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Faced with his own mortality, an ingenious alchemist tried to perfect an invention that would provide him with the key to eternal life. It was called the Cronos device. When he died more than 400 years later, he took the secrets of this remarkable device to the grave with him. Now, an elderly antiques dealer has found the hellish machine hidden in a statue and learns about its incredible powers. The more he uses the device, the younger he becomes...but nothing comes without a price. Life after death is just the beginning as this nerve-shattering thriller unfolds and the fountain of youth turns bloody.

The film tells the story of the Boteros, a middle-class Mexican family struggling against poverty after their father's death. Ignacia (Egurrola) is the Boteros mother, a desperate woman who chooses to sacrifice the destiny of her three older children, in order to protect Gabriel (Laguardia) the youngest one. She believes Gabriel will climb the social structure and bring back the lost fortune to the family. But destiny has other plans for the Boteros and tragedy will overcome eventually. Based on the novel of Nobel Prize winner Naguib Mahfouz.

1950 film by Luis Buñuel

A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.

1973 film by Alejandro Jodorowsky

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

A group of students arrives in a small town during a hiking expedition. Once there, the local priest accuses them of being communist agitators on the run from an army crack-down against student demonstrations in nearby Mexico City and rallies the townsfolk to lynch them. Based on a true story.

For 18 years Gabriel Lima, the father of a large family, the business man, producing anti-rodent, keeps in captivity all his family to protect them from the corrupting influence of civilization. But his project to create perfect children, whom he called Utopia, Porvenir and Voluntad, breaks down under the influence of internal contradictions and conflicts.

1965 film by Luis Buñuel

Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a whorehouse to own all the buildings and close the deal. It's owned by a man and his daughter: Manuelita is gay, aging, afraid; he cross-dresses and entertains as a flamenco dancer; he wants to sell and leave. His daughter wants to stay. The return of Pancho complicates things: he's a hothead Alejo tries to control and he scared Manuelita the year before. Things come to a head as Pancho breaks Alejo's hold on him, then flirts and dances with Manuelita and finds himself at risk of being called a "maricón."

Fisherman Quino and his wife Juana are very poor and desperate because the town's foreign doctor refuses to treat their son Coyotito, who has been bitten by a scorpion. When Quino unexpectedly finds a magnificent pearl in the sea, Juana senses that the discovery will only bring them misfortune and tries to convince her husband to return it to the sea.

After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.

A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.

On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.

it is still worth seeing, for two reasons: Paul Strand's beautiful pictures and Silvestre Revueltas' beautiful score.

Armendáriz was terrific in this. I won't repeat the praises from prior reviews, I concur.
My only problem with this film is that it wasn't true to the revolution. In that sense, it was indeed a Fernandez film as neither was he true to the revolution. He gave a Cristero slant to the issues of Church/State and redistribution of wealth. Just take it as a love story set in the revolutionary period and try to ignore the political bias. Jeeze, you'd think he'd have shown more gratitude having been pardoned by Lázaro Cárdenas for his treason.
Pedro Armendáriz, María Felix and the town of Cholula were the great stars of this film. The exteriors were certainly shot in Cholula.
There were some snippets of revolutionary period music (La Adelita and El Tren) and an anachronistic performance of Malageña Salerosa when he had mariachi serenade María Felix. That song is so lovely, I didn't mind.

A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...

Northern Mexico, early 20th century. Reynaldo del Hierro is murdered while riding with his sons Reynaldo and Martín, whose mother instills in them the need for revenge.

Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.