Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

Danish documentarian Jørgen Leth revisits the theme and poetic style of his earlier film '66 Scenes from America' and finds in the faces, skylines, and roadside attractions of the United States a perfect post-September 11 salute to what makes the country great: not ideologies or flag waving, but eccentricity, idiosyncrasy, and individuality.

A soldier returns from Vietnam on special assignment, accompanying the body of his friend by train to California for burial. During the trip, he falls in love with a gentle college student. But their relationship is shattered by his flashbacks to combat.

1976 film by Philippe Mora

Detective Philip Lovecraft lives in Los Angeles in the 1950s when an ambitious Senator is holding hearings, on Magic. Magic is the new influence in Tinsel Town. Lovecraft is unique in that he is the only one who refuses to use magic in his work. Shortly after he is hired, he finds his client, Kim Hudson, accused of the murder of her husband, a film executive. Philip uses the tallents of a local witch, Kropotkin, to explain what is happening only to see her accused of the murder and sentenced to be burnt at the stake. Reminiscent of Roger Rabbit, without the toons.

After thirty years in prison, ex-con Ronnie recruits his grandson to exact revenge on Darryl, the cop who put him behind bars. Standing in their way is Ronnie's son, whom Darryl raised.

One of the first film noir documentaries, made for British Channel Four, and including interviews with Paul Schrader, Robert Wise, John Dahl, Bryan Singer, Edward Dmytryk, Dennis Hopper, John Alton.

His high school teacher issues an ultimatum: turn in a science project or flunk. So Mike Harlan scavenges a military base's junk pile for a suitable gizmo. He finds one... and unwittingly unleashes the awesome power and energy of the unknown. Twisted dimensions. Time warps. A fantastic realm where the past, present, and future collide in a whirling vortex of startling adventure and superlative special effects.

Matty is a film star who is tired of Hollywood life and moves to Miami, where he makes a proposal to his girlfriend Annie. She is not ready to marry him, and it is revealed that she had an abortion. Depressed because he lost his baby (though it was him who initially asked for abortion), Matty, together with his friend Micky, go on a wild night, they meet a waitress also called Annie and in the end of the night Matty passes out. A year and a half later Matty lives in New York, leads a clean life visiting AA meetings and has a relationship with attractive blonde Susan. He is still obsessed with Annie and returns to Miami, where unexpected news about Annie 2 (the waitress) waits for him.

American television series of 2008

A teacher in a small town who has almost given up on life, discovers a new passion when he meets the teenage daughter of a retired major. Based on the novel 'Farmer' by Jim Harrison.

This is a gem that is lost amongst the crap that came out in the mid nineties American cinema. The first time I saw this film I thought that it was bizarre, yet in some odd way compelling. I have since seen it seven or eight more times and it gets better each time. The humor is dark and unconventional, and the dialog is odd in that it is difficult to determine whether or not its meant to be funny or is simply poor writing, I still have not figured that out which is probably one of the reasons I love this film.
The cast is of course outstanding, which is why I first rented this film knowing nothing about it. It must have had a very short theater shelf life. Dennis Hopper, Ethan Hawke and produced by Martin Scorcese, how could you go wrong? But the truly outstanding performance, and the majority of the quotable lines are spoken by Christopher Walken. His characters name is Kim Ulander, classic, and walken does what walken does best in this role, he plays a psychopath.

"Choke" starts out promising. A Wealthy businessman (Hopper) discovers his daughter was the culprit in a hit and run accident. Rather than report it, they decide to stay quiet, because she was drinking at the time. Little does he know, someone overheard. Blackmailing into taking a job he didn't at first want to, Hopper then decides it's easier if he just knocks off the man - and before you can say "cover up" - a body is pushed out a second story window. Enter, Madsen, as a strange man, who drives up in a classic car, claiming to have seen Hopper's act. Instead of turning him into the authorities though - Madsen asks Hopper into his car and together they go cruising on the highways, stopping (constantly) to talk about their evil deeds.
It's this "stopping and starting", that causes "Choke" to crumble. At times, it's as if we are watching a home video of a couple of actors talking (most of the time about nothing in particular), forgetting that they are supposed to be entertaining the audience. For Madsen and Hopper fans only.

