After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

第90届奥斯卡影帝加里·奥德曼 和影后弗兰西斯·麦克多蒙德曾在29年前共演过一对夫妻，那时还都很年轻。片子讲一个退伍军人精神崩溃，一心求死未遂，反被关押进精神病院。在那里他发现病人待遇极差，大夫和工作人员肆无忌惮虐待他们，于是开始了漫长而艰苦的 反抗之路...
本片虽根据真实事件改编，堪称真实版《飞越疯人院》。

"Jazz Seen" is an exploration of the life of William Claxton, whose photographs turned the world of jazz on its keen and perceptive ear. Various jazz artists, photographers, and actors recount memories they had with Claxton and explore his work, while parts of his life are re-enacted by actors.

Method actor, filmmaker, photographer, fine artist, art collector, and all-American madman—the many sides of Dennis Hopper are explored in Nick Ebeling’s documentary, confirming Hopper as a major filmmaker, a fact often eclipsed by his legend. Through the triumph of Easy Rider, the magnificent career suicide of The Last Movie, the overlooked masterpiece Out of the Blue, and a midlife comeback after plenty of booze and brawling, Along for the Ride is a work of film biography with a freewheeling style that’s only appropriate to its anarchic subject.

Biography of actor Jack Nance, who became famous when he appeared in the 1977 cult film "Eraserhead."
大卫·林奇御用演员杰克·南斯的传记电影。杰克·南斯著名作品包括1977年的《橡皮头》，以及剧集《双峰镇》。

A radio host is victimized by the cannibal family as a former Texas marshal hunts them.

Video store clerk Ed agrees to have his life filmed by a camera crew for a tv network.

Two young wolves at opposite ends of their pack's social order are thrown together into a foreign land and need each other to return home, but love complicates everything.

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

At last the Feds have caught him! Infamous 60's radical Huey Walker is heading for jail. So how come it's Huey's yuptight FBI escort who ends up behind bars?

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

Peter Fonda is a commercial director going through a bitter divorce, so he decides to take an LSD trip...

以墨西哥裔美国人的街头生活和嘻哈生活闯出名号的埃斯特凡·奥瑞欧与卡通先生，细述两人如何从才华横溢的艺术家，成为引领文化潮流的先驱

A young girl whose father is an ex-convict and whose mother is a junkie finds it difficult to conform and tries to find comfort in a quirky combination of Elvis and the punk scene.

Two rival bikers gangs, the Victors and the Six-Six-Six's, refuel their decades-old rivalry.

In a remarkable turn of events, the result of the presidential election comes down to one man's vote.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A spaceship is sent to Mars after an alien distress signal is picked up. They find one survivor, but when a crew member is found drained of blood it's evident they have rescued a bloodsucking monster. Uses footage from Encounter in Space (1963).