DAU是一个正在进行的实验，它从关于苏联物理学家的传记开始演变成一个大规模的项目，一部分是电影循环，一部分是行为实验，涉及来自世界各地的数百名参与者。 它结合了电影，戏剧，科学，心理学，建筑，视觉艺术和表演的元素，创造了一个复杂而又吸引人的世界，必须尽可能多地生活。 它的发布将于2019年的巴黎举行。它的许多参与者都是科学，艺术，戏剧和电影领域的著名人物，现在是DAU的大使。

"Enthralling . . . As fascinating as any novel and more so than most." The New York Times Book Review
The Pulitzer Prize-Winning Bestseller by the author of DREADNOUGHT.
Against the monumental canvas of seventeenth- and eighteenth-century Europe and Russia unfolds the magnificent story of Peter the Great, one of the most extraordinary rulers in history. Impetuous and stubborn, generous and cruel, tender and unforgiving, a man of enormous energy and complexity, Peter the Great is brought fully to life in this exceptional biography.

本书选取了11至21世纪俄国哲学史上的32位重要思想家和哲学家，从他们的著作中选出了有代表性或有特色的篇章或片段译成汉语，并在译文前面对每一位俄国哲学家的生平和主要观点做了简要说明。全书按历史年代顺序把俄国哲学发展分为四个阶段：（一）10-16世纪的历史哲学与民族意识；（二）18-19世纪上半期的启蒙主义和斯拉夫主义；（三）19世纪中期-20世纪初的主要哲学思想；（四）19世纪末-20世纪上半期诸多哲学流派。
本书不仅是一部俄国哲学史的翻译著作集，而且具有一定的研究和导读性质。编者不仅对所选每一位俄国哲学家有介绍，而且对俄国哲学史的每个阶段和各阶段主要哲学派别的思想特点都做了简要概括和论述。

本书从宗教文化视角研究20世纪俄罗斯文学的几个重要主题。启示录情结是东正教思想的核心，植根于俄罗斯民族的自我意识深处。20世纪的俄罗斯文学始终弥漫着强烈的末世论情绪和启示录期待，这是特定的文化心理与特定的历史时空交汇碰撞的结果。基督主题、索菲亚主题、恶魔主题、生态主题都从不同的视角体现了对救赎理想的重新探索。
本书力图通过对欧洲与俄罗斯文化传统的溯源和对文学文本的分析，探讨其中共同蕴含的末世与救赎的精神结构。在宗教、哲学与文学的关联处发现俄罗斯民族自我意识的特征，考察其民族性格与文化心理、抚触百年来俄罗斯人的精神脉搏，探寻俄罗斯文学的不朽魅力之谜。

A magnificent new biography that revolutionizes our understanding of Stalin and his world
It has the quality of myth: a poor cobbler’s son, a seminarian from an oppressed outer province of the Russian empire, reinvents himself as a top leader in a band of revolutionary zealots. When the band seizes control of the country in the aftermath of total world war, the former seminarian ruthlessly dominates the new regime until he stands as absolute ruler of a vast and terrible state apparatus, with dominion over Eurasia. While still building his power base within the Bolshevik dictatorship, he embarks upon the greatest gamble of his political life and the largest program of social reengineering ever attempted: the collectivization of all agriculture and industry across one sixth of the earth. Millions will die, and many more millions will suffer, but the man will push through to the end against all resistance and doubts.
Where did such power come from? In Stalin, Stephen Kotkin offers a biography that, at long last, is equal to this shrewd, sociopathic, charismatic dictator in all his dimensions. The character of Stalin emerges as both astute and blinkered, cynical and true believing, people oriented and vicious, canny enough to see through people but prone to nonsensical beliefs. We see a man inclined to despotism who could be utterly charming, a pragmatic ideologue, a leader who obsessed over slights yet was a precocious geostrategic thinker—unique among Bolsheviks—and yet who made egregious strategic blunders. Through it all, we see Stalin’s unflinching persistence, his sheer force of will—perhaps the ultimate key to understanding his indelible mark on history.
Stalin gives an intimate view of the Bolshevik regime’s inner geography of power, bringing to the fore fresh materials from Soviet military intelligence and the secret police. Kotkin rejects the inherited wisdom about Stalin’s psychological makeup, showing us instead how Stalin’s near paranoia was fundamentally political, and closely tracks the Bolshevik revolution’s structural paranoia, the predicament of a Communist regime in an overwhelmingly capitalist world, surrounded and penetrated by enemies. At the same time, Kotkin demonstrates the impossibility of understanding Stalin’s momentous decisions outside of the context of the tragic history of imperial Russia.
The product of a decade of intrepid research, Stalin is a landmark achievement, a work that recasts the way we think about the Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself.

