watchlist_extended

Flama and Moko are fourteen years old; they have been best friends since they were kids. They have everything they need to survive yet another boring Sunday: an apartment without parents, videogames, porn magazines, soft drinks and pizza delivery.

A young boy, attempting to have a normal childhood in 1980s El Salvador, is caught up in a dramatic fight for his life when he desperately tries to avoid the war that is raging all around him.

Gabriel Orozco是一位墨西哥艺术家，他被称为在他那一代人中最有影响力的艺术家。1962年出生于墨西哥的 Jalapa, Veracruz。1986至1987年他在马德里学习。自1991年，他四处游走旅行。他和他的妻子Maria Gutierrez以及他的儿子Simón目前分别居住在巴黎、纽约和墨西哥之间。 Orozco是一位非常重要的观念、装置艺术家。他在制作摄影、雕塑创作的同时也运用了录像、绘画和装置的元素,通过这些试验，他让观众对一些我们日常忽略的物品进行广阔的遐想。经常他的作品也与互动为主，就比如在加利福尼亚当代艺术馆的作品，观众可以在他制作的乒乓球桌上游戏。热衷于旅行的他，对物品的几何学和曲线十分感兴趣。在很多作品里他试图将物品变形、拆卸或组装，迷恋于事物的合成和组织。他探讨事物的易变性和延伸，这些作品很多都来源于一些随处可见得东西，如足球、象棋等。在干涉这些物品本质的同时，他会利用摄影记录下这些物件的有趣的构图。Orozco就如一个顽童，将对一切事物的好奇和想象通过艺术手段再次传递给观众。

Gerardo, a 17-year old guy has just finished his relationship with Bruno and starts wandering hopeless through the streets of the city. In his wandering he's tortured by images: each masculine body he sees reminds him of his lover. Gerardo is determined to keep what's left of his dying love. The only comfort he has is a letter that Bruno left him with his boss.

Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.

A man is wrongfully buried alive, and starts to descend to the Underworld.

2002 film by Carlos Reygadas

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

2001 film directed by Guillermo del Toro

A woman steals from her drug-dealer boyfriend and runs away. She meets a sympathetic woman on the way who helps her escape.

Dolores is a mature and kind woman whose husband abandons her because he can't stand her uncanny generosity. Desperate to get her husband back, she devotes her life to works of charity, which is to go to bed with the other men of the town. Dolores, now "Lolita", becomes so famous that all men seek out her help now. It is through her compassionate sex that she brings back the colour and the happiness to a town that was immersed in sadness. Written by HoMordomo.

A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man. Their lives are catapulted into unforeseen situations instigated by the seemingly inconsequential destiny of a dog.

A comedic drama featuring two couples and two old friends in Mexico City. Tomas visits Carlos and Ana, while Miguel and Andrea are joined by Maria. The presence of guests triggers lust, rejection, infidelities, reconciliation and other consequences.

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

The film is a drama about the aftermath of the 1520s Spanish Conquest of Mexico told from the perspective of the indigenous Aztec people. It explores the social, religious, and psychological changes brought about by a historical process of colonization that both defined the American continent and is also highly reminiscent of today’s neocolonialism.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

1997 film by Carlos Marcovich

Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

Tijuana is a mystical city and the scene of different stories, where the characters search for meaning in their lives.