lコード:73738】
l-tike.com
チケットぴあ 【Pコード:295-164】※電話予約あり:0570-02-9999
t.pia.jp
e+
sort.eplus.jp/sys/T1U14P0010843P006001P002186970P0030001
Virgin Babylon Records主催イベント「Virgin Babylon Night 3」開催を
記念してworld's end girlfriendのライブ音源をフリーダウンロード配信&ライブ映像公開。
バンド編成による光と影が入り乱れる「yes」、
ポエムコア提唱者BOOLが参加し、中原中也の詩が語られる「春日狂想」、
湯川潮音がゲストvoとして参加した「君をのせて / ナウシカ・レクイエム」、
の3曲の音源と映像が公開。
Song to the Siren - LIVE 3​.​11 Douban
9.2 (8 ratings) world's end girlfriend
release date 2015-03-10 publisher: virgin babylon records
2014年3月11日、
東京芸術劇場にて催された「Moving Distance : 2579枚の写真と11通の手紙」の中でフリーライブとして開催された
"world's end girlfriend / Song to the Siren - LIVE3.11"
無料&投げ銭リリース。
ギター×2、バイオリン、チェロの初のカルテット編成で行われ
wegが手掛けた映画「空気人形」や台湾映画「星空」のサントラ曲や
ゲストVoとして湯川潮音が参加し
アルバム「濡れない音符」収録の「その日わたしは」や
共作の「笛吹きの少年」も演奏された。
また、投げ銭(name your price)にて支払われた金額は
全額(Bandcamp手数料15%を除く)を
「あしなが育英会」震災遺児への支援活動に寄付させていただきます。
It's Not Me, It's You! Douban
8.6 (59 ratings) Pg.lost genre: Rock
release date 2008-10-07 publisher: OCTAVE / ULTRA-VYBE / INC.
Pg.lost是一支来自瑞典Norrköping的4人后摇乐团,成立于2004年。乐队之前曾使用 "Before You Give In" 这个名字,后来因为阵容变化而改用现在的名称。现在的乐队成员包括Gustav Almberg (guitar/keys), Mattias Bhatt (guitar), Kristian Karlsson (bass/vocals), and Martin Hjertstedt (drums).
乐队于05年发行首张同名EP。去年发行第二张EP《Yes I Am》,这张包含了5个作品的小专辑已为Pg Lost的音乐定下了基调~~~没有人声的横加干涉(其实仔细听还是有人声的),没有其他元素的喧宾夺主,只有后摇滚哀愁的描述与盎然的爆发。在后摇井喷的2007年,Pg.lost仅凭借这一张EP就成为了TSB年度50佳后摇唱片之一。
时隔一年之后,Pg.lost终于带来了乐队首张全长专辑《It’s Not Me It’s You》,与EP一样,这张专辑最突出的音乐方向还是传统的后摇滚美学,跌宕起伏,仅仅通过器乐的堆积而达到古典音乐式的宏大与壮阔。
有人说他们的音乐很暴力,我不觉得,我认为Pg.Lost 把后摇的细腻柔美和力量大器结合的非常完美,Pg.Lost 很善于优雅中爆发,但在那一串串听似山洪暴发般的吉他噪音中,Pg.lost的旋律却永远不失柔美,衔接巧妙。对于之前听多了柔美旋律的后摇入门学生而言,当我听到第一首 Pascal's law 时, 很难描述是怎样的一种震撼!之前没听是因为没有好的版本~~~呵呵
专辑中每首曲子都值得很多次的细细品味~~~
Versus Douban
6.7 (17 ratings) Pg.lost genre: Rock
release date 2016-09-16 publisher: Pelagic Records
pg.lost is a Swedish band of many directions. Their sound is throbbing with great melancholy, but there is also a certain element of dirty rock n’ roll in it, as in the crushingly heavy closing section of monumental opening track Ikaros, in the distorted bass line kicking off the 2nd track of the album, „Off The Beaten Path“, or in the huge roomy drum sound in general.
The band bought their own studio just before the recordings of „Versus“, which made the recording process both easier and harder. „It’s easy to play around too much when you don’t have studio time that is costing money“, comments Almberg. The effect-saturated vocals, which were a trademark on previous pg.lost releases, have disappeared on „Versus“, and given way to more keys and synths. “Kristian was in the middle of heavy touring with Cult of Luna playing keys every day during that time, so he had a lot of synth-based ideas for songs. I guess this has helped us to take the band into a bit of a new direction sound wise“, comments Almberg.
The fact that guitar player Mattias Bhatt is currently living in London, while the rest of the band is based in Sweden, has been a challenge for the making of this album. „We have always been a band that for the most part has made music through jam sessions. Nothing good comes out of 9 sessions and in the 10th session you strike gold. Now we had to be really focused during the few times we could actually meet. For this album, more song ideas were written at home by the individual band members, and then it went back and forth through the internet. Many times it was a real struggle and it felt like this way of doing it might not be the way for us. But then slowly but surely things started to crystallize.“
They sure did crystallize into an outstanding album. „Versus“ is a true post-rock masterpiece, an album loaded with great melancholy, heaviness and catchy musical ideas delivered in an incredible density of sound. It’s sometimes easy to forget that there are only 4 people creating these vast orchestral landscapes.
Aug. 30, 2016 listened
有点一般。9月live如果就主打这个的了话…不敢期待了。
Post-Rock 2016 Pg.Lost
How My Heart Sings Douban
8.7 (20 ratings) Akira Kosemura genre: Easy Listening
release date 2011-04-11 publisher: schole
音楽は歌うように。
小瀬村晶、ピアノアルバム。

