家中纸质书

《乐与路》是知名漫画家浅野一二〇长篇漫画代表作，描绘了五个初入职场的年轻人追逐梦想的故事。
芽衣子毕业后顺利找到工作，无趣的事务和人际关系却令她深感疲惫，好在她可以常常与男友种田、大学轻音社结识的好友聚在一起，沉浸于音乐带来的快乐和自由。
但当音乐声停止，平凡而残酷的生活又将到来。芽衣子和种田先后失去工作。在汹涌的商业大潮下，这支小小的乐队也陷入无人问津的境地……
“请再给我们一点时间吧，直到我们找到答案为止，纵使这条路充满艰难险阻，纵使要一路走向世界的尽头。”
未曾达成的梦想、初入社会的彷徨，爱情、事业、理想的烦恼接踵而来。在不知不觉中长大成人，对此是欣然接受，还是反抗到底？浅野一二〇以细腻深刻的叙事和伤感优美的笔调，描绘出充满笑与泪的青春故事，将逐梦路上的彷徨、孤独与迷茫展示得淋漓尽致。
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★知名漫画家浅野一二〇代表作，青春漫画的金字塔，豆瓣9.1高分，入围艾斯纳漫画大奖！
★新装版超大容量，收录作者后记+新续篇，4p彩插+472p黑白漫画
★舒适大32开复刻日版，精致双封，锁线胶订，专业漫画纸印刷，带来非凡阅读体验
★未曾达成的梦想、初入社会的彷徨……一部无法用单纯的感动来概括的作品，描绘逐梦路上的彷徨、孤独与迷茫
★日版销量突破95万部，同名电影由宫崎葵、高良健吾主演
★“我知道，普普通通地过着平凡的生活其实也很难。但是，我依旧小心翼翼地踏出了第一步。”
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★回忆过去的自己，怀念青春时代，然后给予我们活在明天的力量。《乐与路》就是一部这样的作品。——CinemaCafe报道
★我在朋友家看完了《乐与路》漫画，温柔的故事深深地打动了我。从那时起我就非常喜欢比利这个角色，心想无论如何也想通过比利的试镜。——桐谷健太（同名电影演员）
★作者用一支画笔，把文字无法表达的，逐梦路上的彷惶、无奈、孤独展示得淋漓尽致，正是这种在人生逆境中，被深深理解的感动，让这本书获得无数年轻人的拥趸！——书单狗（公号）

《海街日记》《香蕉鱼》原作者吉田秋生献给所有女性的成长絮语。
这所女子高中，被每年毕业的女生们亲手种下的数百棵樱花树环绕，因而得名“樱之园”。
樱花绚烂绽放却又转瞬凋零，恰如少女时代的缩影。
在这里，少女们面对性别，爱情与内心的挣扎，一步步走向成熟，而她们种下的樱花树 ，樱花每年春天都会盛开，随后飘散。

<b>Celebrated cartoonist Kate Beaton vividly presents the untold story of Canada.</b><br /><br />Before there was Kate Beaton, <i>New York Times</i> bestselling cartoonist of <i>Hark A Vagrant</i> fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.<br /><br />Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal.<br /><br />Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, <i>Ducks: Two Years in the Oil Sands</i> is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.