本书是同时代人回忆陀思妥耶夫斯基的回忆录合集。本书由苏联著名陀学研究专家多利宁编辑，是研究、了解陀思妥耶夫斯基最基础、最直接的资料。回忆录呈现了多面的陀思妥耶夫斯基，对于理解其人其作颇有助益。
回忆录的作者们引用自己的观察和回忆，引用“事实”；然而，一些个别的“事实”还构不成全部真实。真实是从分析和对比所有的事实中，从考虑所有的矛盾中，从概括全部资料中形成的。对陀思妥耶夫斯基尤其是这样，他的活动始终处于社会矛盾的中心，他的作品常常引起他那一代人的剧烈冲突和互相抵触的评价。
回忆录就是回忆录；不能要求回忆录写得详尽无遗：回忆录作者只提供面貌的特征。认识一个人的面貌在很大程度上取决于对这个人的看法。一部分现象似乎不大重要，被人忘掉；另外一些现象被人主观地加以解释，好些事实在时间上往往颠倒。回忆录总是需要考订，注释。常有这样的情况： 回忆录作者所回忆的那个人太伟大了，作者难于理解他。尽管如此，关于陀思妥耶夫斯基的回忆录还是他的生平经历的重要史料，有助于我们更生动、更深入地了解他的个性和性格，有时候还能阐明他的创作。这些回忆录能比较具体地提供他一生活动中的要点——他同祖国的联系，和俄国生活的联系，与同时代人的联系，——不了解这个要点就无从了解作家。
——俄文版序者 留利科夫

作者通过对“人的救赎”这一问题的沉思，将现实的各个领域纳入其视域，对存在、上帝、自然、社会、国家、战争、民族主义、资产性、金钱、社会主义、爱欲、美感、艺术等，进行了全面的剖析；同时也对自近代以来困扰诸多哲人的自由与客体化问题给出了自己的答案。 本书可谓是别尔嘉耶夫的“百科全书”，囊括了他所有的基本思想，并借以反思其一生的哲学历程，其所触涉的范围之广、力度之深，在别尔嘉耶夫那里也是仅此唯一的。

2018 film directed by Timur Bekmambetov

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

老卡拉马佐夫贪婪好色，独占妻子留给儿子们的遗产，并与长子德米特里为一个风流女子争风吃醋。一天黑夜，德米特里疑心自己的情人去跟老头儿幽会，便闯入家园，一怒之下，差点把老头儿砸死。他仓皇逃离后，躲在暗中装病的老卡拉马佐夫的私生子斯乜尔加科夫悄然杀死老爷，造成了一桩震惊全俄的扑朔迷离的血案，从而引发一连串惊心动魄的事件。作品展示了错综复杂的社会、家庭矛盾和人性悲剧，体现了作家一生的最高艺术成就。

In a remote village in Karelia, Sergeant Vaskov commands an anti-aircraft unit that protects a rail depot. While his men are transferred to the front line, he is reprimanded for their unruly behavior. He retorts that he wants replacements that aren't drunks or womanizers. In response, he is assigned a unit made up entirely of young women, fresh from training.

A touching story about a white Gordon Setter with black ear, who became homeless because of his master's illness. His master, Ivan Ivanovich, a man far from being young, fond of hunting and nature, took a puppy to live with him, despite the dog's black ear being a "shame of nature" to his breed. The man always took his dog, whom he called Bim or Bimka, to hunting in country. Later, however Ivan Ivanovich began to have problems with heart and when the disease became worse was taken to a hospital. His dog couldn't bear waiting for the only person that ever cared for him and set out to find his master. Thus began the story of a homeless dog and his many breathtaking and exciting adventures, encounters of many people, kind and evil, and leads to an unexpected and heart-rending end.

As a result of the Aigun (1858) and Beijing Treaties (1860) Russia had become a participant in international relations of Northeast Asia, but historiography has underestimated the presence of Russia and the USSR in this region. This collection elucidates how Russia's expansion affected early Meiji Japan's policy towards Korea and the late Qing Empire's Manchurian reform. Russia participated in the mega-imperial system of transportation and customs control in Northern China and created a transnational community around the Chinese Eastern Railway and Harbin City. The collection vividly describes daily life of the emigre Russians' community in Harbin after 1917. The collection investigates mutual images between the Russians and Japanese through the prism of the descriptions of the Japanese Imperial House in Russian newspapers and memoirs written by Russian POWs in and after the Russo-Japanese War and war journalism during this war. The first Soviet ambassador in Japan, V. Kopp, proposed to restore the division of spheres of interest between Russia and Japan during the tsarist era and thus conflicted People's Commissar of Foreign Affairs, G. Chicherin, the Soviet ambassador in Beijing, L. Karakhan, and Stalin, since the latter group was more loyal to the cause of China's national liberation. As a whole, the collection argues that it is difficult to understand the modern history of Northeast Asia without taking the Russian factor seriously.

本书是巴赫金最缺乏信心然而也是他最重要的文学批评专著。巴赫金认为，在世界文学的所有伟大作家之中，拉伯雷在俄国最不著名，最缺乏研究，对他的理解和评价也最为不够。巴赫金敏锐的注意到，在近代文学的创建者当中，拉伯雷是最民主的一个，他与民间源头的联系比其他人更紧密、更本质。在这部专著当中，巴赫金极为深刻的注意到民间文化的诙谐问题。