これまでに発表してきた4枚のソロアルバムを始め、様々な音楽家とのコラボレーション、TVやWEBなどへの楽曲提供、ファッションブランドへのサウンドデザインなど、小瀬村晶はデビュー以降、様々な手法で自身の音楽と向き合い、それを発信し続けてきた。

今作「how my heart sings」は、そんな彼が最も愛する楽器である「ピアノ」と向き合い、昨年の春から秋に掛けて、歌うようにして紡いできた音楽の記録である。

秋の夕刻、鈴虫が歌う初秋に、大倉山記念館にて録音された本作品には、昨年春のピアノコンサートツアーのために書き下ろされた楽曲やコンサートアレンジに加え、荒木真 (saxophone) と白澤美佳 (violin) を演奏家に迎えた楽曲、そしてツアー後に自宅スタジオで作曲された楽曲が収録されている。

この作品はなによりも、小瀬村晶という一人の人間が、自身の心に映っては消えていく旋律をピアノという楽器を用いて歌うようにして紡いできた、とてもプライベートな音楽である。そして時折、心を寄り添うようにして演奏される二人の音楽家によるハーモニー。

芽吹の春から、静謐な秋へ。音楽は歌うように。
Von Brigði Douban
Sigur Ros genre: Rock
release date 2004-11-01 publisher: Smekkleysa
Von Brigði is a remix album of Icelandic band Sigur Rós' first album, Von. It was released in 1998 on Smekkleysa Records, and continues to be available only in Iceland or through the band's online store. An LP, containing four tracks from the album, was also released, though only 100 copies of this green-colored vinyl edition were made.
Von Brigði's title is a word play. The word "Von Brigði" means "disappointment", but split in two it translates as "variations on Von", "Von Brigði" meaning "variation". A full translation into English would result in "hope variation".
The last song on the album is a song by Sigur Rós which the band meant to go on Von, but couldn't be finished in time.
April 8, 2015 listened
这张听起来的感觉真的是太烦了。好几处的电音也让人好不舒服_(:зゝ∠)_ 不知道这是不是所谓垃圾桶的意义所在。
Post-Rock SigurRós 2015
Fair Youth Douban
6.7 (9 ratings) Maybeshewill genre: Rock
release date 2014-08-22 publisher: Superball Music (Universal Music)
As some of you may have gathered from various social media updates over the past year we’ve been working on a new record. It’s taken it’s time, but we’re very happy to say that it’s finally finished and we’re really, really happy with it.
Our fourth album is called ‘Fair Youth‘, and it will be in your hands and ears on the 25th August 2014 through the good people at Superball Music.
It’s been recorded at Seamus Wong and Park Farm studios with our very own Jamie Ward’s steady hand at the production helm once again, and it was mastered last week by Mr. Tom Woodhead at Hippocratic Mastering.
In related news, we’re pleased to be able to announce our first UK Headline show for what feels like a really, really long time. We’ll be playing downstairs at The Garage, London on 17th October. This is by far our biggest UK headline show to date, so we’d love you all to join us. We’ll do our best to make it as special as we possibly can, and of course we’ll be announcing some good friends as support in the very near future. In the mean time, tickets are available here. Get them while they’re hot:
We’re unbelievably excited for what the next couple of years have in store, and we promise this is just the first of many shows to be announced that will become the Fair Youth tour.
We’re really looking forward to seeing you all soon.
Jim, Matt, John, Robin & Jamie
Maybeshewill
March 13, 2015 listened You And Me And Everything In Between / All Things Transient
Post-Rock 2015
The Enchanted Hill Douban
The Album Leaf genre: Electronic
release date 2007-07-01 publisher: P-Vine Records
The Album Leaf为巡演推出的一张EP
Oct. 16, 2014 listened
比较轻巧的后摇了。但封面…OTL
Post-Rock 2014
Last Dawn Douban
8.4 (29 ratings) Mono genre: Rock
release date 2014-10-27 publisher: Pelagic Records
