Two melancholic Hong Kong policemen fall in love: one with a mysterious underworld figure, the other with a beautiful and ethereal server at a late-night restaurant.

A female director decides to make a autobiographical film on her love life and we see it through the use of flashbacks and brilliant intercutting.

1993 film by Ronny Yu

1993 film by Jeffrey Lau

2004 film directed by Wong Kar-Wai

Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.

1990 film by Wong Kar-wai

1999 film by Stephen Chow, Lee Lik-chi

2006 film by Johnnie To

Three orphans grow up to become art thieves under the tutelage of a crime boss. Romance complicates matters when the trio are double-crossed.

Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.

表面上看来，晴（吴倩莲 饰）只是一个沉默寡言的普通女子，但实际上，她的真实身份竟然是一名技艺高超的冷血杀手。无尽的杀戮让晴的内心充满了疲惫，每当伤感之时，她都会到一间面店里去吃一碗面条。面条的温度温暖了晴的胃，而面店的老板朗（刘青云 饰）则温暖了她的心。
一次行动中，晴惹恼了名为崔（韩载锡 饰）的男人。崔是晴所暗杀的目标的保镖，他无法忍受自己的失败，决定将造成这一切的罪魁祸首赶尽杀绝。崔经过了一番调查，终于将晴从茫茫人海中楸了出来。面对穷凶极恶的追杀者，身陷险境的晴只能选择亡命天涯，而对晴一往情深的朗则选择了同晴一起上路。

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

Former Hong Kong gangster Roy returns home after three decades of exile in Brazil, hoping to settle some unfinished business before he dies. Affected by Alzheimer's disease, he hires young thug Smokey to act as his guide and helper as he searches for the man who put a bullet in him and stole the love of his life. Traveling through the Hong Kong underworld together, the two men form a close bond as they discuss their idealized loves and missed opportunities.

2006 Hong Kong film directed by Pang Ho-cheung

1997 film by Wai Ka-Fai

Francis Ng is Jordan, a low level triad who finds himself strangely attracted to divorced restaurant hostess Juliet, who’s had a mastectomy and has since retreated into a shell. Through coincidence, the two form a makeshift family with the child of a triad boss who’s after Jordan for some dough.

1994 film by Tsui Hark

2000 film by Peter Chan