2015 film

With no means for defeating Godzilla Earth, mankind watches as King Ghidorah, clad in a golden light, descends on the planet. The heavens and earth shake once again as the war moves to a higher dimension.

Humanity's desperate battle to reclaim the Earth from Godzilla continues. The key to defeating the King of the Monsters may be Mechagodzilla, a robotic weapon thought to have been lost nearly 20,000 years ago.

動畫短片講述了一位男主死宅的奇幻又污又暴力噩夢級的經歷。但劇情非常迷，表達的內容非常含糊。所以網上有對劇情的各種猜測。
然而 2014 年 11 月 24 日，日本著名彈幕視頻網站 niconico 公佈了一段有關作者編劇動機的生放送，視頻中作者稱並不像大家想的那麼復雜： ——那麼結論是？
——做出色情的東西這一點是十分帥氣的 ——這作品就是男性的理想 ——動機是想做工口色情的東西

“武汉太危险，最好你不要去”
“是不是现在还有很多隐瞒的感染者？”
我的日本朋友对武汉有很多偏见。我是作为住在中国的外国人，作为纪录片的导演，特别想去拍武汉，想给全世界介绍真实的武汉。于是我在微博上募集了可以接受我们拍摄的武汉人，然后一百多个人报名了，最后我们选择了十个人的故事。希望通过这部作品让更多的人了解现在的武汉。——摘自导演微博

On a future Earth, war between the Kingdom of Honneamise and its rival, The Republic, is inevitable. As evolving technology creates new ways to wage war, a small group seeks to propel mankind into space in their world’s first spaceflight program. For astronaut candidate Shirotsugh Lhadatt, it’s a personal odyssey as he grows from an aimless young man into a leader willing to put everything on the line in order to move the human race forward and away from the brink of Armageddon.

Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…

2010 original video animation

故事以2020年东京奥运会之后的日本为背景，通过“极普通的家庭故事”，讲述了在日本逐渐沉没的情况下，面对终极选择的人们的现实生活。

2006 film directed by Shinji Higuchi

1969 film

2020 Japanese animated film by Tsutomu Mizushima

《白箱》剧中剧动画OVA

《白箱》剧中剧，BD/DVD第七卷特典。

In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.

Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."

In 2030 AD, even if the intention to run around as light and electrons is concentrated in one direction as the computerization becomes generalized and the information network becomes more sophisticated, by the time the "lonely person" becomes an "individual" as a complex. Is an era when it is not computerized. It depicts the activities of the "Public Security Section 9" (commonly known as "Ghost in the Shell"), which was established as an independent counterintelligence unit under the direct control of the Ministry of Home Affairs to counter complicated crimes. There are a wide variety of top-secret missions such as cybercrime investigation, terrorism deterrence / arrest, VIP protection, and corruption detection, but one incident emerges as it is carried out.

《攻壳机动队SAC 2nd GIG》是根据士郎正宗漫画原作改编的第二季日本动画影集。
2004年1月1日于日本SKY电视播映。每集制作费高达3000万日元。
共26话。
故事内容延续第一部TV版攻壳机动队STAND ALONE COMPLEX的剧情继续发展。但TV版的2部作品与剧场版无甚联系，可以看做是两个平行世界里发生的事情。
这次TV版第2季的制作班底与第一部相同，同时剧情表达上和第一季一样，每话由不同故事构成，各自独立成章，却贯穿着同一条主线。在剧情上同时电影版导演押井守也参与了协力，不过电影版中凄凉的气氛没有在TV版第二季中体现。

Within the depths of the Abyss, a girl named Riko stumbles upon a robot who looks like a young boy. Riko and her new friend descend into uncharted territory to unlock its mysteries, but what lies in wait for them in the darkness?

2020 anime film by Masayuki Kojima