When MONO began in 1999, they set out with a simple mission: From bliss to bludgeon, no matter how long or winding the path may be. Their debut album, Under The Pipal Tree, outlined that mission in twisted, psychedelic fury. Subsequent albums would see the band honing their craft, mastering their mission, and ultimately abandoning that path in favor of more grandiose pursuits. Flanked by increasingly larger orchestras, MONO performed live at some of the most prestigious venues in New York City, London, Tokyo, and Australia. MONO had become an orchestral rock band, a spectacle of extreme melancholy and melodrama. On 2012’s For My Parents, the band had finally reached the logical conclusion of that era; it was time to remember where they started, and to rethink where they were heading. Less strings? No strings? Louder?Quieter? Lighter? Darker? Yes.
The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the two albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO’s music than they are here.
The Last Dawn is the first of these two companion albums, and is the “lighter” of the two, thematically and melodically. It contains undoubtedly some of MONO’s strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog. The songs are also noticeably more efficient – there hasn’t been a MONO full-length record to fit on a single slab of vinyl since 2003’s One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they’ve proven they can do it without frills, too.
Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band’s reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO’s blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.
1999 年成队之初,MONO 带着一个简单的使命便踏上了旅程:抱持轻柔亦抱持轻狂,品味极乐亦品味极妄,无论前路何其艰长。他们的首张专辑《Under the Pipal Tree》为这则使命赋予了更多扭曲而迷幻的激怒面容。之后的几张续作中,MONO 韬光养晦地打磨着匠艺。为了更辉煌的梦想,他们最终抛弃了初始之路。之后的 MONO 游走于越来越宏大的交响乐团间,足迹远至纽约、伦敦、东京和澳洲,曾在一些最负盛名的音乐现场演出过。MONO 以交响乐的名义继承着摇滚乐的精髓,创造着极端感伤却又富有戏剧性的旋律。2012 年,当他们发行了 《For My Parents》后,MONO 终于结束了先前的风格。是时候整顿情绪,重树目标了。弦乐是该减少还是该放弃?氛围是更热烈还是更安静?风格是更开朗还是更阴郁?这一切都有可能。
《The Last Dawn》和《Rays of Darkness》是 MONO 的两张新专辑。这两张同时录制的专辑有着截然不同的创作理念,是一个故事的互补两面。MONO 作品中贯有的叙事特点在这两专辑中再次得到了体现:希望与绝望的转换、爱与恨的交织以及极乐与极悲的大起大落,这些听者熟稔的主题在 MONO 这两张作品中拥有前所未有的共鸣。
《The Last Dawn》是这两张专辑中的首发专辑,相较之下主题和旋律都更为“轻柔”。毫无疑问,这张受极简电影和复古自赏音乐风格影响的专辑包含了 MONO 几首最强有力的单曲。这时期的 MONO 是最纯粹的:往昔专辑中阵容庞大的管弦乐队不再喧宾夺主;成员间默契十足,仿佛在用一种神秘的无声语言进行精神交流。与极简曲风相得益彰的是专辑中一众高度表意的曲目。要知道,自 2003 年的 《One Step More And You Die》后,还没有哪张 MONO 的全长专辑能塞得进一张黑胶中。整张专辑也在这种从简的风格中获益匪浅。一直以来 MONO 都是讲故事的好手,毋需言语便能把精彩故事娓娓道来。这次他们终于证明了自己放下架子后,亦能将听众引入新的洞天。
《Rays of Darkness》是 MONO 十五年来首张放弃任何类似管弦乐配曲的专辑。单单这件事就可称神奇。要知道 MONO 那恢弘又充满戏剧性的编曲可早已享誉在外,出现在奥斯卡影片配乐中都不足为奇。然而 MONO 却反其道而行之。作为 MONO 最黑暗的一张专辑,《Rays of Darkness》听来更像在拥挤的小礼堂中起飞的小型飞机。专辑中充斥着焦灼的 riff 和末世般的旋律,以及一段与后摇先驱 Testsu Fukagawa (Envy 成员)的出人意料的联袂。整张专辑在郁积而扭曲的吉他变声和不详的嗡嗡声中收场,仿佛在对过去那个于无边黑暗中放出万丈光芒的 MONO 唱着挽歌。
Oct. 10, 2014 listened
偏爱《Cyclone》《Elysian Castles》。我就知道每次半夜听后摇的醒神作用比喝咖啡管用- -
Post-Rock Mono 2014
Recoil, Ignite Douban
9.2 (10 ratings) Mono genre: Rock
release date 2014-09-17 publisher: Self-Released
Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band's reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO's blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.
Sept. 20, 2014 listened
这张ep比上次放出来的单曲好听多了
2014 Post-Rock Mono
Where We Begin Douban
7.2 (12 ratings) Mono
release date 2014-08-26 publisher: Self-Released
Japanese instrumental rock band, MONO, have confirmed that work is complete on their next release, and have unveiled the first snippet of new material.
One of MONO's new tracks is titled WHERE WE BEGIN. It starts the following video of Nobukazu Kuriki's 8047m climb.