爵士
Night Train 豆瓣
9.5 (24 个评分) Oscar Peterson Trio 类型: 爵士
发布日期 1997年5月20日 出版发行: Polygram Records
*集結鋼琴巨匠奧斯卡‧彼德生生涯顛峰時期之兩張經典逸作,盡顯酣暢淋漓的舒適快意及渾然天成的舒緩妙韻
*奧斯卡‧彼德生領軍低音提琴手雷‧布朗及鼓手艾德‧提格潘聯演三重奏,技巧及情感兼備的精采典範
★ AMG 4星評價
1949年因獲名製作人諾曼‧葛蘭茲邀請參加「爵士走進愛樂廳」音樂會而一舉成名的加拿大籍奧斯卡‧彼德生,其演奏風格承襲自一代宗師亞特‧泰坦的瑰麗斑斕語彙,明快觸鍵裡總是充滿著勁道能量且始終閃耀著繽紛華麗光譜,而鋪陳之際如泉湧般的靈妙樂思盡是滿溢搖擺風情的典藏精粹,也因此由他領軍的三重奏作品始終是餘韻無窮的美饌佳釀,令人反覆聆聽、回味再三!本輯集結彼德生於五0年代末期至六0年代初期與長年合作夥伴低音提琴手雷‧布朗及鼓手艾德‧提格潘攜手聯演的「夜行列車」及「爵士精神」兩張作品,可謂他在彈奏技巧及即興創意上臻至顛峰的極致經典錄音,在早期藍調爵士經典曲的詮釋裡,無論是“Night Train”或“C Jam Blues”,其演奏宛若飛瀑傾瀉而下的滑順琴音,暢快而沁涼;在慢版抒情曲的演繹裡,無論是“Georgia On My Mind”或“My Heart Stood Still”,其所細膩勾勒撩動心弦的抒情感懷,泱然而典雅!
黛比的華爾滋 豆瓣
9.4 (113 个评分) Bill Evans Trio 类型: 爵士
发布日期 1961年1月1日 出版发行: Ojc
BILL EVANS - piano
SCOTT LAFARO - bass
PAUL MOTIAN - drums
Recorded live at the Village Vanguard New York; June 25, 1961.
2025年10月15日 听过
Bill Evans, Scott LaFaro, and Paul Motian
Bill Evans 爵士
Memphis Underground 豆瓣
9.7 (7 个评分) Herbie Mann 类型: 放克/灵歌/R&B
发布日期 1991年7月1日 出版发行: Atlantic / Wea
Herbert Jay Solomon, known professionally by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet, but Mann was among the first jazz musicians to specialize on the flute.
The Shakedown feat. The 22archestra 豆瓣
Tenderlonious 类型: 爵士
发布日期 2018年6月15日 出版发行: 22A
'The Shakedown' is the debut album from Tenderlonious and features a new band - the dream team of top talent he named the 22archestra, who he leads seamlessly throughout. Listeners are exposed to the full breadth of Tender's technical and compositional skills, ranging from subtly meandering jazz, to hip-hop, afrobeat, latin and exhilarating free form jazz.
'SV Disco,' a nod to the mighty Slum Village, is a chunk of sensually-contorted disco vibes that brings on full party mode instantaneously, with the slinky bass licks and pitch-bent synthesiser recalling Roy Ayres’s blissed-out funk, blended with flute flurries reminiscent of mind Max Cilla’s La Flûte des Mornes.
'Maria' showcases Ed’s roots as sample-based producer, pulling influence from around the globe to create an undulating piece of flute-led Brazilian fusion that fans of Ruby Rushton will find familiar. The eastern-inspired embellishments raise the temperature further, whilst former Yussef Kamaal member Yussef Dayes’ sizzling cymbals and shuffling snare work propel the track onwards, locking down a signature 22a groove.
Latin and African influence can be heard across many of the tracks. 'Togo' is a smokey afrobeat jam that leaves space for Tenderlonious’ flute to soar above, his playing mimicking old school styles you might catch from MF Doom or J Dilla.
'Yussef’s Groove' kicks off with driving drums, and each of the 22archestra enter steadily, fully utilising their virtuosic power, switching between low-slung bass, chic open piano solos and hazy electric piano.
'The Shakedown' exercises more restraint, with Bitches Brew style ambience providing a palpable sense of anticipation and passion, whilst still retaining that stomping, low-riding 70s swing they do so well.
The 22archestra was conceived after Tenderlonious was invited to record at Abbey Road Studios. The whole crew was rounded-up and the album was recorded during a single 8 hour session – a testament to their musicianship and ability to nail a take, which has been honed on stage.
2025年10月12日 在听 这张略炫了,打爵士的标但风格更杂一点。单听还行,在书店当背景音乐放的时候有点嘈杂。
爵士 长笛 英国 Tenderlonious
Volume 4, Oboe/Flute Discogs
Howard Rumsey's Lighthouse All-Stars 类型: 爵士
出版发行: The Lighthouse, Hermosa Beach / Fantasy, Inc.
2025年10月12日 听过
是一张令人舒适的盘。长笛不算爵士主流,要么单给C位要么完全点缀。这张里作为乐队主旋律,不必时刻炫技也不必为存在感被迫抢戏。
爵士 长笛 双簧管
生为蓝调 (2015) IMDb 豆瓣 TMDB 维基数据
Born to Be Blue
7.2 (40 个评分) 导演: 罗伯特·布德里奥 演员: 伊桑·霍克 / 卡门·艾乔戈
其它标题: Born to Be Blue / 生于蓝调
加拿大新锐导演罗伯特·布德里奥和 《爱在黎明破晓时》男星伊桑·霍克携手合作的《生为蓝调》,跳脱传统传记电影的钻研考究,在虚实互映的构组拼贴中,重现爵士乐手查特·贝克充满传奇色彩的戏剧一生。
2025年7月18日 看过
不是Chet Baker的宣传片,但当作粉丝同人向作品来看的话其实很不错,结尾那段的处理很好,毕竟我们都知道真实的那一段。
传记 爵士
坂道のアポロン = Kids On The Slope Original Soundtrack 豆瓣 Discogs
9.1 (57 个评分) (アニメーション) / 菅野よう子(音楽) 类型: 原声
发布日期 2012年4月25日 出版发行: ERJ
2009年「この漫画がすごい オンナ編」1位の「坂道のアポロン」。
今年小学館漫画賞を受賞。「のだめカンタービレ」以来の本格音楽アニメとしてノイタミナに登場。
監督:渡辺信一郎×音楽:菅野よう子(カウボーイ・ビバップ)という黄金タッグで制作。
青春STORYにのるJAZZの名曲たちには否が応でも期待が高まります。
劇中曲には、STORYを意識したJAZZとしての側面も抜かりはなく、
Pfに松永貴志、Drsには若干18歳の石若駿を起用。菅野よう子による緊迫感あふれるセッションで収録。
※ゲストヴォーカルに手嶌葵を起用も話題に。
<収録予定曲目>
●劇中登場楽曲「モーニン」「バードランド」「いつか王子様が」「マイフェイバリットシングス」「バット ノット フォー ミー」「フォー」「マイルストーン」
など、数々のJAZZ名曲
●菅野よう子書き下ろしによる、オリジナル・サウンドトラック
・プロデュース:菅野よう子
・ピアノ:松永貴志
・ドラム:石若駿
ほか
※ゲストヴォーカル:手島(島は異なります)葵、古川昌義、南里侑香
(メーカー資料より)
孤独的美食家 豆瓣
THE SCREENTONES 类型: 原声
发布日期 2012年5月20日 出版发行: 地底レコード
主人公・井の頭五郎(主演:松重 豊)が立ち寄る美味しい“お店”を食事シーンと心理描写で絶妙に描く!TV東京深夜ドラマ「孤独のグルメ」のサントラ盤である。
“聴きながら街を歩けば、気分は井之頭五郎!”
2024年7月27日 想听 都市剧配乐爵士风还得看日本
OST 爵士
Jazz Suite for Bassoon 豆瓣
Daniel Smith 类型: 古典
发布日期 2015年6月16日 出版发行: Summit
2024年2月11日 听过
评价两端的一张。巴洛克这组(1-5)有一种“可怜的巴松想要被关注因此强行给自己配了爵士鼓点和钢琴但不幸成为餐厅常用背景音”的违和感。后边Rag里巴松音色的自如幽默感体现出来后,效果好很多(但其实在仿萨克斯)。