Employees and customers spend time at a small gas station-diner in a fictional town next to a nuclear power plant unaware it is the last day on Earth. Young Otto (Dean Stockwell) has received ownership of the failing business by the Will of his recently deceased father. His employee, Lionel Switch (Neil Young), is the garage's goofy and bumbling auto mechanic who dreams of being a rock star. "I can do it!" Lionel often exclaims. After some modest character development and a collage-like dream sequence there is a tongue-in-cheek choreographed musical finale while nuclear war begins.
At the destroyed gas station-diner post nuclear holocaust Booji Boy (Mark Mothersbaugh) is a lone survivor, but after his cynical prose the opening credits are a return to present time prior to apocalypse. [Some edits of the film place this scene at the end, including the most recent Director's Cut.]
At the nuclear power plant nuclear garbage persons (members of Devo) reveal that radioactive waste is routinely mishandled and dumped at the nearby town of Linear Valley. They sing a remake of "Worried Man Blues" while loading waste barrels on an old truck. Meanwhile, Lionel and his buddy Fred Kelly (Russ Tamblyn) ride bicycles to work. Fred states that Old Otto's recent death was by radiation poisoning. They remain unaware of the implications as Lionel laments it should have been himself that died because he has worked on "almost every radiator in every car in town."
Early in the day at the diner Young Otto announces he must fire an employee for lack of money. He chooses waitress Kathryn (Sally Kirkland) who has a tantrum and refuses to leave. She sits down weeping at a booth that has a picture on the wall of Old Otto (also Stockwell) and chooses on the juke box the song "The End of the World". Later, waitress Irene (Geraldine Baron) overhears Young Otto's plans to fire everybody, destroy the buildings and collect on a fraud insurance claim. Irene demands to be included in the scheme and to seal the deal with a kiss.
Although Lionel has a crush on the waitress Charlotte (Charlotte Stewart), she has a crush on the milkman Earl Duke (David Blue). After an earthquake Duke, dressed in white, enters the diner with a delivery. He flirts with her saying, "Charlotte ...on my way over here this morning I thought about you and the earth moved." She replies, "You felt it too!" He also offers her a milk bath. While he is there a dining Arab sheik offers him wealth in return for his "whiteness."
A limousine stops at the gas station. After Lionel learns his rock star idol, Frankie Fontaine (also Young), is in the limousine he insists the vehicle will need work. After meeting rock star Frankie, who appears to lead an opulent, sequestered and drug influenced life-style, Lionel says to the wooden Indian in his shop, "Now there's a real human being!"
Lionel receives a bump on the head while working on Frankie's limousine and enters a dream. He becomes a rock star with a back up band of wooden Indians. Back stage he is given a milk bath by Irene. Lionel travels with his band (the wooden Indians) and crew (all people from his waking life) by trucks through the desert. The wooden Indians become missing.
During "Goin' Back" (a song by Young) the entourage recreates in the desert near a Pueblo. Native Americans prepare a bonfire to burn the wooden Indians which had been missing. Soon Lionel is playing music and dancing around the bonfire which appears to have become the center of a Pow-wow. "Goin' Back" ends gazing into the bonfire of burning wooden Indians. "Hey, Hey, My, My" is a ten-minute studio jam performance of Devo and Young.
Lionel wakes from his dream surrounded by concerned friends much like Dorothy in The Wizard of Oz. Soon there is the start of global nuclear war. No one is sure what is happening until it is announced by Booji Boy, as "the hour of sleep." He then provides shovels and commands everyone to "dig that hole and dance like a mole!" The cast then enters a choreographed adaptation of "Worried Man". The planet is engulfed in radioactive glow and the cast, still festive, climbs a stairway to heaven accompanied by harp music.

This intimate portrait of Andy Warhol pulls together a unique library of material shot by New York film legend Jonas Mekas. Spanning from 1963 to 1990, the film features a cast of counterculture icons including Allen Ginsberg, George Maciunas, John Lennon, and Yoko Ono, as well as John and Caroline Kennedy, and Lee Radziwill (Jackie Kennedy Onassis's sister and Warhol muse)—to whom Mekas dedicates the film. The film features footage from the Velvet Underground's first public performance. A portrait of the remarkable life of arguable the twentieth century's most famous artist and leading iconographer.

A national survey of the top 100 film actors in history, voted on by the British public