巴松:咕咕咕咕好像变潇洒帅气咕咕咕咕好羡慕萨克斯咕咕咕咕……
低音萨克斯:嗯?
巴松:没事咕咕咕咕……
古典 爵士 融合 巴松
2024年2月5日 听过 几年老鼠搬家,差点忘了还存了几张CD……买的时候对爵士完全没概念,可能只是Last.fm随机放的里有Nat King Cole的名字后就记住了。谁成想兜兜转转居然真开始听爵士了。
爵士 NatKingCole 钢琴
Two Of A Mind Spotify
Paul Desmond / Gerry Mulligan
发布日期 1996年5月25日 出版发行: (P) 1996 BMG Music
(Wikipedia)

Two of a Mind is an album recorded by American jazz saxophonists Paul Desmond and Gerry Mulligan featuring performances recorded in 1962 which were released on the RCA Victor label. The album is the second of two albums Mulligan and Desmond recorded in a pianoless quartet setting. The first, recorded in 1957, was Blues in Time (originally titled Gerry Mulligan - Paul Desmond Quartet).

The album's title track is a contrafact based on "Look for the Silver Lining".
2024年2月5日 听过
经典合作。有几首曲子化用一些古典乐的旋律作Jamming很优雅。一些片段大概也被后人引用过不少,Out of Nowhere里我都能听出来。
爵士 PaulDesmond CoolJazz
Jazz 豆瓣
作者: Geoffrey C. Ward / Ken Burns publishing house: Knopf 2000 - 11
The companion volume to the ten-part PBS TV series by the team responsible for
The Civil War and Baseball .
Continuing in the tradition of their critically acclaimed works, Geoffrey C. Ward and Ken Burns vividly bring to life the story of the quintessential American music—jazz. Born in the black community of turn-of-the-century New Orleans but played from the beginning by musicians of every color, jazz celebrates all Americans at their best.
Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others.
But Jazz is more than mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age. The irresistible pulse of big-band swing lifted the spirits and boosted American morale during the Great Depression and World War II. The virtuosic, demanding style called bebop mirrored the stepped-up pace and dislocation that came with peace. During the Cold War era, jazz served as a propaganda weapon—and forged links with the burgeoning counterculture. The story of jazz encompasses the story of American courtship and show business; the epic growth of great cities—New Orleans and Chicago, Kansas City and New York—and the struggle for civil rights and simple justice that continues into the new millennium.
Visually stunning, with more than five hundred photographs, some never before published, this book, like the music it chronicles, is an exploration—and a celebration—of the American experiment.